Tag Archives: Andrea Gumpert

The National Gallery of Canada Hosts Second Slow Art Day

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On April 13th, Andrea Gumpert, Gallery Educator, and Marie-Pierre Adam, Interpreter-Guide, hosted the National Gallery of Canada’s second Slow Art Day, and reported that it was a resounding success.

The Gallery provided three options for participation this year:
– an in-person guided group experience
– slow-looking “on your own” with provided handout (shown below)
– slow-looking from home using a guided video

And participants were given the option to participate in either French-language or English-language sessions.

For the in-person guided event, hosts Andrea Gumpert and Marie-Pierre Adam greeted participants next to the below Slow Art Day signage in their Great Hall.

The in-person event was divided in two parts (that each of the French and English speaking groups followed).

For Part 1, Andrea led the 13 participants in the English-speaking group to the Indigenous and Canadian later galleries, and Marie-Pierre led the 11 French-speaking participants to the European baroque galleries. They each then invited their participants to select one artwork and spend 10 minutes looking slowly at it. After the 10 minutes, they regrouped and discussed the experience.

Across the two groups, participants commented on how much more they noticed about the art when they gave themselves permission to really spend time with it – a seemingly obvious but nonetheless revelatory experience. Participants also said the group setting was helpful, particularly for the younger attendees (11 and 14 years old.) People also told stories about the works, and contemplated the technical skills behind the art.

For Part II, the English-speaking group moved to the Contemporary galleries while the French-speaking group moved to the later modern galleries. This time Andrea and Marie-Pierre suggested three optional challenges:
1. Spend 15 minutes with one artwork
2. Select a work that you didn’t have an immediate affinity for
3. Draw or write while spending time with the work

They then had a second discussion with each group.

The French-speaking group in the modern gallery appreciated the chance to express themselves on paper; either by drawing or writing their ideas. Some participants expressed that the second round of slow looking was easier – that slow looking felt like a muscle that needs to be warmed up first. One participant who chose a work they would not have normally looked at shared that their slow looking revealed parts of the painting they thought were wonderful after all – and raised many questions around the choices made by the artist at that time in their career.

At the end of the day, participants provided feedback.

Here are two quotes, one from the English-speaking group and one from the French-speaking group (i.e., these are not translations from one to the other – but separate quotes):

The slow art English session was a welcome new approach for me to viewing art. Our guide was
informed and fun, and she explained the process well. I am sure I will use this approach on my own
sometimes at art galleries, and elsewhere. Thank you for offering it — it is a good middle place
between a tour with a guide and a hands-on activity.

Bonjour à toute l’équipe, je profite de ce courriel pour vous remercier pour l’organisation de
l’activité Slow Art de samedi dernier. J’ai une la chance de participer à cet événement en présence
de Marie-Pierre et du groupe pour les personnes francophones. J’ai fait plusieurs apprentissages
dans un environnement paisible et vraiment intéressant ! Merci pour votre dévouement à rendre
l’art accessible et respectueux ! Je vous en suis très reconnaissante ! Je souhaite une longue vie
au Musée des Beaux-Arts du Canada !

We are glad to say that The Gallery is now planning regular slow looking sessions throughout the year (we love that!) as well as participating in Slow Art Day 2025.

– Johanna, Ashley, Jessica Jane, and Phyl

National Gallery of Canada Hosts First Slow Art Day

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The National Gallery of Canada in Ottawa, one of the largest museums in North America, hosted its first Slow Art Day in 2023, with a simple design: participants were invited to look slowly at art in two rooms of the gallery before discussing their experiences together.

Slow Art Day poster. National Gallery of Canada
Slow Art Day participants at the National Gallery of Canada, 2023. Featured artworks: Kazuo Nakamura, Landscape, Spring, 1959. Oil on masonite, 93.6 x 121.5 cm; Kazuo Nakamura, August, Morning Reflections, 1961. Oil on canvas, 93.7 x 121.5 cm. Both paintings are located at the National Gallery of Canada, Ottawa. Respectively purchased in 1960 and 1961. Photos: NGC

On April 15, educator Andrea Gumpert and interpreter Valérie Mercier greeted English and French speaking participants in the Great Hall. After a quick grounding exercise and a collective slow looking warm up, participants were taken to two different galleries for their slow looking. They were given a few prompts to keep in mind during each session, including choosing to read or ignore the artwork labels.

Participants were first invited to select a piece in a gallery with only figurative works (Indigenous and Canadian Galleries – A110). They spent 10 minutes looking at their chosen artworks before sharing thoughts.

This was repeated for 15 minutes in a different gallery with a variety of figurative and abstract paintings
and Inuit sculptures (Indigenous and Canadian Galleries – A112). After the second session, participants compared experiences from each gallery.

In the sharing sessions, participants remarked that their impressions of the works grew more nuanced as they spent time with them. Some found themselves asking questions about painting techniques or of the artist’s life. Two participants in the French speaking group requested to spend time with Riopelle’s Pavane, and enjoyed the exchange so much that they decided to lunch together afterwards despite not knowing each other beforehand.

In addition to the public group experience, the Gallery also suggested that participants participate on their own or watch the guided slow look of Rembrandt’s Heroine via a video produced by the museum. Several people on social media commented positively about Slow Art Day, and others wrote to the Gallery asking if the exercise would be repeated. A few staff also suggested the approach be offered on an ongoing basis.

The slow looking event was first tested in staff sessions at the Gallery in March prior to the public event in April. Andrea and Valérie ran the program with staff to 1) offer a team building exercise, and 2) test their approach and work out any kinks ahead of the public program. The staff loved it and later answered a survey, including this note from Dina Groulx, Corporate Relations Officer:


I genuinely enjoyed every minute of the tour […]. What a treat it was for me to have experienced that.
As a remote employee, it felt very impactful. I really wasn’t sure what to expect when I signed up, but I
was so glad to have invested time out of my day for myself. I also thought of how lucky I was as an
employee to have had access to the quietness of the space (most of the time) and I realized that as
the pilot took place on Monday, it created a calm retreat experience. It was so nice to go through that
experience with colleagues outside of my regular work and made connections with them and with the
art in a way that I had never experienced before.

Dina Groulx, Corporate Relations Officer

Taking inspiration from the National Gallery of Canada, we strongly recommend that other museums and galleries imitate what they have done and run slow looking sessions with their staff.

Note that the National Gallery of Canada also ran an effective marketing campaign. Their Slow Art Day event was featured in an article by Chelsea Osmond in the National Gallery of Canada Magazine and advertised on local radio stations. The Gallery also promoted the event via social media posts and in their monthly newsletter.

We are so glad the National Gallery of Canada has joined the Slow Art Day movement, and we look forward to the creative design they come up with for 2024.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Take a look at these concluding remarks from educator Andrea Gumpert:


“Participation in the Slow Art Day requires little preparation, links the Gallery to a broader global movement and aligns directly with the Strategic Plan. The approach also benefits visitors by reported reduction in stress levels, improved concentration levels and a better ability to foster empathy. As the participants in the Gallery’s Slow Art Day expressed, slow and careful looking helps to unravel complexity, build connections and see things from multiple perspectives. Finally, since slow looking is inclusive: everyone can take part and no prior knowledge is required. For those who want to practice slow looking with art, no art historical knowledge is required giving confidence in one’s own abilities to visit a museum and to understand works of art for oneself. The Gallery is ideally placed to continue the annual Slow Art Day event and might consider further opportunities to host slow looking programs for the public as well as the staff.”

Andrea Gumpert, educator at the National Gallery of Canada