Our favorite Basque museum, Ur Mara Museoa, held its eighth Slow Art Day in 2023 and, like they have done in the past, they arranged a full day of slow looking, cooking, eating, and dancing.
The art came from five artists inspired by the French ecological movement of the 1990s, which sought to oppose the consumerist and speculative art market, and to instead advocate for ecological aesthetic values such as recycling and craftsmanship.
The five artists represented included:
Uxue Lasa (sculpture) Anton Mendizabal (sculpture) Myrian Loidi Zulet (textile) Mari Jose Lacadena (therapeutic art) Eduardo Arreseigor (various art)
Further, a lecture by Juan Tomas Olazagirre – “La notación musical” – was held before the end-of-day special dinner (the dinner known as “community food”).
Below is the promotional flyer they used to spread the word about their Slow Art Day.
Someday the Slow Art Day HQ team will finally make the trek to Ur Mara Museo so we can participate in their amazing daylong celebration of art, food, and community. We look forward to what they come up with for 2024.
For their Slow Art Day 2023, Sweden’s National Museum (referred to as “Nationalmuseum” in Sweden) offered a full day of all kinds of interesting and creative sessions. Museums around the world take heed – this is a great way to celebrate Slow Art Day.
Under the direction of Johannes Mayer who coordinates the public events/programming, Sweden’s Nationalmuseum started Slow Art Day with a slow yoga class amongst sculptures in the sculpture yard, in the morning at 8:30 am before the museum opened. Participants were led by yoga teacher Victoria Winderud and the session ended with a fresh smoothie served in the café beneath.
Wow. We wish we could have been there.
Then, once the museum opened, young visitors (5-11 years old) were invited to go on a slow looking tour of a handful of paintings in the collection, led by museum staff, between 10:30 and 11:15 am. At 2 pm, adults were invited to do the same.
But that was not all.
There was also a storytelling session at the beautiful Strömsalen (a large room with both paintings and sculptures), led by Sara Borgegård, Intendent Pedagog for the museum (roughly – the “Superintendent of Pedagogy”), who told a saga based on one of the sculptures in the room.
Wait. There was more.
All day long, the Nationalmuseum offered “drop-in art-chill” sessions at the sculpture-hall/yard, where visitors could sit or lay down on a yoga mat and listen to a pre-recorded session, slowly observing the beautiful room.
And even that is not all.
Finally, all visitors could borrow a slow-looking guide to explore and discover works of art at their own slow pace.
Wow. Wow. Wow.
What a great design.
See some fabulous photos below.
The Nationalmuseum team of Sara Borgegård Älgå, Johannes Mayer and Helena Sjödin Landonthere tell us they are looking forward to Slow Art Day 2024, especially as they continue to receive such great feedback from visitors (note: 2023 was their fourth Slow Art Day). Further, since Slow Art Day usually happens around Easter and many tourists are in town, they plan to offer some of the programs in English as well as Swedish, to make it accessible to even more people.
Wow. We can’t wait to see what they come up with for Slow Art Day 2024.
– Phyl, Johanna, Ashley, and Jessica Jane
P.S. The Slow Art Day team has decided to ask the Accademia Gallery of Florence if they would host a yoga session around the statue of David. Right? Let’s all go!
Payal Thiffault and Michelle May, founders of Juniper Rag magazine and Slow Art Day pioneers going back to the founding, held their 2023 Slow Art Day at The White Room Gallery in Worcester, MA. They invited both the public and the following New England-based artists whose work was on exhibition at the gallery:
Curtis Speer, Newport, RI
Scott Boilard, Worcester, MA
Howard Johnson, Jr., Worcester, MA
John Pagano, Paxton, MA
Sue Swinand, Worcester, MA
Tara Sellios, Boston, MA
Participants arrived for the event and began slowly looking at the artwork, with questions and discussions organically began as everyone looked at the artwork. Having the artists present created a lot of additional excitement.
