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Silence and Connections in the heart of Berlin

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For their second Slow Art Day, the Museum der Stille, in Berlin, Germany, organized an in-person event where participants were invited to look slowly in silence and peace.

The Museum der Stille, literally the “museum of stillness”, is a quiet and safe space in the heart of Berlin where visitors can find a moment for contemplation and deep spiritual connection. It is literally a slow – and slow – art museum.

Visitors engaging with a work of art by Nikolai Marakov. Photo credit: Steve Nietz.

For Slow Art Day, the organizers, Steve Nietz, Alexander Aleksander, asked participants to look silently at two works (one in each room) by fellow organizer and artist Nikolai Marakov (see photo above).

While they did not answer questions in the galleries, the organizers did make themselves available in the lobby in case participants had questions or comments.

Perhaps, due to the lingering effects of looking slowly in noiseless rooms with dimmed lighting, participants did not ask questions afterwords – but some did leave comments about the power and impact of this experience.

“If I had more time, I would have sat down in the room forever. It was exactly what I needed: silence.”

Slow Art Day participant

“The dense atmosphere, the absence of sound, and the minimal exhibition has put me in a state of calm.”

Slow Art Day participant

“The room of silence left me speechless.”

Slow Art Day Participant

“Soft tones, forms and figures of every kind, evoking transcendence and the urge to let go. A place of utter calmness in the middle of busy Berlin/Mitte.”

Slow Art Day Participant

The event was a success with 25-30 participants coming to silently look at the art slowly.

At Slow Art Day HQ, we are impressed with the merging of silence and slow that the team at Museum Der Stille created – especially given how afraid many are of silence (think about how many of us walk around with headphones, or how loud many museums can be).

But silence, like slow, is powerful and we encourage more museums to consider using silence as a key design element of their future Slow Art Day events.

And we look forward to seeing what this creative museum in Berlin develops for their Slow Art Day 2023.

Best,

– Jessica Jane, Johanna, Robin, Ashley, and Phyl

A Focus on Beauty at Northern Lights Gallery

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For their second Slow Art Day, Northern Lights Gallery, based in Melfort, Canada and hosted by Sandra Dancy, focused on beauty as a temporary escape. Seven artists from Melfort – a city of about 6,000 in central Saskatchewan – offered one piece of their work for slow looking.

Write Down to my Soul, Jen Kjelshus, Mixed media on paper
Untitled, Linsey Levendall, Acrylic on Cradleboard

The seven artists participating were Randi Lalonde, Jen Kjelsus, Linsey Levendall, Darwin McLeod, Julie Schmale and Kylie Severight.

Dancy’s vision for the Slow Art Day was simple: slow people down to enjoy beauty and use art as therapy in a difficult world.

She said:

Slow Art Day is the perfect way to focus on the artistic beauty that is everywhere and to briefly escape the many things going wrong in the world. It reinforces how therapeutic art is for the artists and the viewers.

Found and Free, Kylie Severight, Acrylic on Canvas
Interactive art with artist Linsey Levendall

The gallery’s event on Slow Art Day was a featured article in Northeast Now.

Northern Lights Gallery also produces slow looking events throughout the year including their mid-summer “Back Alley Tour,” which encourages participants to look slowly at the work-in-progress of local artists (as well as attend workshops and interactive art making experiences).

You can find Northern Lights Gallery on Facebook and Instagram.

We can’t wait to see what they come up with for next year!

– Robin, Johanna, Jessica Jane, Phyl, and Ashley

The Frederiksberg Museums Host Slow Looking and Slow Conversation

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For their first Slow Art Day, the Frederiksberg Museums, hosted both in-person facilitated slow looking and online sessions (read more about their event in Danish).

The Frederiksberg Museums, located in Denmark near Copenhagen, are a group of four museums: Bakkehuset, Storm, Møstings and Cisternerne, all within walking distance of each other – and all participated in Slow Art Day.

Bakkehuset featured their Den Nye Hjørnestue or The New Corner Room. This exhibit re-interpreted the salon culture that unfolded at Bakkehuset two hundred years ago.

