The annual event celebrating art.
Slow Art Day is Saturday, April 11, 2026 Join Us!
Photo by Greg Neville
Slow Art and Perception at Pitzhanger in London
February 24th, 2026For Slow Art Day 2025, Pitzhanger Manor & Gallery in London, England collaborated with Dr. Aleksandra (Sasha) Igdalova, an expert in the psychology of art perception, to host both a self-guided and facilitated slow looking experience centered on the exhibition Alison Watt: From Light.
This marked Pitzhanger’s second slow looking session with Dr. Igdalova, following an earlier event in March. The afternoon workshop brought together attendees of varied ages, many of whom were new to slow looking. Dr. Igdalova opened the session by introducing the research behind slow observation and outlining how careful, sustained attention can transform understanding and support mindfulness. She then guided participants through a 15-minute group slow look at a selected painting, using structured prompts to direct attention and encourage reflection. Between artworks, the group engaged in discussion, with participants increasingly opening up as the session progressed.
The featured exhibition, Alison Watt: From Light, provided a powerful context for the practice. Participants also spent extended time with other works including Peale and The Day After, discovering nuances that many said they would have otherwise overlooked.
According to post-session surveys, 96.67% of participants said they were extremely or very likely to try slow looking again.
Comments from the survey include:
“I experienced a deeper admiration and emotional connection with work I would have otherwise overlooked.”
“No one usually asks me what I think. I liked that.”
“I felt serene and calm. I felt unified with strangers and that was rewarding.”
“The calm and patience to look more deeply at each painting. This transformed the whole experience for me.”These reflections capture why Slow Art Day matters — our favorite is the one about how no one usually asks them what they think. Yes! In this world of extreme inequality, creating a space where every voice is invited and valued matters.
In parallel with the workshop, Dr. Igdalova developed a Self-Guided Slow Looking Guide (below) in collaboration with Pitzhanger Report for Slow Art Day. The guide is now permanently available in the gallery, inviting visitors to pause and reconsider their viewing habits. Staff observed that many visitors who initially spent only seconds per artwork stopped when encountering the guide, reflected on their pace, and chose to engage more deliberately. Some photographed the guide; others took copies home.
To promote the event, Pitzhanger’s communications team produced an Instagram reel featuring Dr. Igdalova’s recorded slow looking prompt layered over exhibition imagery, extending the practice beyond the gallery walls.
We thank Dr. Aleksandra Igdalova and the team at Pitzhanger Manor & Gallery for integrating research, facilitation, and accessible tools into a thoughtful Slow Art Day experience. We look forward to seeing what they come up with for Slow Art Day 2026.
– Ashley, Johanna, Jessica Jane, and Phyl
P.S. You can follow Pitzhanger Manor & Gallery on Instagram and LinkedIn.
Slow Art Club Visits De Iorio Collection in Verona
February 22nd, 2026To celebrate Slow Art Day 2025, the Slow Art Club in Italy organized a special visit to the De Iorio Collection in Verona — one of the largest private contemporary art collections in Italy, with more than 700 works by artists from around the world.
The collection is displayed across several exhibition venues, including a striking former sawmill in Verona that has been thoughtfully renovated by the collector, Mauro De Iorio. The visit was reserved exclusively for the Slow Art Club.
The event began with a presentation by De Iorio, who spoke passionately about his motivations for collecting. He shared that his primary criterion when selecting artworks is their emotional impact, along with a shared interest with artists in social and psychological themes — an approach that closely aligns with the ethos of Slow Art Day, which centers on deep, intentional engagement with art.
Following the introduction, the experience unfolded in two parts: first, individual slow observation of selected artworks; then small-group discussions where attendees shared reflections and insights. The works chosen for the Slow Art experience were all created by female artists and reflected the collector’s personal interests.
Here are some of the artworks they slowly viewed:
a seachange, into something rich and strange, 2023, oil on linen and mixed media.
As is tradition, the group concluded the Slow Art event with a lovely lunch shared by all.
