For their first Slow Art Day, the Cameron Art Museum in Wilmington, North Carolina, organized a self-guided viewing activity. They provided visitors with a flyer (shown below) which had a framework for participating and suggested artworks ranging from paintings to quilted art.
Flyer of the event
This is a great flyer/set of instructions. Other museums should feel free to copy anything they’ve done here.
We are glad to welcome the Cameron Art Museum to the Slow Art Day movement and look forward to what they come up with for 2025.
For their first Slow Art Day, the Glengarry Artists’ Collective, a volunteer-driven organization of artists in eastern rural Ontario, Canada, designed “The BIG Show”, an event highlighting local art and artists.
The Collective’s mission is to create programs focused on community, and they encouraged visitors to slowly look at a selection of 149 artworks by 39 artists. About 300 participants attended the event.
Slow looking participants at the Glengarry Collective Slow Art Day event, 2023.
Ahead of Slow Art Day, the Collective posted a promo on their website and printed posters for the venue.
On April 15th, they welcomed participants at the venue and encouraged them to use the following prompts when viewing the artworks:
Look Take time (5 to 10 minutes) and slowly let your eyes wander all over the work. Look at it from different angles and distances.
Observe Notice the colors, shapes, textures and markings on the surface of the artwork. Where does your eye focus?
Feel What words come to mind about this art work? How do you feel looking at this art work? Does it evoke any memories?
Share Share your experience of the work with someone or post an image of the work online with a word of reflection and #slowartday2023.
Slow looking participants at the Glengarry Collective Slow Art Day event, 2023.
Slow looking participant contemplating an image from a distance at the Glengarry Collective Slow Art Day event, 2023.
The hosts Alison Hall and Yvonne Callaway toured the venue, looking and talking with visitors. They agreed to let the audience choose the works they wanted to look at slowly, rather than imposing a selection on them. The photos above offer a sense of the engagement generated. They told us at Slow Art Day that, “There was lots of art talk, more than at most shows. People engaged with the works and each other.”
We love that the Glengarry Collective was able to bring out so many people in rural Canada and look forward to what they come up with for Slow Art Day 2024.
– Ashley, Johanna, Jessica Jane, and Phyl
PS. Stay up to date about events by the Glengarry Collective via their Facebook page
Slow Art Day has come to the Sierra Nevada Santa Marta in Colombia, known as the ‘Heart of the World’ to the indigenous communities who inhabit the coastal mountains and valleys.
Photographer Natasha Johl organized this first Slow Art Day at Sonidoselva, a cultural center in Minca. After giving a short speech describing the simple methodology of slow looking, Johl invited participants to look slowly at her photography exhibition Dream Weaver, which presents a series of photographs taken over nine years that represent the ordinary, simple, and often overlooked moments of life.
In a world where images shout at the viewer, I believe there is a dignity in silence.
Natasha Johl
Generous Dreamer Unframed Giclee. Natasha Johl.
As we Watch Unframed Giclee Print. Natasha Johl.
The main subject of her photos are the indigenous group of the Arhuacos, which descend from the Tairona, an ancient South American civilization that now reside in the Sierra Nevada de Santa Marta. The Arhuaco have developed an understanding of the earth, which gives equal measure to the human mind and spirit and the forces of nature.
Natasha Johl (on the left) and members of the Arhuacos (on the right).
Slow Art Day visitors engaging in the exhibition (we love the light in these photos).
We at Slow Art Day HQ love that slow looking at art has made it to the ‘heart of the world’ and we look forward to seeing what Johl and her colleagues put together for Slow Art Day 2024.
For their 8th Slow Art Day, the Art Gallery of Ontario (AGO), one of the largest art museums in North America, invited participants to join one of two slow looking offerings with the AGO collection: either by designing their own slow looking tour, or by joining a guided tour.
