Slow Yoga and Photography at MOMus Thessaloniki

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For their sixth consecutive Slow Art Day, MOMus-Museum of Photography in Thessaloniki, Greece, hosted yoga and slow looking with a focus on the photography of the Greek photographer Elli Sougioultzoglou-Seraidari (1899 – 1998), also known as “Nelly,” or by her studio stamp name “Nelly’s.”

Sougioultzoglou-Seraidari is best known for her photos of Greece between the First and Second World Wars, which shaped the Western imagination of that country. After the outbreak of World War II, she lived in the US where she continued her photography before eventually returning to Greece.

Elly Sougioultzoglou-Seraidari (Nelly’s) The Old town of Chania, Crete, 1928
© Benaki Museum Photographic Archives
Elly Sougioultzoglou-Seraidari (Nelly’s) From the series “Easter Parade,” New York, April 1956
© Benaki Museum / Photographic Archives
Elly Sougioultzoglou-Seraidari (Nelly’s). From the series “Constructions and Buildings in New York,” April 1956 © Benaki Museum / Photographic Archives

For the Slow Art Day event, photographer and certified yoga teacher, Ioanna Fotiadou, first led participants in a short yoga practice aimed at all levels of experience. She guided them to move slowly and remain in the yoga positions while focusing on the present moment.

Slow Art Day Yoga session at MOMus

This was followed by a slow viewing of selected works from the exhibition, which participants observed for 10 minutes each. At the end of the session, they discussed their experience with the museum curators while drinking coffee and enjoying views of the sea.

Participants looking slowly at photography in the exhibition.
Group discussion for Slow Art Day.

At Slow Art Day HQ, we love that yoga, mediation, and mindfulness continue to be a part of our movement – such as the one held at the Swedish National Museum in 2023 or in Ireland in 2024 at West Cork Arts Center.

We also love the passionate participation of MOMus Thessaloniki in Slow Art Day and look forward to seeing what they come up with for Slow Art Day 2025.

-Johanna, Ashley, Phyl, Jessica Jane

P.S. Stay up to day with events at MOMus Thessaloniki via Facebook and Instagram.

Cline House Gallery Hosts First Slow Art Day

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For their first Slow Art Day, Cline House Gallery in Cornwall, (Ontario) Canada, invited the public to look slowly at art by Giuseppe Di Leo, who was in attendance at the event.

Slow Art Day poster.

On arrival, participants were given a handout with slow looking prompts that first instructed them not to read anything about the artworks before looking at them. We at Slow Art Day HQ love this instruction – and have even seen hosts hide all artwork info – because it really encourages the viewer to slow down and build their own personal relationship with the art first.

Participant looking slowly at art by Giuseppe Di Leo during the Slow Art Day event.
Participants looking slowly at art by Giuseppe Di Leo during the Slow Art Day event.

Participants were instructed to find any work in the Gallery that they felt drawn to and look at it slowly, using the below prompts to guide them through their experience.

QUEST – TO SLOWLY LOOK AT ARTDownload

After the individual slow looking, gallery educator Sean George and the featured artist, Giuseppe Di Leo, led a discussion with participants about their slow looking experience. At Slow Art Day HQ, we love to see artists participating directly in the slow looking event, and believe it is just as rich of a discovery for them to see how their works are perceived by the viewers as it is for the slow lookers.

Artist Giuseppe Di Leo with one of his artworks.

Visual Arts Coordinator, Emily MacLeod, reported that the event was a success and the Gallery is already looking forward to hosting their second Slow Art Day in 2025. We are excited to see what they come up with next.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at Cline House Gallery through Instagram.

Cliffe Castle Museum hosts 5th Slow Art Day

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For their 5th Slow Art Day, Cliffe Castle Museum (part of Bradford Museums and Galleries), in Bradford, England, invited visitors to look slowly at 5 artworks:

  • Butterfield family stained glass window
  • A painting of Napoleon III
  • Evolution tapestry
  • Cliffe Castle Ballroom by Marie-Louise Roosevelt Pierrepont (no image was provided, but you can view similar works by the same artist).
  • Mistle Thrush by Liza Dracup

Image credit: Visit Bradford

Butterfield family stained glass window
Image credit: Bradford Museums and Galleries

Napoleon III
Image credit: Bradford Museums and Galleries

Castle curators guided Slow Art Day participants on a tour to see the selected works of art and castle features. Others who wanted to look on their own were provided with a map showcasing the location of each of the selected objects, as well as a list of prompts (see the map and prompts below). Lowri Jones, Curator of Collections at Bradford Museums, reported that participants left great feedback about the format.

Love this map. How fun to see our turtle spread across the museum.

We also love the inclusion of architecture, which, of course, makes sense with a castle. Having said that, we encourage other institutions to see if there is a way to incorporate parts of their building, architecture or landscape into their Slow Art Day events.

