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Harn Museum Mixes Cookies and Tea with Slow Looking

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For their 7th Slow Art day, the Harn Museum of Art, located on the campus of The University of Florida in Gainsville, featured 5 artworks from their collection, including:

– Dogon Couple, by Kehinde Wiley
– Northeast Gorge at Appledore, by Childe Hassam
– Pli Selon Pli, by Akiyama Yo
– Waiting for the Signal, by Robert Fichter
– Horizontal Mask (korubla), by a Senufo artist

Host Allysa Peyton, Curator and Student Engagement Manager, and a group of University of Florida student ambassadors greeted participants with a flier that spelled out instructions, featured art works, and space to draw or take notes (see below).

Slow Art Day 2022 worksheet – Allysa Peyton
Harn Student Ambassadors welcome visitors.



The Harn instructed attendees to spend 10-12 minutes with each of the five featured artworks and encouraged them to not only draw or make notes, but also to reflect on the experience of looking slowly – and how what they see in the art may change over time.

After the slow looking session, everyone then gathered for tea, cookies, and discussion.

Educators and curators in the slow looking movement should take a look at their simple flyer (attached above) and consider copying elements of their approach for future sessions.

Akiyama Yo, Pli Selon Pli, 2002
Kehinde Wiley, Dogon Couple, 2008
Robert Fichter, Waiting for the Signal, 1981
Senufo Artist, Horizontal Mask (korubla), 20th century

The Harn Museum of Art has also launched a year-round program Art & Mindfulness, which incorporates slow looking and guided meditations in 40-minute workshops.

We at Slow Art Day HQ like the incorporation of drawing and notes – and especially appreciate the cookies and tea (yum, yum) at the end – and we look forward to seeing what they come up with for Slow Art Day 2023.

Best,

– Robin, Ashley, Phyl, Jessica Jane, and Johanna

P.S. The Harn Museum of Art can be found on Twitter, Instagram, YouTube, and Facebook.

Art Gallery of St. Albert Creates a Simple Guide for Slow Looking

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For their third Slow Art Day, the Art Gallery of St. Albert, Canada, organized an in-person slow looking event focused on their current exhibitions, which were promoted on their Facebook & Instagram.

St. Albert’s Slow Art Day Flyer

For the event, the museum prepared a slow looking guide with prompts and questions (see below).

We at Slow Art Day HQ like the simplicity and clarity of their guide and recommend that educators and curators around the world take a look at this and consider copying their approach for future slow looking events.

slowartday-Leah-LoudenDownload

And we look forward to what St. Albert’s comes up with for Slow Art Day 2023.

– Jessica Jane, Ashley, Johanna, Robin, Phyl

Light and Movement at Wanås Konst’s Fifth Slow Art Day

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For their fifth Slow Art Day, Wanås Konst, a sculpture park located in southern Sweden, offered a hybrid in-person and online experience focused on artist Katarina Löfström’s outdoor installation Open Source (Cinemaskope).

Katarina Löfström, Open Source (Cinemaskope), 2018/2021, photo courtesy of Erika Alm

View Open Source (Cinemaskope) in motion.

Katarina Löfström sees her works as paintings of light and movement. Open Source (Cinemaskope) consists of a screen made from sequins on a tall metal frame. This screen “reflects the surrounding nature and creates a continuous, transforming abstract film”. Read more about Katarina on Wanas Konst’s website.

Over a hundred visitors slowly looked at Löfström’s work, and host Erika Alm shared elements of the exhibit via Instagram, allowing for remote participation.

We at Slow Art Day HQ are really glad to have this museum, whose mission is to produce and communicate art that challenges and changes ways of seeing, involved in our global movement.

We can’t wait to see what they come up with for next year!

– Robin, Ashley, Johanna, Jessica Jane, and Phyl

P.S. Wanås Konst can be found on Instagram and Facebook.

Drawing and Coloring at MAM in Montana

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For their third Slow Art Day, the Missoula Art Museum (MAM) in Montana organized an in-person event encouraging participants to focus on Nancy Erickson’s (1935-2022) Hall of Memory #10: Guard Bear.

Nancy Erickson. 1999. Hall of Memory #10: Guard Bear.

Interestingly, to help guests slowly engage with this one work of art, they set up a small “maker station” in the gallery space with a 5-minute timer, worksheet, prompts, and materials for guests to create their own artworks.

Below is an explanatory video they put together for guests.

We recommend that educators and curators throughout the slow looking movement take a look at this video and think about how to integrate art making into their 2023 Slow Art Day.

MAM Slow Art Day 2022 explanatory video

We at Slow Art Day HQ, are excited to see art making brought into slow looking and would like to thank Educator & Outreach Specialist Cameron Decker and his team for organizing this event.

We look forward to what they come up with for Slow Art Day 2023.

Jessica Jane, Ashley, Johanna, Robin, and Phyl

P.S. MAM can be found on Facebook, Instagram, Twitter, and YouTube

Silence and Connections in the heart of Berlin

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For their second Slow Art Day, the Museum der Stille, in Berlin, Germany, organized an in-person event where participants were invited to look slowly in silence and peace.

