From Athens to South Africa to Toronto and Beyond

Slow Art Day 2024 is coming up this Saturday, April 13 and yet again there are an amazing variety of museums, galleries, churches, cities, sculpture parks are joining us (see the full list) – including places in Athens, South Africa, and Toronto.

Athens

The Goulandris Museum of Contemporary Art in Athens is premiering the first Slow Art Day in the Greek capital (other Greek cities have hosted – but this year is a first for Athens). The collection features the amazing modern art collected by now-deceased shipowner Basil Goulandris and his wife Elise Karadontis (read this article for more information on their event).

Here’s the simple image they are using to promote their Slow Art Day:

South Africa

The Melon Rouge Gallery in South Africa always produces a great Slow Art Day – and a great poster.

Here’s their 2024 poster:

Toronto – Art Gallery of Ontario

The AGO, one of the largest museums in North America, will be hosting their 9th Slow Art Day and have chosen this terrific image.

These are just a few of the hundreds of places hosting events this year.

And, of course, you can run your own personal Slow Art Day anywhere anytime.

We hope you have a wonderful Slow Art Day 2024.

– Phyl 

P.S. If you have not yet registered your Slow Art Day with us, then go to this page.

P.P.S. Our 2023 Annual Report is out. Read it and get inspired!

New Perspectives with the Art Gallery of Ontario

For their 8th Slow Art Day, the Art Gallery of Ontario (AGO), one of the largest art museums in North America, invited participants to join one of two slow looking offerings with the AGO collection: either by designing their own slow looking tour, or by joining a guided tour.

Participants engaging with “Paysage du Midi et deux enfants” by Pierre Bonard (note the slow motion captured in each of the photos from AGO)

For the guided tour, one of the AGO’s art educators asked participants to look at three artworks:

Participants engaging with “Unearthed – Midnight” by Otobong Nkang

AGO curator Mellisa Smith reported that the post-looking conversation gained momentum through the tour as people became more comfortable sharing. This was a function of the trust participants built with each other as they experienced the act of looking at the art through each other’s eyes.

For the final session of the guided tour, the AGO hosts asked participants to wander slowly across the entire length of Tintoretto’s painting, “Christ Washing His Disciples’ Feet.” Specifically, they asked observers to pay attention to a trick with perspective that occurs with this painting. When viewed from the side as one slowly walks its length, Tintoretto’s painting seems to emphasize the gaze of the disciples towards Jesus, thus focusing the viewer on his status as the main subject. This is truly a painting which needs to be seen slowly.

Participants slow looking at (and moving around) “Christ Washing His Disciples’ Feet” by Tintoretto

When asked if they would do anything differently next year, the AGO told us two things:

  1. In the future, they hope to try a more densely curated space, and investigate how participants are able to center themselves in a more chaotic space.
  2. They would like to also avoid choosing artwork with in-depth wall texts, as visitors couldn’t help but
    to read the labels (understandable!)

We encourage art educators and curators to listen to an episode of the CBC Commotion podcast series hosted by Elamin Abdelmahmoud and featuring AGO curator Melissa Smith – Slow Art Day and the value of lingering. Smith mentions a point that we always like to reinforce about slow looking: it is about building your own meaning with a piece, and you don’t have to have any prior knowledge of art or the piece to do that. Yes! That indeed is the power of slow looking.

We really appreciate the Art Gallery of Ontario’s long-term commitment to Slow Art Day, and can’t wait to see what they come up with for Slow Art Day 2024.

– Jessica Jane, Johanna, Ashley, and Phyl

P.S. You can follow AGO on their Instagram, Facebook, and Twitter accounts.

Art, Spirituality, and History: a Virtual Journey at the Art Gallery of Ontario

For their 8th Slow Art Day, the Art Gallery of Ontario (AGO) – one of the largest art museums in North America – organized a virtual event on Zoom.