We look forward to whatever Cliffe Castle Museum and Bradford Museums and Galleries come up with for Slow Art Day 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at Bradford Museums and Galleries via their Facebook, Instagram and X profiles.

The Significant Blue Bead at Gorgas House Museum in Alabama

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For their third Slow Art Day, the Gorgas House Museum, which is the oldest dwelling on the campus of the University of Alabama, hosted an event focused on a bohemian blue bead that was found behind the museum and is believed to have once belonged to an enslaved person.

Slow Art Day coordinator, Dr. Sharony Green, Associate Professor at the Department of History at the University of Alabama, asked her students to study the bead and slavery in advance of the event, then create art based on their study (some even created haikus). She then invited the campus and local community to slowly look at the bead and hear about the students’ work.

Visitors were also invited to use bead stations that were set up in the front parlor of Gorgas House to make a blue bead bracelet to commemorate the event.

Photo of one of Dr Green’s Students. Photo by Sharony Green.
Photo of two UA anthropologists studying the blue bead. Photo by Sharony Green.
Slow Art Day: The Blue Bead Project
A Blue Bead (WordPress)

Above is a preview/link to the website they used to promote the project.

The bead station at Gorgas House before the event began. Photo by Sharony Green.

Dr. Green gave us some history about the bead:

The bead was found in an outdoor cooking area and was likely owned by an enslaved person. Some researchers believe it arrived via the Pacific Northwest and was brought to the Deep South via an indigenous trade network and that it was subsequently used as a protection amulet by an enslaved worker. While we speculate, we can also study the bead and sort through its significance during the antebellum period.

Dr. Sharony Green

Here’s a link to view some of the projects from Dr. Green’s students: Blue Bead Project Catalogue, and below you can scan a few of their photos and videos. All students took either an introductory level History class or an upper level History class taught by Dr. Green.

At Slow Art Day HQ we love how Dr. Green designed this whole Slow Art Day program – and that one small object, a bead, and its deep historical significance, became the point of inspiration for Slow Art Day. Thank you to Dr. Sharony Green, and her students, for such a unique event, and we look forward to whatever they come up with for Slow Art Day 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with future events at the Gorgas House via their social media @TheGorgasHouse

A friendship bracelet and student sewn piece. Photo by Rebecca Johnson.

Locals Sketch for Slow Art Day at the Art Gallery of St. Albert

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For their 2024 Slow Art Day (their fifth!), the Art Gallery of St. Albert in Canada invited local sketch groups to visit the exhibition Threading Through Time by Jamaican visual artist Raneece Buddan. Director Leah Louden told us they chose to focus on Raneece’s exhibition, in part because her work “rewards the viewer with lots of fine details you only discover through careful observation.”

Slow Art Day participants sketching works by Raneece Buddan, Threading Through Time (exhibition view), 2024. Photo by Brenda Lakeman.
Slow Art Day participants sketching works by Raneece Buddan, Threading Through Time (exhibition view), 2024. Photo by Brenda Lakeman.

This year, the museum decided to partner with a series of local organizations who could bring in “sketch groups” including the Edmonton Art Club, The Federation of Canadian Artists Edmonton Chapter, Sketch Around YEG Club, and the St. Albert Visual Arts Council Guilds.

Upon arrival, the groups were offered both free refreshments and free drawing materials. In total, over 30 visitors joined. Some participants stayed for an extended period of time, spending 2 hours drawing and slowly appreciating the artwork.

All visitors were encouraged to choose a single artwork in the show, and then look and sketch slowly. The museum also provided prompts (see below – and feel free to copy!).

slowartdayDownload

Staff were on hand to answer questions and more in-depth information about the art and about the process of slow looking/sketching.

We can’t wait to see what the Art Gallery of St. Albert comes up with for their next Slow Art Day event in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at the Art Gallery of St. Albert via their social media: @ArtGalleryofStAlbert on Facebook and Instagram

The Barnes Foundation Hosts Their 5th Slow Art Day

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For Slow Art Day 2024 – their 5th Slow art Day, the Barnes Foundation in Philadelphia invited visitors to look slowly at five artworks from their collection:

  • Cezanne’s Card Players
  • Soutine’s Flayed Rabbit
  • Renoir’s Before The Bath
  • Claude Monet’s The Studio Boat
  • Picasso’s Young Woman Holding a Cigarette
Paul Cézanne. The Card Players (Les Joueurs de cartes), 1890–1892, Oil on canvas. The Barnes Foundation, BF564.
Chaim Soutine. Flayed Rabbit (Le Lapin écorché), c. 1921, Oil on canvas. The Barnes Foundation, BF333. © 2024 Artists Rights Society (ARS), New York / ADAGP, Paris
Pierre-Auguste Renoir. Before the Bath (Avant le bain), c. 1875, Oil on canvas. The Barnes Foundation, BF9.
Claude Monet. The Studio Boat (Le Bateau-atelier), 1876, Oil on canvas. The Barnes Foundation, BF730.
Pablo Picasso. Young Woman Holding a Cigarette (Jeune femme tenant une cigarette), 1901, Oil on canvas. The Barnes Foundation, BF318. © 2024 Estate of Pablo Picasso / Artists Rights Society (ARS), New York

After looking slowly at these artworks, the many participants went to the Kean Family Classroom for an opportunity to talk together. This is the moment that Slow Art Day becomes community – a time to reflect, see through each other’s eyes, and create both intimacy and joy.