The Museum der Stille, literally the “museum of stillness”, is a quiet and safe space in the heart of Berlin where visitors can find a moment for contemplation and deep spiritual connection. It is literally a slow – and slow – art museum.

Visitors engaging with a work of art by Nikolai Marakov. Photo credit: Steve Nietz.

For Slow Art Day, the organizers, Steve Nietz, Alexander Aleksander, asked participants to look silently at two works (one in each room) by fellow organizer and artist Nikolai Marakov (see photo above).

While they did not answer questions in the galleries, the organizers did make themselves available in the lobby in case participants had questions or comments.

Perhaps, due to the lingering effects of looking slowly in noiseless rooms with dimmed lighting, participants did not ask questions afterwords – but some did leave comments about the power and impact of this experience.

“If I had more time, I would have sat down in the room forever. It was exactly what I needed: silence.”

Slow Art Day participant

“The dense atmosphere, the absence of sound, and the minimal exhibition has put me in a state of calm.”

Slow Art Day participant

“The room of silence left me speechless.”

Slow Art Day Participant

“Soft tones, forms and figures of every kind, evoking transcendence and the urge to let go. A place of utter calmness in the middle of busy Berlin/Mitte.”

Slow Art Day Participant

The event was a success with 25-30 participants coming to silently look at the art slowly.

At Slow Art Day HQ, we are impressed with the merging of silence and slow that the team at Museum Der Stille created – especially given how afraid many are of silence (think about how many of us walk around with headphones, or how loud many museums can be).

But silence, like slow, is powerful and we encourage more museums to consider using silence as a key design element of their future Slow Art Day events.

And we look forward to seeing what this creative museum in Berlin develops for their Slow Art Day 2023.

Best,

– Jessica Jane, Johanna, Robin, Ashley, and Phyl

A Focus on Beauty at Northern Lights Gallery

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For their second Slow Art Day, Northern Lights Gallery, based in Melfort, Canada and hosted by Sandra Dancy, focused on beauty as a temporary escape. Seven artists from Melfort – a city of about 6,000 in central Saskatchewan – offered one piece of their work for slow looking.

Write Down to my Soul, Jen Kjelshus, Mixed media on paper
Untitled, Linsey Levendall, Acrylic on Cradleboard

The seven artists participating were Randi Lalonde, Jen Kjelsus, Linsey Levendall, Darwin McLeod, Julie Schmale and Kylie Severight.

Dancy’s vision for the Slow Art Day was simple: slow people down to enjoy beauty and use art as therapy in a difficult world.

She said:

Slow Art Day is the perfect way to focus on the artistic beauty that is everywhere and to briefly escape the many things going wrong in the world. It reinforces how therapeutic art is for the artists and the viewers.

Found and Free, Kylie Severight, Acrylic on Canvas
Interactive art with artist Linsey Levendall

The gallery’s event on Slow Art Day was a featured article in Northeast Now.

Northern Lights Gallery also produces slow looking events throughout the year including their mid-summer “Back Alley Tour,” which encourages participants to look slowly at the work-in-progress of local artists (as well as attend workshops and interactive art making experiences).

You can find Northern Lights Gallery on Facebook and Instagram.

We can’t wait to see what they come up with for next year!

– Robin, Johanna, Jessica Jane, Phyl, and Ashley

The Frederiksberg Museums Host Slow Looking and Slow Conversation

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For their first Slow Art Day, the Frederiksberg Museums, hosted both in-person facilitated slow looking and online sessions (read more about their event in Danish).

The Frederiksberg Museums, located in Denmark near Copenhagen, are a group of four museums: Bakkehuset, Storm, Møstings and Cisternerne, all within walking distance of each other – and all participated in Slow Art Day.

Bakkehuset featured their Den Nye Hjørnestue or The New Corner Room. This exhibit re-interpreted the salon culture that unfolded at Bakkehuset two hundred years ago.

Here at Slow Art Day HQ we wish we could have participated in this interesting exhibit.

The way it worked was eight people sat down around a table that had a wooden ball that rolled on a track, eventually stopping in front of a letter. The letter corresponded to cabinets and texts around the room that then formed the framework for a slow conversation. Once the conversation finished, they rolled the ball again spurring yet another slow dialogue. Very cool way of choosing a piece of art (or artifacts).

The New Corner Room at Bakkehuset showing the table with rolling ball, cabinets, and texts.

At the nearby Storm museum, Slow Art Day participants were invited to participate in the study of Danish humor and satire through the work of Robert Storm Peterson, also known as Storm P.

Storm P. at his desk, Storm Museum

In addition to these two in-person events, five guided Slow Looking videos were featured on the Frederiksberg Museums’ YouTube channel.

You can view them (in Danish) below:

https://www.youtube.com/watch?v=XELXRXQHPxU

The Frederiksberg Museums host slow looking events twice a week in one of their four venues throughout the year.