For the event, Art Educator Lauren Spring, guided participants in a close looking journey through expressionist and spiritual realms from post WWI Germany to Inuvialuit hamlet Tuktuyaaqtuuq in the 1950s.

They were invited to take a deep and slow look at works of art by German artist Käthe Kollwitz, British-Indian artist Anish Kapoor, and Inuit sculptor Bill Nasogaluak, exploring themes of family, interconnectedness, limits, transformation and transcendence, and considering how and why artists aspire to represent the most complex human emotions and experiences.

Käthe Kollwitz. Mütter, 1919. transfer lithograph on wove paper, Sheet: 52.2 × 62.9 cm. Gift of W. Gunther and Elizabeth S. Plaut, 1995. © Art Gallery of Ontario. 95/348

Bill Nasogaluak. Bear Tangled in Barbed Wire, date unknown. painted barbed steel wire; stone, Overall: 21.5 × 26 × 47.5 cm. Private Collection. © Bill Nasogaluak. AGO.119815

The Zoom event hosted many live participated as well as generated many likes and reshares across AGO’s Facebook, Twitter, and Instagram accounts.

At Slow Art Day HQ, we would like to thank Lauren Spring and her colleagues Melissa Smith, Natalie Lam, and Lexie Buchanan for organizing such an engaging virtual event. We are grateful for AGO’s long-term commitment to celebrating Slow Art Day, even during hard pandemic times.

We can’t wait to see what they come up with for their 9th Slow Art Day in 2023.

– Jessica, Johanna, Ashley, and Phyl

Slow Art and Mindfulness with the Art Gallery of Ontario

For their 7th Slow Art Day on April 10th, the Art Gallery of Ontario (AGO) in Toronto, one of Canada’s largest art museums, shared a video and five artworks from their collection to their social media platforms, Facebook, Instagram, and Twitter.

A couple of days before the event, AGO uploaded a slow looking video featuring Clarence Alphonse Gagnon’s ‘Study of a Hare in Winter’ (1922), with a slow looking and mindfulness exercise guided by Melissa Smith, Assistant Curator of Community Programs.

Slow Looking video produced by the Art Gallery of Ontario for Slow Art Day 2021, featuring Clarence Alphonse Gagnon’s ‘Study of a Hare in Winter’ (1922), with a slow looking exercise guided by Melissa Smith, Assistant Curator of Community Programs.

On the actual day of the event, participants were then invited to focus on each of these five artworks for 10 minutes:

  • Kazuo Nakamura, Blue Reflections, 1962
  • Abraham Anghik Ruben, Sedna, c.1990
  • Vilhelm Hammershøi, Interior with Four Etchings, 1904
  • Julie Mehretu, Algorithms, Apparitions and Translations, 2013
  • Christi Belcourt, Wisdom of the Universe. 2014

They were also encouraged to leave comments under each image.

Below are images of the artworks, which we encourage you to experience slowly using the AGO’s prompts that follow.

Kazuo Nakamura, Blue Reflections, 1962
oil on canvas, Overall: 101.7 x 127 cm. Purchase, with funds from the Peter Larkin Foundation, 1962. © Art Gallery of Ontario 62/8

Prompts for Kazuo Nakamura

For this Kazuo Nakamura piece don’t just look slowly, look closely. See how subtly the colours change. Pay attention to how the gradual shifts in brushstrokes give a sense of movement to the landscape. What do you notice about how the brushstrokes are applied? Each and every brushstroke is calculated and purposefully applied. Nakamura is best known for this analytical approach in his paintings, and in his later works, he was influenced by mathematics and scientific theories. He sought to discover a universal pattern in art and nature. What do you think this universal pattern would look like? Do you prefer an analytical approach or a more gestural one?