Viewing began with a look at Scott Boilard’s surrealist painting, ‘Nightmares of Time’, which incorporates figurative imagery and appears to illustrate tension, passion and an emotional journey that the viewer can piece together in many different ways. Attendees were intrigued by the subject matter, the techniques used and the feeling of motion in the piece. Uniquely, the artist had the opportunity to talk about his concept in painting the work and how it related to self-expression and the feelings that come from societal pressure. Discussing his art so intimately was a great kick-off to the day.
Visitors also viewed work by Howard B. Johnson, Jr. who creates landscapes of symbolic references and double entendres that keep the viewer’s eye moving all over the art. Humor, visual taunts and esoterica left many viewers with endless questions.
They then moved on to fine art photographs by Tara Sellios and Curtis Speer and ended the viewing with paintings by Susan Swinand and John Pagano.
Viewers reported leaving with in-depth insights and reflections on all of the work. The hosts said that they found it rewarding to see the different perspectives, from art educators, conservators, engineers and doctors.
We love the way Michelle May and Payal Thiffault continue to lead the Slow Art Day movement – and continue to keep their own minds open to constant and ongoing learning. We look forward to seeing what they come up with for Slow Art Day 2024!
For their first Slow Art Day, the Glengarry Artists’ Collective, a volunteer-driven organization of artists in eastern rural Ontario, Canada, designed “The BIG Show”, an event highlighting local art and artists.
The Collective’s mission is to create programs focused on community, and they encouraged visitors to slowly look at a selection of 149 artworks by 39 artists. About 300 participants attended the event.
Ahead of Slow Art Day, the Collective posted a promo on their website and printed posters for the venue.
On April 15th, they welcomed participants at the venue and encouraged them to use the following prompts when viewing the artworks:
Look Take time (5 to 10 minutes) and slowly let your eyes wander all over the work. Look at it from different angles and distances.
Observe Notice the colors, shapes, textures and markings on the surface of the artwork. Where does your eye focus?
Feel What words come to mind about this art work? How do you feel looking at this art work? Does it evoke any memories?
Share Share your experience of the work with someone or post an image of the work online with a word of reflection and #slowartday2023.
The hosts Alison Hall and Yvonne Callaway toured the venue, looking and talking with visitors. They agreed to let the audience choose the works they wanted to look at slowly, rather than imposing a selection on them. The photos above offer a sense of the engagement generated. They told us at Slow Art Day that, “There was lots of art talk, more than at most shows. People engaged with the works and each other.”
We love that the Glengarry Collective was able to bring out so many people in rural Canada and look forward to what they come up with for Slow Art Day 2024.
– Ashley, Johanna, Jessica Jane, and Phyl
PS. Stay up to date about events by the Glengarry Collective via their Facebook page
For their second Slow Art Day, the member-run non-profit gallery Artspace, in Richmond, Virginia, planned a simple approach for their event: start with a 5-minute meditation, followed by 5-minute slow looking at four chosen works currently hanging in the gallery, and a group discussion afterwards.
The gallery opened at noon, and the hosts provided healthy nibbles, mimosas, and water with cucumber, mint and lemon as they welcomed visitors and explained the history and mission of Slow Art Day. At 2pm, they started to play meditative flute music.
While the organizers had a clear plan for meditation, slow viewing and discussion, the participants decided to make some changes on the fly. For example, the first group of visitors skipped the meditation and jumped right in to looking at a large painting. Next, the participants decided to split up and slow look at one art work that they each chose. This did not quite follow the event plan, the organizers went with the flow of the group, and said it worked out even better than planned. Many Slow Art Day educators and hosts know that sometimes visitors take ideas into their own hands, which after all is the central mission of Slow Art Day.
At the end of the session, participants held a long discussion about their experience: why did they choose the art they chose, what did they see, and thoughts on the design of the exhibit.
At Slow Art Day HQ we are pleased to know that the event worked out well and we look forward to seeing what this Richmond gallery comes up with for Slow Art Day 2024.
– Johanna, Ashley, Jessica Jane, and Phyl
P.S. Check out Artspace on their social media pages Facebook and Instagram.
