Two Resurrections: Slow Art Day at Sint-Pauluskerk

Sint-Pauluskerk in Antwerp, Belgium, hosted its fourth Slow Art Day event with a focus on the theme of “Resurrection”.

The event featured a comparison between the “Resurrection of Christ” by Aenout Vickenborgh, and Peter Paul Rubens’s painting with the same title, both of which are on display in the church.

Peter Paul Rubens, The Resurrection of Christ, 1611-1612.
Oil on panel, 138 x 98 cm.
Cathedral of Our Lady in Antwerp.
Aernout Vinckenborgh, Resurrection of Christ, 1615-1620.
Oil on panel, 223 x 166 cm.
Courtesy of Saint Paul’s church, Antwerp.

On April 10, church visitors were invited to participate in a guided 45-minute session to view the paintings. The session featured slow looking, which was followed by discussion and detailed comparisons of the paintings by the guides. Due to continued pandemic restrictions, sessions were capped at 10 visitors per group, with only 15 people allowed in the church at the same time.

The church also created a short documentary for those who could not come in person. This was shared via email to their 1,500 subscribers. The documentary was also shared to the church’s Facebook page.

Below is a link to the video, but keep in mind that it is available only in Dutch.

Armand Storck, scriptor for Sint-Pauluskerk, hopes that their planned video production for Slow Art Day 2022 will include English subtitles to reach an international audience.

“Der Verrijzenis” (in English “The Resurrections”) created by Sint-Pauluskerk, 2021.

The in-person event was attended by 45 people in total, and the documentary video has been viewed by 2,500 people via Facebook and YouTube combined. Viewers of the video responded positively.

“Nicely presented, informative, pleasant. Thanks to the volunteers and to Armand for the introduction.”

“Incredibly beautiful, congratulations to the whole team!”

Participant responses to the “Der Verrijizenis” video on Facebook (translated from Dutch).

At Slow Art Day HQ, we love that Sint-Pauluskerk opens its doors for Slow Art Day with a theme that fits the church calendar. The alignment of slow looking exercises with the reflective period of lent works beautifully. We hope that more churches, synagogues, mosques and other religious organizations are inspired by their approach.

We look forward to another event from Sint-pauluskerk in 2022.

Johanna, Jessica, and Ashley

What’s in a Name? Titles and Emotions at MART

On April 10th, the Museo di Arte Moderna e Contemporanea di Trento e Rovereto (MART) in Rovereto, Italy, organized a virtual Slow Art Day event that focused on re-titling artworks based on participants’ emotional experiences of slow looking.

Images of three artworks from the MART collection were emailed to the 15 registered participants ahead of joining a Zoom session. Once in the virtual session, participants were given 45 minutes to look slowly at three artworks. They then split into 3 discussion groups, each led by a coordinator, that focused on the emotions and observations of the participants while viewing the works. Participants were then asked to give each artwork their own title based on emotions experienced during the slow looking. The day after the session, participants were sent a brief profile of each artwork that included the emotional titles, the actual title, and the name of the artist, date, and art movement.

Below is one of the artworks along with a word cloud of the emotional titles given by the participants. Some of these translate to: “Disgust”, “Towards tomorrow?”, “Artist’s self-portrait”, “Who am I?”.

Arnulf Rainer, Splitter, 1971
Pastel and oil on photography, cm 60,5 x 50,5, Mart
Titles assigned to the artwork by the participants.

The event was well recieved by all the attendees, with one participant commenting:

“See how this way of following art stimulates a lot of creativity in us. Beautiful. We are like amateur jazz improvisers, extemporizing on a score!”

Participant Quote

That’s right. Slow looking is like jazz improvisation. We love this design of MART’s first official Slow Art Day event and hope that others decide to copy this.

Note that their Slow Art Day was not their first slow looking series. In 2020, local art enthusiast and MART member Piero Consolati approached Denise Bernabe, the Membership Coordinator at MART, about the possibility of organizing slow art sessions. Thanks to their initiative, MART has hosted nine slow art sessions since May 2020, which are now held monthly at the museum (so far, mostly virtually).

At Slow Art Day HQ we are delighted that slow looking has become a staple activity for the MART Museum. Denise Bernabe and Piero Consolati share updates with us about the status of slow art at MART throughout the year.

We look forward to MART’s continued events throughout the year, and their celebration of Slow Art Day in 2022.

– Johanna, Jessica and Ashley