Abraham Anghik Ruben, Sedna, c.1990
mottled dark green Brazilian soapstone, inset stone eyes, Overall (approx.) 70 × 35.5 × 18 cm. Gift of Samuel and Esther Sarick, Toronto, 2001. © Abraham Anghik Ruben. 2001/400 

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Prompts for Abraham Anghik Ruben

Abraham Anghik Ruben is a storyteller and tells his stories through the medium of sculpture. His sculptures often tell the legends, myths, and spiritual traditions of the Inuit people and the Arctic land. A recurring figure in Ruben’s works is the Inuit Sea Goddess, Sedna. Look at how her hair dramatically but gracefully arches up behind her like it is flowing with the movement of water. Notice how her eyes stand out from the rest of the sculpture, and how she clutches her hands close to her torso. What do her expression and her posture suggest? What is the message Ruben is trying to share?

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Vilhelm Hammershøi, Interior with Four Etchings, 1904
oil on canvas, Framed: 74.7 × 63.6 cm.
Purchased with the assistance of a Moveable Cultural Property grant accorded by the Department of Canadian Heritage under the terms of the Cultural Property Export and Import Act, 2015; © Art Gallery of Ontario. 2014/1054

Prompts for Vilhelm Hammershøi

Looking for a little calm and quiet? Come and join us in Vilhelm Hammershøi’s “Interior with Four Etchings”. A muted scene in both colour and sound, we invite you to hush the world around you as you spend some time with this piece. The female figure is the artist’s wife, Ida. Since she has her back to us, we cannot read her expression. But because she is turned away, we can enter and explore this private space freely. Take a look around. Notice how the light softly enters from the left, creating reflections on surfaces and depth in the space. Where do your eyes go? To the items on the table? To the etchings on the wall? What are the etchings of? Look closely because there are details here that could have easily escaped you before.

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Julie Mehretu, Algorithms, Apparitions and Translations, 2013
One of a suite of five etchings. Etching with aquatint, spitbite, soft ground, hardground, drypoint and engraving in black ink on paper. Sheet: 79.4 × 94.8 cm. Purchase, with funds from the Trier-Fodor Fund, 2019. © Julie Mehretu, courtesy Marian Goodman Gallery. 2019/2322.1

Prompts for Julie Mehretu

There’s no piece quite like this Julie Mehretu that demonstrates the importance of an unhurried and patient approach to art. Mehretu is inspired by landscapes, cities, and human activity within nature. Particularly interested in layered imagery, Mehretu’s printmaking technique requires her to slow down as she layers line upon line to create this surreal landscape. Take a look, what do you see? Now, look closer. Even closer. The closer you look the more details you’ll see. The larger narrative will begin to fall apart, revealing various smaller narratives beneath. Just as the piece evolves with each of Mehretu’s lines, your experience of this work will also evolve over time. So, go on. Look again.

Christi Belcourt, Wisdom of the Universe. 2014
Acrylic on canvas, unframed: 171 × 282 cm. Purchased with funds donated by Greg Latremoille, 2014. © Christi Belcourt 2014/6

Prompts for Christi Belcourt

Ten minutes is hardly enough time to contemplate the wisdom of the universe, both the concept and this piece by Metis artist Christi Belcourt. Take your time to really explore this piece. What type of birds do you see? What type of flowers and vegetation can you recognize? Imagine yourself in this space. Move through the branches and notice the balance and harmony. Can you hear the sounds of the animals? Can you smell the flowers around you? See how everything is connected. This great network of life. Belcourt’s piece asks us to reflect upon the well-being of all living species on this earth, as the current climate crisis affects us all. Take a deep breath, and surround yourself with the wisdom of the universe.

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The event was well received, with 10,000+ likes and views on the AGO’s social media platforms.

Below are some great quotes form participants:

This is my favourite painting at the AGO! I always spend a long time in front of it and always pick up something new each visit.

Participant’s comment under Nakamura’s painting – Instagram

Love this idea!!

Participant’s comment on Instagram

We appreciate the Art Gallery of Ontario’s thoughtful design for this multi-day virtual event, and look forward to what they come up with for Slow Art Day in 2022.

Johanna, Ashley, Jessica, and Phyl