P.P.S. Note to Slow Art Day museums: please provide water with cucumber, mint and lemon to all your guests 😉
For their second Slow Art Day, El Nido Art Space, presented by VC Projects, in Los Angeles celebrated the 100th birthday anniversary of artist and poet Sam Francis.
Ahead of Slow Art Day, one of Francis’ poems was sent to participating artists. They were invited to create a new artwork, dance, or song in a medium of their choice, inspired by the poem. The artists included:
Shane Guffogg – California
AKAT – Japan
Bjarni Sigurbjörnsson – Iceland
Mark van Drunick – Netherlands
Victoria Chapman – California
Here is the file containing the instructions and poem. Take a look for yourself, and read through it slowly (or listen to the poem through one of the artists’ interpretations, such as one of A.K.A.T’s recordings on SoundCloud).
The artists were given the following guidelines, also included in the document above:
1. Read the text slowly out loud
2. After reading, go outside or look through a window to see the sky (either day or night.)
3. Contemplate in silence
4. Create a work in any medium in reflection of this text
The responses included dance, song, and new paintings. VC Projects wrote a report following the event, which includes these responses. We also include a selection of them below.
Mark van Drunick, a dancer from the Netherlands, interpreted a poem through dance. If you click directly on the still image below, you will be taken to the page where the video is viewable. Mark also included some of the text from the poem directly in the video, so that the viewer could follow it slowly as part of the experience.
A.K.A.T., a Japan-born artist who today resides in both L.A. and Tokyo, recorded two different versions of the poem being read out loud, with music and sound effects included. The first version is a recitation of the poem by A.K.A.T. (note: the recitation is whispered). In the second version, we hear the sound of A.K.A.T’s mother’s voice reciting the text (done in one take! This one is spoken at normal volume and has a calm and relaxing mood).
We highly recommend that you view the other contributions in the excellent report written by VC projects.
At Slow Art Day HQ, we love that artists were invited into a celebration of another artist as part of this Slow Art Day event. Why not try it yourself: How would you interpret Sam Francis’ poem?
We can’t wait to see what El Nido and VC Projects come up with for 2024 Slow Art Day.
Slow Art Day has come to the Sierra Nevada Santa Marta in Colombia, known as the ‘Heart of the World’ to the indigenous communities who inhabit the coastal mountains and valleys.
Photographer Natasha Johl organized this first Slow Art Day at Sonidoselva, a cultural center in Minca. After giving a short speech describing the simple methodology of slow looking, Johl invited participants to look slowly at her photography exhibition Dream Weaver, which presents a series of photographs taken over nine years that represent the ordinary, simple, and often overlooked moments of life.
In a world where images shout at the viewer, I believe there is a dignity in silence.
Natasha Johl
The main subject of her photos are the indigenous group of the Arhuacos, which descend from the Tairona, an ancient South American civilization that now reside in the Sierra Nevada de Santa Marta. The Arhuaco have developed an understanding of the earth, which gives equal measure to the human mind and spirit and the forces of nature.
We at Slow Art Day HQ love that slow looking at art has made it to the ‘heart of the world’ and we look forward to seeing what Johl and her colleagues put together for Slow Art Day 2024.
For its 10th Slow Art Day, the National Museum of Women in the Arts (NMWA) in Washington DC celebrated a week of events. And because the museum’s historic building was closed for a major renovation until October 2023, the April 2023 events were hosted virtually.
For Slow Looking Week, the NMWA published a PDF with slow looking prompts and instructions, which is viewable below.
The theme for this year’s events was “A Growing Collection,” featuring recent acquisitions by the NMWA from 2021 and 2022. For the week, a selection of the artworks were uploaded to the NMWA’s Lightbox: 2023 Slow Art Day virtual art gallery. These could be viewed by participants in the week leading up to the 15th, when the NMWA hosted a Zoom meeting where all artworks could be discussed live.
Ahead of the Zoom meeting, all participants were encouraged to consider questions about the role of the art museum, including:
Which museum collection has spoken most to you? What about it resonated with you? Whose faces and voices were represented?
What should an art museum’s collection look like?
What do you want to see more of in art museums? Less of?
