The annual event celebrating art.
Slow Art Day is Saturday, April 5, 2025 Join Us!
Photo by Greg Neville
McMichael Canadian Art Collection Hosts First Slow Art Day
March 6th, 2025For their first Slow Art Day, the McMichael Canadian Art Collection in Kleinburg, Canada, organized a slow looking and sketching event.
Visitors were encouraged to walk around the museum and look slowly at their chosen works of art. Guided tours were canceled for Slow Art Day in order for participants to experience the art slowly and on their own terms – excellent!
To introduce the concept of slow looking, visitors were also invited to a short explanation followed by a 15 minute self-guided sketching activity in front of an artwork of their choice. The sessions were held in the Founder’s Lounge at the top of the hour during three time-slots. All sketching materials were provided, and visitors were given stools to place in front of their chosen artwork.
Images of participants slow looking and sketching were shared to social media.
We love this simple, creative design and encourage other museums to consider copying some of what the McMichael Canadian Art Collection did for 2024.
And we look forward to what they come up with for April 2025!
-Johanna, Ashley, Jessica Jane, and Phyl
P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/
P.P.S. Stay up to date with other events at the McMichael Canadian Art Collection through their Instagram and Facebook.
The Red Awl Hosts First Slow Art Day
March 5th, 2025For their first Slow Art Day, The Red Awl in Clarkdale, Arizona, featured four tiny ink-on-paper drawings by Karen McClanahan. The drawings were chosen because they align with the mission of The Red Awl to create, exhibit, and promote handcrafted, quirky, and often humorous artists’ books and fine art multiples.
The Red Awl is an artist-run project space located in a 100+ year old building in the small town of Clarkdale, Arizona. The building contains studios, a workshop, a copy room with a vintage Xerox machine, and a 242 square foot office lobby that serves as a project and exhibition space.
On Slow Art Day 2024, visitors were welcomed and asked to sign an antique ledger guestbook, then they were invited to read a short statement describing Slow Art Day along with an introduction to the drawings on view. Since this was the first time The Red Awl hosted Slow Art Day, they opted for a casual event instead of a formal program. The artist, Karen McClanahan, was on site to engage in discussions and answer questions throughout the day. An extra detail is that all visitors were asked to put away their cell phones and not take any photos or videos during their visit. This allowed them to stay present with the drawings and the artist.
Slow Art Day participants were encouraged to look at the tiny drawings – first with an unaided eye and then with a magnifying glass. This allowed them to see the details up close at a similar magnification as the artist had drawn them. The drawings by McClanahan are small – measuring at 1 in. by 1-5/8 in., or slightly larger than a postage stamp. The size of the works offer a unique way to look slowly, as the intimate scale of the artwork requires a close view, making slowing down imperative.
McClanahan meticulously drew the tiny abstract compositions using a Bic ballpoint pen, a Micron pen, a straight edge ruler, a steady hand, and high-powered reading glasses.
After viewing the works, visitors moved on to view a portfolio with the additional original book “plates” and the finished book titled “Ink vs. Ink.” Seeing the larger context of the four works showed visitors how the artist achieved a conceptual book narrative using pure abstraction.
Informal discussions focused on the various allusions to landscape, the human body, architecture, nature, and fabric. There were many questions regarding the drawing technique itself and how the miniature drawings were created using a humble Bic ballpoint pen.
At Slow Art Day HQ, we love this alignment of the small drawings with the mission of the exhibition space (and the magnifying glasses are cool).
We look forward to whatever The Red Awl comes up with for their second Slow Art Day in 2025.
-Johanna, Ashley, Jessica Jane, and Phyl
P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/
Citywide Slow Art Day in France
March 4th, 2025This year, Argentan, France, home of two great 20th century artists, Fernand Léger and André Mare, will be hosting three Slow Art Day events on April 5, 2025.
The three venues participating include the Musée Fernand Léger André Mare, the library network Réseau des Médiathèques Terres d’Argentan, and the digital museum Micro-Folie Mobile.
Citywide events have been an increasingly important part of Slow Art Day.
Small towns like Bloomington, Illinois, and larger cities like Antwerp, Belgium and Philadelphia, Pennsylvania have been hosting multi-venue Slow Art Day celebrations.
We are glad to welcome this Norman town to our movement focused on helping people learn how to slow down, look at, and love art.
– Phyl
P.S. Slow Art Day 2025 is coming up on April 5. Register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/
Slow Art Day with Soup at Caloundra Regional Gallery
March 3rd, 2025For their third Slow Art Day, the Caloundra Regional Gallery in Caloundra, Australia, featured the following five works from “The Local Contemporary Art Prize” exhibition, selected by Gallery Collections Curator Nina Shadforth:
- Itamar Freed, “Tears and Time I Lost” (2023-2024). Kinetic sculpture, water from Maroochy River, artist tears, glass, wood, and metal. 35 x 50 x 47cm.
- Erin Van Der Wyk, “Biodiverse” (2024). Relief print and embossing. Ed. 1/30. 50.8x61cm.
- Michael Civarella, “Cross?” (2023). Acrylic paint, board, hardwood timber frame. 80x70cm.
- Nicole Voevodin-Cash, “Dying Bed” (2023). LANDscan-digital footage, digital print. Ed 1/5. 120x90cm.
- Andrew Bryant, “Fractal Form” (2023). Wheel-thrown sculptural clay, satin matte Crystal Glaze over colored porcelain slips, stoneware fired. 45x50x8cm.
“The Local Contemporary Art Prize” competition started in 2014 and celebrated its 10th anniversary in 2024. It is open to artists living within the Sunshine Coast and Noosa regions, who are invited each year to submit 2D and 3D works across all mediums.
For this year’s Slow Art Day, participants were first welcomed and given an overview of the 2 hour-long event. They were then invited to look slowly at the five artworks for 5-10 minutes each, and then write down their observations.
Below is the multi-page handout they designed for the session. We encourage educators and curators to look at what they’ve done here. It’s worth considering copying.
During the event, music was played on the harp and guitar by local musicians, Graham and Rowena.
Following the individual experience with the artworks, the group gathered in a circle with refreshments to share their observations (pictured below). Slow cooked soups and focaccia were provided, courtesy of the Friends of the Gallery. They also provided a bar with bubbles and wine for purchase. The free event was well-attended, with 38 booked attendees.
At Slow Art Day HQ we appreciate the caring they put into every aspect of this event and love the idea of having soup and bread during the discussion (how cozy!).
We look forward to whatever the Caloundra Regional Gallery team comes up with for Slow Art Day in 2025
-Johanna, Ashley, Jessica Jane, and Phyl
P.S. Stay up to date with events at the Gallery through their Instagram.
P.S.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/