The Slow Art Club in Rovereto, Italy, founded by Piero Consolati, promotes slow-looking with events at different museums and collections across Italy.
Piero tells us that news about the Slow Art Club continues to spread far and wide across Italy and that, for example, one new member traveled 500 kilometers to participate in the 2025 event.
At Slow Art Day HQ, we celebrate the Slow Art Club of Italy, hope more Slow Art Clubs spring up around the world, and look forward to seeing what Piero Consolati and the club comes up with for Slow Art Day 2026.
— Jessica Jane, Ashley and Phyl
Where Art Meets Care: St. Vincent’s Hospital in Melbourne
February 20th, 2026For Slow Art Day 2025, St Vincent’s Hospital in Melbourne, Australia hosted its fourth Slow Art Day, continuing its thoughtful integration of art into healthcare settings. Led by Art Curator, Monique Silk, this year’s event was titled The Slow Art of Landscape: Observing and Transforming the Art of Nina Ryan.
The program centered on the current exhibition of landscape paintings by Melbourne artist Nina Ryan, including:
Participants, including staff, patients, and members of the wider community, were invited to select a painting, spend time observing it slowly, and then create their own image by transforming cut-out photocopied squares of the original artwork into new compositions. The resulting collages reflected personal interpretation, creative play, and deep engagement with Ryan’s landscapes.
Beyond the gallery, the Slow Art Day spirit extended across other campuses. A flyer invited patients to engage in slow looking wherever art was present, in foyers, corridors, courtyards, and even views from hospital windows. The gentle prompts encouraged participants to look, observe, feel, and share. As described in the hospital’s materials, Slow Art requires nothing more than one’s presence and attention — there is no right or wrong way to respond Flyer Slow Art 2025 St Vincents….
At Caritas Christi Palliative Care Hospice, a Slow Art Station was set up in the creative arts room, offering Slow Art card resources and a quiet space for reflection. We at Slow Art Day HQ are deeply touched by this extension into palliative care settings. Wow. We hope that more hospitals and hospices follow St. Vincent’s lead.
We are inspired by how St Vincent’s Hospital Melbourne adapts Slow Art Day to the rhythms of hospital, and hospice, life — offering patients, staff, and visitors an opportunity to pause, reflect, and transform experience through art. We look forward to seeing how they continue to grow this program in 2026.
— Ashley, Johanna, Jessica Jane, and Phyl
Slow Looking at The Getty Center with Maria Gontea
February 18th, 2026For Slow Art Day 2025, Maria Gontea, a Slow Art Day volunteer, led an independent slow looking session at The Getty Center in Los Angeles, California. A small group of art lovers, including children as young as seven, gathered to pause and engage deeply with four selected works from the collection, set against the museum’s striking hilltop architecture and sweeping views of the city.
- Cabinet on Stand by André-Charles Boulle
- Irises by Vincent van Gogh
- Femme Debout I by Alberto Giacometti
- Boating Party by Gustave Caillebotte
Participants spent ten minutes with each work before gathering to share observations and reflections. From the luminous color and movement of Van Gogh’s Irises to the quiet presence of Giacometti’s standing figure, the session emphasized attentive looking and open conversation rather than expertise.
Maria promoted the event through LinkedIn, inviting her professional community to “rediscover the art of seeing.” In her post, she described Slow Art Day as simple by design: look at four works for ten minutes each, then talk about the experience. No rush, no prior knowledge required. While the group was smaller than anticipated, those who attended found the experience meaningful and energizing.
The Getty Center’s setting amplified the spirit of the day. Its gardens, architecture, and panoramic views created a natural transition from the intensity of Los Angeles life into a more reflective mode of engagement. The event demonstrated how anyone can lead a slow looking session simply by showing up and inviting others to do the same.
We thank Maria Gontea for organizing and hosting this Slow Art Day gathering at The Getty Center. We look forward to seeing what she comes up with for Slow Art Day 2026.
— Ashley, Johanna, Jessica Jane, and Phyl