Led by Michael Williamson, Senior Instructor in Adult Education, the discussion among the participants was indeed so good – people felt so connected to the art and to each other – that it went way beyond the scheduled time allotted for it.

Giving expression to the exuberance that everyone felt, Williamson called the event a “resounding success.”

Below you will find a photo from the conversation – and their very cool handout (feel free to copy!).

Slow Art Day participants engaging in discussion in the Kean Family Room

The Barnes Foundation Slow Art Day hand-out.

In terms of marketing, the Barnes Foundation promoted Slow Art Day on their website, Instagram, and Facebook.

At Slow Art Day HQ we get inspired by these reports that come in from around the world – from big museums, and small, to highly influential organizations like The Barnes.

The Barnes, which has a long history of fostering slow looking at art, has become a great leader in our global movement and we look forward to seeing what they come up with for 2025, which also happens to be their centennial year.

– Johanna, Ashley, Jessica Jane, and Phyl

“Tell Me Stories”: Slow Art Day at Angel Ambrose Fine Art Studio

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This year the city-wide Slow Art Day phenomenon continued in Bloomington, Illinois, with 20(!) participating museums and art galleries. And, for the third year running, Angel Ambrose Fine Art Studio participated.

For their contribution to the citywide Slow Art Day, Angel Ambrose featured “Tell Me Stories”, a painting that had been on long-term loan at Illinois State University’s Alumni Center on Michigan Avenue in Downtown Chicago.

Angel Ambrose, “Tell Me Stories”. Over 3 1/2’ x 4 1/2’.

On Slow Art Day, Angel invited visitors of all ages to the studio gallery to take a slow look and hear about the stories behind the painting between 10 AM – 2 PM.

Angel welcomed all participants and asked them to take 3-5 minutes or more to contemplate “Tell Me Stories” or another artwork using some of the following prompts for slow looking.

She came up with some good prompts, as you see below.

—- Prompts

For your head (objective thought/intellect) you can consider any of the following:

  • What did you see?
  • What decisions did you notice that Angel made in her painting—line, color, texture, form, repetition, contrast, etc?
  • Was there a color scheme/theme apparent?
  • Notice the paint—can you see individual brushstrokes, or a smooth surface, or perhaps another tool was used to apply the paint?
  • How was movement used in the artwork?
  • Was the piece representational, abstracted, or somewhere between? Why do you think Angel chose this format?

For your heart (feelings/emotions), consider the following:

  • How did you feel when you looked at the work?
  • Did the colors evoke any emotions?
  • What did these feelings make you think about?
  • Did your mood change after looking at the artwork?
  • Did you experience any personal significance to the piece?

Artist Angel Ambrose and her “Management of Time” triptych at Angel Ambrose Fine Art Studio.

During the day, visitors could also visit any of the 20 Bloomington Slow Art Day locations free of charge. The day concluded with a closing reception at The Hangar Art Co. from 2 – 4 PM for participants from all venues.

The Eaton Gallery was the first to host a Slow Art Day in Bloomington. In 2020 at the height of the pandemic, they organized a walk up/drive by exhibition. Then in 2022 Eaton and other Bloomington galleries pioneered hosting a city-wide Slow Art Day – and Angel Ambrose was in that original group.

At Slow Art Day HQ we have eagerly followed the growth of Slow Art Day in Bloomington along Route 66. We (unsurprisingly) like to take things slow, but the fast spread of the citywide movement in Bloomington (and now around the world) both calms and excites us.

We can’t wait to see what Angel Ambrose Fine Art Studio comes up with for Bloomington’s citywide Slow Art Day in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at Angel Ambrose Fine Art Studio via their Facebook page.

P.P.S. We are hearing rumors that the state of Illinois might host a *statewide* Slow Art Day in 2025. Stay tuned.

Revelatory Slow Art Day at Maryhill Museum of Art

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For their fourth Slow Art Day, Maryhill Museum of Art in Goldendale, Washington, invited visitors to join their Curator of Education, Sorcha Meek Paul, in a lively and ‘revelatory’ slow looking session focused on two paintings in the museum’s 2024 exhibition “Wallula to the Sea”, curated by Steve Grafe.

