For Slow Art Day 2025, the Museum of Fine Arts Budapest (MFAB) created a thoughtful set of tools and experiences designed to help visitors slow down and engage deeply with artworks throughout the museum’s galleries.
Rather than focusing on a single guided session, MFAB encouraged visitors to explore slow looking independently through several creative formats available throughout the museum. These tools were offered free of charge and invited guests to pause, observe carefully, and spend more time with selected artworks.
One of the most unique elements was a poetry booklet created by Hungarian poet Monika Ferencz, written specifically for the occasion. Visitors could take the booklet and move slowly through the museum while reflecting on short meditative poems and evocative text fragments. The idea was simple but powerful: choose a line, walk through the galleries, and allow the words to shape how you look at the art.

The museum also introduced a “Slow Guide – Step Inside the Painting” audio experience. By scanning QR codes placed next to eight selected artworks, visitors could listen to narrated audio reflections accompanied by music while looking closely at the paintings. This immersive format encouraged visitors to spend longer with individual works and experience them through both sound and sight.
Another activity invited visitors to draw directly in the galleries. Guests could borrow a small folding chair, drawing board, paper, and pencil and spend time sketching details from artworks in the permanent collection. Focusing on small portions of the paintings helped participants notice subtle details they might have otherwise overlooked.

MFAB also extended its Slow Art Day programming into its regular Slow Museum evening series hosted on the 2nd Friday of each month (we love it when museums integrate slow looking into year-round programming!). One highlight was a Slow Writing Workshop led by poet Monika Ferencz and museum educator Szilvia Záray, where participants used slow looking techniques as inspiration for creative writing. The three-session workshop took place in the Old Masters’ Gallery and invited a small group of participants to explore how close observation of artworks can spark new ideas and language.


But that’s not all.
The MFAB provided yet one more guided experience, titled “The Gaze.” It brought visitors together for a one-hour slow looking session in the Dutch portrait gallery. Led by museum educator Szilvia Záray, the session encouraged participants to carefully study facial expressions, posture, and subtle details within the portraits while sharing their observations with the group. Amazing.

Together, these programs demonstrated how a museum can offer many different entry points into slow looking—from poetry and sound to drawing and writing—allowing visitors to discover the approach that resonates most with them, not only on Slow Art Day but throughout the year.
We at Slow Art Day HQ are grateful to the team at the Museum of Fine Arts Budapest for their thoughtful and creative approach. They are an inspiration for us all.
And we can’t wait to see what MFAB comes up with for Slow Art Day 2026.
— Ashley, Johanna, Jessica Jane, and Phyl
— Ashley, Johanna, Jessica Jane, and Phyl
P.S. If you have not yet registered your museum of gallery for Slow Art Day 2026, please do.
For their first Slow Art Day – as part of the large 2025 citywide event in Mexico City, the contemporary gallery PEANA in Mexico City, Mexico hosted an immersive slow looking experience centered on “Their Silhouettes Bristled With Razors,” the first solo exhibition at the gallery by Mexican artist Naomi Rincón Gallardo.
Rincón Gallardo’s work explores themes of contemporary violence, decolonial thought, and ancient Mesoamerican narratives. The exhibition was presented in a dim, atmospheric environment that invited visitors to slow down and spend time contemplating the symbolic imagery and layered storytelling within the works.
The PEANA team welcomed visitors with a brief introduction and encouraged participants to approach the experience with openness and curiosity. Printed reflection prompts were distributed to guide the slow looking process, asking visitors questions about the symbolism they noticed, their first impressions of the artworks, and how their perceptions evolved as they spent more time observing.

The prompts also invited creative responses, encouraging participants to draw, write a poem, or describe their reactions after spending time with the artworks. This simple but powerful structure helped visitors move beyond quick viewing and into deeper engagement with the themes and emotional resonance of the exhibition.
Several works from the exhibition served as focal points for slow looking, including Mechatronic Butterfly, Eclipse I, and Me enterraron boca arriba con la lengua fuera (Tlaltecuhtli). These works combine sculptural elements, video, and mythological imagery to create powerful visual narratives rooted in Indigenous cosmologies and contemporary cultural critique.



By pairing immersive artworks with guided reflection prompts, PEANA created an environment where visitors could slow down, contemplate difficult themes, and engage with the artworks in a personal and meaningful way.
Approximately 60 visitors participated in PEANA’s Slow Art Day experience, making a wonderful contribution to Mexico City’s citywide celebration.
We at Slow Art Day HQ are grateful to the team at PEANA and to Constanza Ontiveros Valdés, who organized the 2025 citywide event. And we are amazed that Ontiveros Valdés has already organized more than 35 galleries and museums for Slow Art Day 2026. We can’t wait!
— Ashley, Johanna, Jessica Jane, and Phyl
P.S. If you have not yet registered your museum of gallery for Slow Art Day 2026, please do.
Wow. Constanza Ontiveros Valdés — an art writer and cultural project leader – has done it again, but bigger and better.
For the second citywide Slow Art Day in Mexico City on April 11, 2026, Ontiveros Valdés has organized more than 50 museums, galleries, artist studios, and independent cultural spaces. She and her volunteer team have also created a website just for their citywide. Photos below are part of their impressive site.