Here at Slow Art Day HQ we wish we could have participated in this interesting exhibit.

The way it worked was eight people sat down around a table that had a wooden ball that rolled on a track, eventually stopping in front of a letter. The letter corresponded to cabinets and texts around the room that then formed the framework for a slow conversation. Once the conversation finished, they rolled the ball again spurring yet another slow dialogue. Very cool way of choosing a piece of art (or artifacts).

The New Corner Room at Bakkehuset showing the table with rolling ball, cabinets, and texts.

At the nearby Storm museum, Slow Art Day participants were invited to participate in the study of Danish humor and satire through the work of Robert Storm Peterson, also known as Storm P.

Storm P. at his desk, Storm Museum

In addition to these two in-person events, five guided Slow Looking videos were featured on the Frederiksberg Museums’ YouTube channel.

You can view them (in Danish) below:

https://www.youtube.com/watch?v=XELXRXQHPxU

The Frederiksberg Museums host slow looking events twice a week in one of their four venues throughout the year.

They also have some really interesting things planned:

  • Podcast
    They are launching a podcast later this year that will focus on mindful Slow Looking.
  • Mental Health
    They also plan to integrate Slow Looking into their art and health programs for the mentally vulnerable.

We are glad that the Frederiksberg Museums have brought their collective expertise and creativity to the slow art movement and look forward to their podcast, mental health programs, and design of their 2023 Slow Art Day.

– Robin, Ashley, Johanna, Jessica Jane, and Phyl

P.S. Follow the Frederiksberg Museums on Instagram and Facebook.

Día del Arte Lento in Oaxaca

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On April 2, Anfibia Gráfica in Oaxaca, Mexico, organized their first in-person Slow Art Day event. Together with Taller-Galería La Máquina, they selected four engravings by four artists from Oaxaca: Guillermo Olguín, George Mead Mood, Raúl Herrera, and Ros Santos.

Anfibia Gráfica’s Slow Art Day poster

The event was divided in two parts.

The first part was called “the moment of contemplation”, where participants were invited to follow three key moments:

  • Contemplate each work for one minute.
  • Observe each work for two minutes.
  • Choose the work they liked the most and look at it for another two minutes.

Below you can see the four engravings that were selected for the event:

George Mead Moore, Blue pelvis, printed on metal

Guillermo Olguín, Motel, lithography

Raúl Herrera, El retorno de los pájaros, lithography.

Ros Santos, Mareños, printed on metal

For the second part of the event, aesthetics and art expert Susanne Brass led an open dialogue among all participants.

Participant engaging with a work of art.

The event was a real success and participants loved focussing on details and discovering new things.

At Slow Art Day HQ we are happy to welcome Anfibia Gráfica to our movement, and very much look forward to seeing what they come up with for their second Slow Art Day in 2023

– Jessica Jane, Johanna, Ashley, Robin, and Phyl

P.S. Anfibia Gráfica can be found on Instagram.

Slow Looking with Tea and Cookies at Sweden’s Galleri Pictor

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For their first Slow Art Day, Galleri Pictor in Munka-Ljungby, Sweden, hosted an in-person slow looking event with visiting art students from Munka folkhögskola.

André Bongibolt, Les 1000 soleils entrevus (64 x 83 cm), mezzotint on paper. Read more.
Participants looking at the artwork by André Bongibolt. Photo courtsey of Galleri Pictor.

On Slow Art Day, the group gathered in a gallery and sat in a half circle in front of a picture by André Bongibolt. They started with relaxing their bodies and minds for a moment before looking slowly at the artwork. Participants were also given a document with slow looking instructions in Swedish, viewable below.

Galleri Pictor’s guide to slow lookingDownload

Following this, all participants wrote their thoughts and observations and shared them back with the group. To round off the event, participants reflected on their slow looking experience over a cup of tea and cookies (or ‘biscuits’ as they sometimes say in Europe).

Reflecting on the event, Charlotte Fällman Gleissner shared the following with us:

Even as a gallerist, I seldom give myself time to really see the artwork in a deeper sense – therefore this was a new experience for me too. Further, I now understand how flexible slow-looking is and how it can be used with different kinds of groups in a range of settings. This is wonderful. Thank You!