The two paintings were:

  • ‘Journey’ by Chinook artist Greg A. Robinson
  • ‘Wallula to the Sea’, a quadriptych, by Erik Sandgren

Sorcha Meek Paul presenting Erik Sandgren’s artwork ‘Wallula to the Sea’ for Slow Art Day, 2024.

Sorcha Meek Paul with a participant, engaging with Erik Sandgren’s artwork ‘Wallula to the Sea’ for Slow Art Day, 2024.

Slow looking at ‘Wallula to the Sea’ for Slow Art Day, 2024.

Slow looking at Chinook artist Greg A. Robinson’s artwork, titled ‘Journey’, for Slow Art Day, 2024.

Ahead of Slow Art Day, the event was advertised via the museum’s website, Instagram and Facebook accounts. Sorcha also shared a post on her personal Instagram account. On the day itself, visitors responded to the invitation for “lively discussion” and participated in an interactive session with Sorcha (as we can see in the photos).

On the museum’s website, two lines in the description of the event caught our attention whilst writing this report – they point to the ‘revelatory’ nature of their Slow Art Day:

Looking creates dialogue which then reveals details, understanding, and life-long skills for looking at and connecting with art and art museums. No experience necessary.

Maryhill Museum of Art website (invitation to the Slow Art Day event)

This sums up the principle of Slow Art Day in a beautiful way. Thank you, Maryhill Museum of Art for these words, and for your great event.

We can’t wait to see what you come up with for Slow Art Day 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with all events at the Maryhill Museum of Art via their social media: @maryhillmuseum

First Slow Art Day Held in Athens, Greece

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This year the B&E Goulandris Foundation in Athens became the first museum in the Greek capital to host a Slow Art Day event.

The Foundation’s Slow Art Day included more than 200 visitors who looked slowly at these four artworks from their permanent collection:

  • “Caparisoned horse”, a funerary figurine from China’s Tang Dynasty (8th century)
  • “The Red Fish” by A.R. Penck on the second floor
  • “Large Study in Cadmium Red” by George Rorris on the third floor
  • “London Cityscape Piccadilly Circus I” by Chryssa on the fourth floor
The Red Fish by A. R. Penck, 1982 – one of four artworks chosen for Slow Art Day.

Visitors were invited to take a leaflet with slow looking prompts for their session, and were encouraged to keep it for their next visit. Facilitators also encouraged all visitors to discuss their Slow Art Day experiences with friends as well as to share on social media, using the hashtag #SlowArtDay.

Separately, The Foundation also co-hosted two mindfulness sessions with art historian, educator and mindfulness instructor Lydia Petropoulou.

Those sessions focused on Friedensreich Hundertwasser’s work “Ninety-nine Heads”, with the first session being for both adults and children aged 7+, while the second one was for adults only.

99 Heads by Friedensreich Hundertwasser, 1952.

The mindfulness sessions, they said, aimed to help participants become active, conscious viewers, encouraging them to draw information from what they see and feel instead of what they already know.

The B&E Goulandris Foundation submitted over 100 photos from their event for this report, which capture the beauty of slow looking at a range of the museum’s collection (we have included a few of those photos below our signature line).

We can’t wait to see what the B&E Goulandris Foundation comes up with for Slow Art Day 2025!

-Johanna, Ashley, Jessica Jane, and Phyl

See a selection of photos below.

Boston Athenaeum Hosts First Slow Art Day

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For their first Slow Art Day, Boston Athenaeum in Massachusetts invited participants to join one of four 30-minute slow looking and discussion sessions. (Note: As well as being a museum and cultural center, the Athenaeum is also one of America’s oldest member supported libraries.)

Slow Art Day participants being led in discussion by a docent. Photo by Fritz Holznagel.

The slow looking sessions were led by volunteer docents as well as the children’s librarian. The docents selected the works of art for slow looking, including works by Bradley Phillips, Allan Rohan Crite, and Polly (Ethel) Thayer.

The Empire City, 1987. Bradley Phillips (American, 1929–1991).

Marble Players, 1938. Allan Rohan Crite (American, 1910–2007).

Self Portrait, 1943. Polly (Ethel) Thayer (1904–2006).
Donald Starr, 1935. Polly (Ethel) Thayer (1904–2006).

Visitors to the Athenaeum who didn’t participate in the scheduled slow looking sessions were offered a slow looking hand-out (attached below), and were invited to select a piece of art for their own slow looking. They also received a blank piece of paper, clipboard and pencil to help them sketch and/or list what they were noticing.

Slow-Art-Day-handoutDownload

We are so glad to welcome the Boston Athenaeum to the global slow looking movement and are eager to see what design they come up with for Slow Art Day 2025.

– Johanna, Ashley, Jessica Jane, and Phyl.

PS. You can find details of other events at the Boston Athenaeum via their Instagram or Facebook page.