Participants engaging with “Paysage du Midi et deux enfants” by Pierre Bonard (note the slow motion captured in each of the photos from AGO)
For the guided tour, one of the AGO’s art educators asked participants to look at three artworks:
Participants engaging with “Unearthed – Midnight” by Otobong Nkang
AGO curator Mellisa Smith reported that the post-looking conversation gained momentum through the tour as people became more comfortable sharing. This was a function of the trust participants built with each other as they experienced the act of looking at the art through each other’s eyes.
For the final session of the guided tour, the AGO hosts asked participants to wander slowly across the entire length of Tintoretto’s painting, “Christ Washing His Disciples’ Feet.” Specifically, they asked observers to pay attention to a trick with perspective that occurs with this painting. When viewed from the side as one slowly walks its length, Tintoretto’s painting seems to emphasize the gaze of the disciples towards Jesus, thus focusing the viewer on his status as the main subject. This is truly a painting which needs to be seen slowly.
Participants slow looking at (and moving around) “Christ Washing His Disciples’ Feet” by Tintoretto
When asked if they would do anything differently next year, the AGO told us two things:
In the future, they hope to try a more densely curated space, and investigate how participants are able to center themselves in a more chaotic space.
They would like to also avoid choosing artwork with in-depth wall texts, as visitors couldn’t help but to read the labels (understandable!)
We encourage art educators and curators to listen to an episode of the CBC Commotion podcast series hosted by Elamin Abdelmahmoud and featuring AGO curator Melissa Smith – Slow Art Day and the value of lingering. Smith mentions a point that we always like to reinforce about slow looking: it is about building your own meaning with a piece, and you don’t have to have any prior knowledge of art or the piece to do that. Yes! That indeed is the power of slow looking.
We really appreciate the Art Gallery of Ontario’s long-term commitment to Slow Art Day, and can’t wait to see what they come up with for Slow Art Day 2024.
For their first Slow Art Day, the Museo Universidad de Navarra, in the heart of Pamplona, Spain, invited participants to look slowly at three contemporary works for art:
“Incendi” (1991), by Antoni Tàpies
“Untitled” (1969), by Mark Rothko
“El número y las aguas I” (1978), by Pablo Palazuelo
Antoni Tàpies. 1991. Incendi. 251 x 603
“Untitled” (1969), by Mark Rothko.“El número y las aguas I” (1978), by Pablo Palazuelo.Slow Art Day at the Museo Universidad de Navarra
The museum offered free tickets, which sold out in a couple of days – slow looking is in demand around the world!
The team at the museum reported that participants were excited to look slowly, share their impressions, and see through each other’s eyes.
Importantly, the museum itself enjoyed hosting their first Slow Art Day and plans to participate again next year. We look forward to seeing what they come up with for 2024.
Lee Bul, Installation 5. Photo credits: Hossein Sehatlou
Art Educator Jonna Kihlsten chose Lee Bul’s art, in part, because she approaches her work both philosophically and with a focus on the observer’s physical experience. As a result, her work opens space for contemplation, reflection and philosophical conversation (and, obviously is great for slow looking).
For the event, philosophy teacher and consultant Mathias Tistelgren led a slow viewing and discussion on Lee’s work Scale of Tongue.
Mathias Tistelgren engaging with the audience. Photo credits: Anna-Lena Åsemyr
We at Slow Art Day HQ are fans of Lee Bul’s art – and really love the idea of having a philosopher lead slow looking sessions. We can only guess what the Gothenburg Museum of Art will come up with for their 5th Slow Art Day in 2024.
– Jessica Jane, Johanna, Ashley, and Phyl
P.S. If you want to keep updated with the Gothenburg museum, check out their Instagram and Facebook accounts.
For their fourth Slow Art Day, the Open-Air Museum Europos Parkas, in Vilnius, Lithuania, organized a plein-air slow looking session with their participants.
Europos Parkas is a 55 hectare (136 acre) open-air museum situated in the center of Europe that began as a relaxing place in the forest where artists, sculptors, and people around the world could meet, and eventually transformed into an open-air museum with modern sculptures and landscape art.