Charlotte Fällman Gleissner

We at Slow Art Day HQ are excited that Galleri Pictor has joined the slow art movement – and, in fact, we now believe that all slow looking events should end with tea and cookies. That is certainly a best practice!

– Johanna, Phyl, Ashley, Jessica and Robin

PS: Stay in touch with other events at Galleri Pictor via their Instagram

Connect and Create with Slow Art at Lehigh University Art Galleries

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For their third Slow Art Day, the Lehigh University Art Galleries (LUAG) in Bethlehem, Pennsylvania, organized a variety of interesting, student-led slow looking activities.

Sam Ginn and Cassidy Rubio guiding visitors on the Slow Art Day tour, 2022

On April 2nd, visitors to the galleries were invited on a Slow Art Day Tour between 1-2PM to look at and discuss some visiting artworks from the exhibition Young, Gifted and Black together with Sam Ginn and Cassidy Rubio, both museum educators and students at Lehigh University.

Visitors were also separately given the change to join a Connect & Create Workshop with Lehigh student Afiwa Afandalo and the group Artists for Change.

For that workshop, participants read a short written piece connected to the theme, then discussed how a selection of artists engage with ideas of community in their work. In the final part of the session, they created an art piece (written or visual) that represented the influence of community on identity or vice versa. Participants considered their roles as community members, and reflected together on how “the collective and the self are equally important.”

In a LUAG student spotlight post, Afiwa Afandalo, the student and artist, reflected on how she created the workshop, which was inspired by sketching and contemplating one of the art works in the exhibit Young, Gifted, and Black.

We recommend you read her revelatory quote below –

The idea of having a workshop on the theme of identity and community came to me while viewing Blue Dancer by Tunji Adeniyi Jones. Every time I go to the gallery, I stop by that piece, the colors, the shape of the figure, the movement, they all feel so organic to me! I was so in love with that piece (I still am), I did a sketch of it in my sketchbook and used it as my artist study for my self-portrait painting. Sketching this piece allowed me to engage and decipher it; it felt like a puzzle—I love puzzles and I think it makes sense that I saw it as that: a puzzle—every piece carefully and intentionally crafted to create this beautiful piece. Something that stood out to me in this process was how the movements within the figure and outside of it are in sync with the form of the figure. I was trying to figure out which of the motion was impacting the other and couldn’t quite put my finger on it. When I finished the figure and was working on the surroundings, that’s when I had my “lightbulb moment”; it is not one or the other, it is both together, working at the same time, and having an impact on each other. That made me think of myself and my environment, how both work together and are equally important to the person I am and becoming. That’s when I knew what the workshop should be about.

Afiwa Afandalo. Lehigh University Art Galleries spotlight. May 26, 2022.

LUAG is an example of a university art museum that has incorporated slow looking and non-judgmental looking practices deeply into their tours, programs, and student engagement.

Seeing this brings us real joy and makes us look forward to seeing what LUAG comes up with for their 2023 Slow Art Day program.

– Johanna, Ashley, Jessica Jane, Phyl and Robin.

Virtual Slow Art Week in Latvia

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The Art Museum in Riga Bourse in Riga, Latvia hosted a virtual, weeklong Slow Art Week for their third year participating in the slow looking movement. Anna Emsiņa, art educator, hosted the event and communications manager, Anete Brakša, worked on virtual videos and Instagram stories.

Events outside their control forced the museum to convert their original in-person plans to instead posting stories in Latvian to their social media accounts on Instagram and Facebook throughout Slow Art Week. Their Instagram reel and stories focused on works from the exhibition Georg Wilhelm Timm (1820-1895): artist, publisher, traveler, and shared general tips how to enjoy slow looking at the art.

The text above is an invitation/explanation on how and why to look at art slowly. It translates to:
“Spending extended time with the chosen art object and delving into the details to find an individual connection with it.”