They also have some really interesting things planned:

  • Podcast
    They are launching a podcast later this year that will focus on mindful Slow Looking.
  • Mental Health
    They also plan to integrate Slow Looking into their art and health programs for the mentally vulnerable.

We are glad that the Frederiksberg Museums have brought their collective expertise and creativity to the slow art movement and look forward to their podcast, mental health programs, and design of their 2023 Slow Art Day.

– Robin, Ashley, Johanna, Jessica Jane, and Phyl

P.S. Follow the Frederiksberg Museums on Instagram and Facebook.

Día del Arte Lento in Oaxaca

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On April 2, Anfibia Gráfica in Oaxaca, Mexico, organized their first in-person Slow Art Day event. Together with Taller-Galería La Máquina, they selected four engravings by four artists from Oaxaca: Guillermo Olguín, George Mead Mood, Raúl Herrera, and Ros Santos.

Anfibia Gráfica’s Slow Art Day poster

The event was divided in two parts.

The first part was called “the moment of contemplation”, where participants were invited to follow three key moments:

  • Contemplate each work for one minute.
  • Observe each work for two minutes.
  • Choose the work they liked the most and look at it for another two minutes.

Below you can see the four engravings that were selected for the event:

George Mead Moore, Blue pelvis, printed on metal

Guillermo Olguín, Motel, lithography

Raúl Herrera, El retorno de los pájaros, lithography.

Ros Santos, Mareños, printed on metal

For the second part of the event, aesthetics and art expert Susanne Brass led an open dialogue among all participants.

Participant engaging with a work of art.

The event was a real success and participants loved focussing on details and discovering new things.

At Slow Art Day HQ we are happy to welcome Anfibia Gráfica to our movement, and very much look forward to seeing what they come up with for their second Slow Art Day in 2023

– Jessica Jane, Johanna, Ashley, Robin, and Phyl

P.S. Anfibia Gráfica can be found on Instagram.

Slow Looking with Tea and Cookies at Sweden’s Galleri Pictor

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For their first Slow Art Day, Galleri Pictor in Munka-Ljungby, Sweden, hosted an in-person slow looking event with visiting art students from Munka folkhögskola.

André Bongibolt, Les 1000 soleils entrevus (64 x 83 cm), mezzotint on paper. Read more.
Participants looking at the artwork by André Bongibolt. Photo courtsey of Galleri Pictor.

On Slow Art Day, the group gathered in a gallery and sat in a half circle in front of a picture by André Bongibolt. They started with relaxing their bodies and minds for a moment before looking slowly at the artwork. Participants were also given a document with slow looking instructions in Swedish, viewable below.

Galleri Pictor’s guide to slow lookingDownload

Following this, all participants wrote their thoughts and observations and shared them back with the group. To round off the event, participants reflected on their slow looking experience over a cup of tea and cookies (or ‘biscuits’ as they sometimes say in Europe).

Reflecting on the event, Charlotte Fällman Gleissner shared the following with us:

Even as a gallerist, I seldom give myself time to really see the artwork in a deeper sense – therefore this was a new experience for me too. Further, I now understand how flexible slow-looking is and how it can be used with different kinds of groups in a range of settings. This is wonderful. Thank You!

Charlotte Fällman Gleissner

We at Slow Art Day HQ are excited that Galleri Pictor has joined the slow art movement – and, in fact, we now believe that all slow looking events should end with tea and cookies. That is certainly a best practice!

– Johanna, Phyl, Ashley, Jessica and Robin

PS: Stay in touch with other events at Galleri Pictor via their Instagram

Observation and Introspection at The Erie Art Museum

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For their third Slow Art Day, the Erie Art Museum partnered with the Edinboro University of Pennsylvania Art Therapy Program to host a very interesting art therapy hybrid event celebrating the importance of observation, introspection, and emotionality when looking slowly at art.

Beatrice, photo courtesy of Averie Shaughnessy-Comfort

Each in-person visitor was given a journal in which to record their thoughts, observations, and ideas with the following attached label:


Through guided observation, visitors were asked to think about the following:

  • Spend a few moments being present with this piece.
    Pay attention to thoughts/emotions.
    As you gaze at the piece, notice your breath and your body.
  • Describe: What do you see?
  • Analyze: Think of 4 emotions or words that you associate with this piece.
  • Inquire: What does this piece tell you about yourself?
  • As you reflect on these photos, jot down a memory in this shared journal that comes to mind.

Out of Many, photo courtesy of Averie Shaughnessy-Comfort

For visitors who couldn’t make it to the museum, art therapy students at the Edinboro University of Pennsylvania held a Virtual Open Studio. An aspiring art therapist guided visitors through slow looking techniques.

At Slow Art Day HQ we love seeing the use of art therapy techniques for Slow Art Day and look forward to what the Erie Art Museum comes up with, perhaps again in partnership with Edinboro, for their fourth Slow Art Day

– Phyl, Robin, Ashley, Johanna, Jessica Jane

P.S. The Erie Art Museum can be found on Instagram, Twitter, Facebook, and YouTube.