Participating institutions include museums such as Museo del Palacio de Bellas Artes, Museo Vivo del Muralismo and Museo Archivo de la Fotografía, as well as galleries, artist studios, and cultural spaces across the city. Each venue will organize its own program — ranging from guided slow-looking sessions and conversations to workshops and informal gatherings.
As noted, the Mexico City initiative continues to be led by Ontiveros Valdés. This year, she is supported by three enthusiastic and talented volunteers: Alejandra Sánchez Catalán, Shalom Hernández Espinosa, and Rebeca Rosales Reyes, whose collaboration has been key to the project’s expansion.
The initiative is further strengthened by the support of GAMA (Galerías de Arte Mexicanas Asociadas), a network of leading contemporary art galleries in Mexico, and by the cultural platform Artists’ Container, founded by curator and producer Gabriela Andrade Gorab, which fosters collaboration and visibility across artistic communities.
This is a remarkable initiative and is definitely one path for the future of Slow Art Day. We now have two committed citywide organizers – one in Illinois and now one in Mexico City. We hope that more emerge inspired by the success of the efforts of Ontiveros Valdés and her team.
With love and sequins,
Phyl, Ashley, Jessica Jane, Johanna, and Maggie (the Slow Art Day core volunteer team)
P.S. Below are the participating venues:
· ALDO ISLAS ESTUDIO
· ALEJANDRA TOPETE GALLERY
· ALMANAQUE
· AMPLIA GALERIA
· ARRÓNIZ ARTE CONTEMPORÁNEO
· ARTE ABIERTO
· CAM GALERÍA
· CASA ENNEA
· ENCARTE
· ETHRA GALERÍA
· ESTUDIO LA DALIA
· ESTUDIO MARTE
· FIERA ARTE NO DOMESTICADO
· FUNDACION TTAMAYO
· GALERÍA ANDREA POZZO, IBERO
· GALERÍA CAMPECHE
· GALERIA CLAROSCURO
· GALERÍA HILARIO GALGUERA
· GALERIA KAREN HUBER
· GALERIA RGR
· KÖNIG GALERIE
· KURIMANZUTTO
· LAGO ALGO
· LE LABORATOIRE
· LUAN MUSEO EMOCIONAL
· LS GALERÍA
· MARIANE IBRAHIM GALLERY
· MISFIT ART ALLIANCE
· MUSEO ARCHIVO DE LA FOTOGRAFÍA
· MUSEO CASA DE CARRANZA
· MUSEO DEL PALACIO DE BELLAS ARTES
· MUSEO SOUMAYA
· MUSEO TAMAYO ARTE CONTEMPORÁNEO
· MUSEO VIVO DEL MURALISMO
· OMR
· PATRICIA CONDE GALERÍA
· PEANA
· PLAYA ESCANDÓN
· PROYECTO PARALELO
· PROYECTO N.A.S.A.L
· SAENGER GALERÍA
· STUDIO MITOTE
· TALLER CRISTINA TORRES
· TERRENO BALDÍO
· THIRD BORN
· ART TRIGGERIA (HAAB PROJECT CONDESA)
· TINTA NARANJA GALERÍA
· YUNQUE FÁBRICA DE ARTE
· ZONA DE RIESGO
For their first Slow Art Day, the National Museum of Decorative Arts of Ukraine hosted a deeply reflective session centered on memory, community and war via the series “Meals” by Ukrainian artist Olena Pryduvalova.
The featured works, “Beginning of the Buffet” and “Festive Dinner” (2019, acrylic on canvas), explore the emotional significance of gathering around food and shared meals. Pryduvalova originally created the Meals series while reading the book “Yes, but…” by Ukrainian writer Taras Prokhasko. Rather than illustrating the text directly, the artist used the reading experience as a catalyst for reflection, allowing the works to emerge from months of personal memories and contemplation.


According to Pryduvalova, the series explores what unites people and what remains in memory over time: moments of gathering, conversation, and shared meals that mark both joyful and difficult experiences. The ten paintings in the series depict a range of occasions, including weddings, buffets, festive dinners, memorial meals, and quiet conversations between two people.
The diptych shown for Slow Art Day captures two distinct moments within this theme. “Beginning of the Buffet” depicts a quiet scene before guests arrive, when the table is prepared and anticipation fills the air. In contrast, “Festive Dinner” celebrates the joy of coming together.
During the Slow Art Day session on April 5, museum visitors were invited to spend time carefully observing the works and then share their reflections. The discussion soon moved beyond the paintings themselves and into the personal experiences of participants.


Visitors spoke openly about how life in Ukraine has changed in recent years following the Russian invasion. The conversation turned to the meaning of family gatherings and how precious shared meals have become during the war. Participants reflected on how moments around a table—sometimes joyful, sometimes sorrowful—continue to bring people together and strengthen community.
Through these conversations, the artworks became a catalyst for dialogue about memory, resilience, and human connection.
We at Slow Art Day HQ are deeply grateful to the team at the National Museum of Decorative Arts of Ukraine for sharing this moving program and for demonstrating the power of art and slow looking even — and especially — during wartime.
We look forward to what they come up with for this year’s Slow Art Day, which is coming up on Saturday, April 11, 2026.
— Ashley, Johanna, Jessica Jane, and Phyl
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P.P.S. If you have not yet registered your museum of gallery for Slow Art Day 2026, please do.