During the Zoom meeting, the group was divided into breakout rooms, in which each person was invited to select an image from the Lightbox options, and the whole group was asked to discuss using the Harvard Project Zero prompts See/Think/Wonder.
Following this, all groups came back together to share experiences of and reflect on process of looking together. Attendees called in from Canada, the United Kingdom, DC, FL, IL, MD, NJ, and NY. For 60% of the attendees, 2023 was their first Slow Art Day experience.
At the end of the Zoom event, participants were asked what they enjoyed the most about the slow looking experience. Here’s a selection of their answers:
“Hearing other people’s experiences and seeing more through their eyes.”
“Talking with just a few people at a time. I could talk a bit more than normal.”
“The shared experience; the opportunity to give over to LOOKING, observing, talking, and reflecting.”
“Breakout session, taking the time to understood what and why each of us chose specific artworks & how we all came with different background and observations.”
Everyone said that they would love to attend another Slow Art Day.
We at Slow Art Day are big fans of the NMWA – for many reasons including that they are real leaders in the global Slow Art Day movement. We hope more museums imitate their weeklong activities. And now that the NMWA has reopened, we look forward to what they come up with for Slow Art Day Week 2024.
Participants were first invited to look slowly at the following five artworks:
“Enderroc” by Ignasi Aballí
“Rinzen, Subito despertar” by Antoni Tàpies
“Eco de una carta inacabada” by Elena del Rivero
“Movil Home” by Mona Hatoum
“Dialegs de Llum” by Josep Grau-Garriga
After the slow looking exercise, art therapists Aura Pizarro, Joaquim Basart and Maribel Perpiñá led the group in a facilitated discussion using gestalt psychotherapy, which focuses on one’s present life rather than on past experiences. Through the discussion, participants shared reactions to the art and discovered common themes of friendship, play, family, pain, and happiness.
Slow Art Day is founded on the principle of being present in the moment, and we at HQ love to see how MACBA and the Fundacion La Casa Ambar combined Slow Looking with Gestalt Art Therapy. The Fundacion La Casa Ambar also mentioned that they offer therapy to everyone, irrespective of economic means — and radical inclusivity is another shared principle with Slow Art Day.
We are excited to see what the MACBA and the Fundacion La Casa Ambar come up with for Slow Art Day 2024.
For their 8th Slow Art Day, the Art Gallery of Ontario (AGO), one of the largest art museums in North America, invited participants to join one of two slow looking offerings with the AGO collection: either by designing their own slow looking tour, or by joining a guided tour.
For the guided tour, one of the AGO’s art educators asked participants to look at three artworks:
AGO curator Mellisa Smith reported that the post-looking conversation gained momentum through the tour as people became more comfortable sharing. This was a function of the trust participants built with each other as they experienced the act of looking at the art through each other’s eyes.
For the final session of the guided tour, the AGO hosts asked participants to wander slowly across the entire length of Tintoretto’s painting, “Christ Washing His Disciples’ Feet.” Specifically, they asked observers to pay attention to a trick with perspective that occurs with this painting. When viewed from the side as one slowly walks its length, Tintoretto’s painting seems to emphasize the gaze of the disciples towards Jesus, thus focusing the viewer on his status as the main subject. This is truly a painting which needs to be seen slowly.
When asked if they would do anything differently next year, the AGO told us two things:
In the future, they hope to try a more densely curated space, and investigate how participants are able to center themselves in a more chaotic space.
They would like to also avoid choosing artwork with in-depth wall texts, as visitors couldn’t help but to read the labels (understandable!)
We encourage art educators and curators to listen to an episode of the CBC Commotion podcast series hosted by Elamin Abdelmahmoud and featuring AGO curator Melissa Smith – Slow Art Day and the value of lingering. Smith mentions a point that we always like to reinforce about slow looking: it is about building your own meaning with a piece, and you don’t have to have any prior knowledge of art or the piece to do that. Yes! That indeed is the power of slow looking.
We really appreciate the Art Gallery of Ontario’s long-term commitment to Slow Art Day, and can’t wait to see what they come up with for Slow Art Day 2024.