Slow Art Day at Europos Parkas
On the 15th of April, participants where invited to slowly experience three different sculptures:
“Gintarė/electricity” by Evaldas Pauza (Lithuania)
“Conjuror” by Magdalena Abakanowicz (Poland)
“Space of Unknown Growth” by Magdalena Abakanowicz (Poland)
“Gintarė/electricity” by Evaldas Pauza
“Conjuror” by Magdalena Abakanowicz
“Space of Unknown Growth” by Magdalena Abakanowicz
Participants were encouraged to pay close attention to their breathing, all while taking note of the colors, sounds, and smells surrounding them – and even being blindfolded so they could focus on touch.
After the slow viewing, art facilitator Karen Vanhercke led a discussion encouraging participants to make mindful connections between themselves and the surrounding nature, art, and other participants. To make the event more inclusive, discussions were conducted in English with Lithuanian translation. Tea and biscuits were also served.
Participants engaging with sculptures and nature on Slow Art Day
At Slow Art Day HQ, we love the creativity of the Europos Parkas team and look forward to seeing what they come up with in 2024.
For their third Slow Art Day, educators and docents at Grounds for Sculpture (GFS) in Hamilton, New Jersey, invited visitors to slow down and look at any four different sculptures.
Torqueri XIII. Grounds for Sculpture.
Staff in front of Arch II. Grounds for Sculpture.
Participants in front of Eolith. Grounds for Sculpture.
Participants engaging with Dorian. Grounds for Sculptures.
While looking slowly, participants were asked to consider the following prompts:
Observe: Take a deep breath, walk around the sculpture and let your eyes move slowly around the artwork – from where it touches the ground all the way up to the sky. What do you notice? Make three observations based on what you noticed.
Share: Think of a story or experience this sculpture reminds you of – anything that comes to mind. Think of a friend that you want to share this sculpture with; why does this person come to mind?
Reflect: What do you notice about the sculpture now that you did not see at first glance? How does this change your impression of the sculpture? If you’re with others, share your responses. Did they have similar or different thoughts on the sculpture?
Repeat: If you are up for the Slow Art Day challenge, then repeat this excercise with three other sculptures. What new question might you pose for slow looking? Add it to your next slow look.
Here are a few of the visitor observations while slow looking at the sculpture Dorian, which proved to be one of the most popular pieces for Slow Art Day according to GFS docent Adria Sherman:
A child noticed the triangles, diamonds and octagons. Another thought it was a spaceship. A young woman visiting from California saw a hummingbird sipping water and appreciated the effect of clouds on the reflections. The most touching and personal interaction I had was with a couple holding hands. They viewed the sculpture as a living person and its reflection on the surrounding water as the memory of the deceased individual that lives on in the mind of loved ones.
Adria Sherman
Sherman also mentioned that Slow Art Day 2023 created one of the best visitor experiences she has witnessed in her long tenure at Grounds For Sculpture.
At Slow Art Day HQ, we always love reading about what the team at GFS designs for their annual event, and we look forward to seeing what they come up with for their fourth Slow Art Day in 2024.
– Jessica Jane, Ashley, Johanna, and Phyl
P.S. Stay up to date with events at GFS via their Facebook and Instagram pages.
Flyer of the exhibition “Two Millenia of Changing Faces: Gloucester’s Architecture.”
For the event, visitors were encouraged to slow down and look closely at each piece for 5-10 minutes so that they could ponder how architecture has inspired and shaped stories of Gloucester’s people, culture and industry.
At Slow Art Day HQ we look forward to their next year’s event!
For their third Slow Art Day, the Art Gallery of St. Albert, Canada, organized an in-person slow looking event focused on their current exhibitions, which were promoted on their Facebook & Instagram.
St. Albert’s Slow Art Day Flyer
For the event, the museum prepared a slow looking guide with prompts and questions (see below).
We at Slow Art Day HQ like the simplicity and clarity of their guide and recommend that educators and curators around the world take a look at this and consider copying their approach for future slow looking events.