The image above contains prompts to consider while slow looking and translates to:
“Choose one art object and devote time to it. (deep inhale and exhale)
– What is your first impression, why? why chose this work?
– Does this work of art remind you of something?
– What attracts you to the composition?
– What feelings do the colors create?
– Imagine that a work of art is a new environment – what do you feel?”

The image above is a centering exercise; it translates to:
“The main thing is to breathe. Close your eyes if necessary and don’t be afraid to answer the questions that arise for yourself.”

Their Slow Art Week brought many virtual visitors, with thousands of views.

The Art Museum Riga Bourse holds slow art events throughout the year and more information can be found on their calendar. They hope to have some in person, but will continue with the virtual events as long as necessary.

We can’t wait to see what this important and creative museum comes up with for next year.

– Robin, Ashley, Phyl, Johanna, and Jessica Jane

Toronto’s Gardiner Museum Explores Social, Political, & Environmental Themes

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Earlier this year, the Gardiner Museum, Canada’s ceramics museum, hosted a Slow Art Day event focusing on the social, political, and environmental themes explored in the exhibition Shary Boyle: Outside the Palace of Me. Education Manager, Farrukh Rafiq, guided attendees in slow looking activities and engaged them in a discussion about the works on display.

Shary Boyle: Outside the Palace of Me

As a multi-sensory installation, Shary Boyle: Outside the Palace of Me explores how we see ourselves and each other through drawings, ceramic sculpture, life-sized automatons, two-way mirrors, coin-operated sculpture, and an interactive score.

More information about the exhibit and the Gardiner Museum can be found on the links above and via their social media pages: Facebook, Twitter, and Instagram.

This is the third year that Toronto’s Gardiner Museum has held a slow art event and we can’t wait to see what they come up with next year.

– Robin, Ashley, Phyl, Jessica Jane, and Johanna

Sharon Norwood Slowly at Washington & Lee University

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The Museums at Washington & Lee University in Lexington, VA held their first Slow Art Day this year, led by Director of Museums Isra El-beshir and student curator Posi Oluwakuyide, and focused on “The Root of the Matter,” an exhibit featuring the contemporary art of Sharon Norwood.

A conceptual artist of Caribbean descent, Norwood aims to provoke an honest conversation about race, beauty, and differences.

The Root of the Matter V, 2016 Digital Collage by Sharon Norwood. Courtesy of the Museums at Washington and Lee website.

Slow looking participant. Courtesy of the Museums at Washington & Lee University Instagram.

As you can see, she uses the curly line to express identity and cultural relationships through various art forms, including ceramics, drawings, paintings, installations, and videos.

Her work is stunning and we recommend you check out their Instagram and visit their website to read more about Sharon Norwood.

We are happy to welcome The Museums at W&L to our movement, and very much look forward to seeing the art they focus on for their second Slow Art Day in 2023.

– Ashley, Johanna, Jessica Jane, Robin, and Phyl

P.S. Below is the digital flyer used to promote the event (note their use of tinycc in their print marketing, which makes it easier for readers to type in long urls – something we recommend other educators consider copying for their print materials).

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Slow Art Week at Atelier delle Fate

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For their second Slow Art Day, the Atelier delle Fate in Calvagese della Riviera, Italy, hosted a week of hybrid in-person and virtual slow looking events.

Atelier della Fate Slow Art Day poster 2022
Artwork by Lorenzo Bianchini • Samuel Maccarinelli • Lorena Bianchini. Photo: Lorena Bianchini.

During the week, visitors to the gallery were able to slowly look at a series of 15 artworks by different artists. They were encouraged to write a written response to each of the artworks, including reflection about the emotions or memories evoked by each painting.

The event was also made virtual, and images of each work were shared in staggered intervals to the event page on Facebook, where people also shared their thoughts in the comments.

At Slow Art Day HQ, we especially like that participants who could not visit the gallery in person could still join online. The idea of staggering images to be released across a week allows people to make slow looking part of each day — a practice we love to see.

We look forward to what the Atelier delle Fate comes up with in 2023.

– Johanna, Ashley, Jessica Jane, Phyl and Robin