Tag Archives: female artists

“What to think about when looking at art” – Slow Art Day at Glen Foerd in PA

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For its fifth year celebrating Slow Art Day, Glen Foerd in Philadelphia, PA selected four works from the museum’s permanent collection:

  • “Flowers in a Gold Vase” by Mary Elizabeth Price (1987-1960)
  • “Lady Trimelston” by Sir Thomas Lawrence (1769-1830)
  • “Manifestation with Wings” by Benton Murdoch Spruance (1904-1967)
  • “An Archive of Desire” (2020) by Jennifer Johnson

 “Flowers in Gold Vase,” Oil on Panel. Mary Elizabeth Price (American, 1875-1960).
“Lady Trimelston,” Oil on Canvas. Sir Thomas Lawrence (British 1769 – 1830).
“Manifestation with Wings,” Oil on canvas. Benton Murdoch Spruance (1904-1967).
“An Archive of Desire,” 2020. Mixed Media, Porcelain. Jenifer Johnson (American).

Visitors were encouraged to spend 10 minutes with each piece before joining a group discussion. The museum provided a set of prompts (see the p.s.).

Executive Director Ross Mitchell started the group discussion with an anecdote about his son, who, while visiting a museum, asked his father a simple yet profound question: “What are you supposed to think about when you’re looking at art?”

Visitors were invited to share their experiences. The group discussed the three paintings, displayed side by side in the Glen Foerd mansion’s art gallery. Initial impressions gave way to deeper appreciation of technique, composition, color, and space. After nearly an hour of dialogue, the group had come up with their own answers to the question Mitchell’s son had posed.

The momentum of the morning continued to the final piece, a sculptural installation display by Jennifer Johnson titled “An Archive of Desire”. Visitors were again asked to share their impressions and observations of the work, taking note of the ways that paintings and sculpture are experienced differently.

The morning ended with final remarks and an invitation to return for next year’s event, which we at Slow Art Day HQ look forward to seeing. We thank Ross Mitchell and the Glen Foerd team for continuing to cultivate a community of slow looking in Philadelphia.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Glen Foerd on Facebook and Instagram.

P.P.S. Here were the prompts used:

  • Look not only at what is pictured, but how it is pictured.
  • What kind of colors has the artist used? Are they bright, muted, or somewhere in between?
  • Can you see how the color has been applied or is the color smooth and blended?
  • Is there a sense of deep, moderate, shallow, or indeterminate space? Is that space consistent throughout the picture?
  • Is space clear and well defined or atmospheric? What about how the picture was painted gives it that quality?
  • Is there the suggestion of a directional light source, of light coming from one side or the other?
  • Can you see lines anywhere, whether painted lines or strong edges created by color-to-color areas? Where are lines used and how?
  • What other observations can you make?
  • How is the installation piece different from the paintings?
  • What is the unifying theme of the installation? 

Artist Talk and “Sweet and Sour Memories” at Art Gallery of St. Albert

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On April 5, 2025, the Art Gallery of St. Albert in Alberta, Canada, welcomed a large audience (a small portion of which is shown below) for its Slow Art Day event, which featured an inspiring artist talk by Alberta’s Artist in Residence, Samantha Williams-Chapelsky alongside the exploration of a moving exhibition by Edmonton-based artist Edith Chu.

To start, artist Samantha Williams-Chapelsky shared her journey as a professional artist, offering insights into her creative process, the challenges she’s overcome, and her experiences representing Alberta’s vibrant arts community. She also reflected on the future of visual arts, addressing current trends, emerging opportunities, and the evolving role of artists in Alberta and beyond.

Artist Samantha Williams-Chapelsky and participants during the artist talk. Photo courtesy of Art Gallery of St. Albert.

Visitors were also invited to experience the exhibition “Sweet and Sour Memories” by Edmonton artist Edith Chu. In this exhibition, Chu looks back on her life growing up in her family’s restaurant Szechuen Cuisine. Her memories of this time form the foundation of her experience as a first-generation Canadian. Delicate watercolor paintings of restaurant life capture the day-to-day, family photos are drawn onto replica guest cheques, and Edith’s memories are captured in sculptural takeout boxes and narrative photographs.

The event also included a range of interactive activities: visitors created their own memorable buildings on envelopes in the Art Nook, completed a gallery-wide iSpy challenge, and engaged with an activity book designed for “Sweet and Sour Memories,” which encouraged participants to design their own takeout noodle boxes. Free refreshments added to the warm, welcoming atmosphere.

We at Slow Art Day HQ love to see such multifaceted events, and look forward to seeing what Leah Louden and the whole team at Art Gallery of St. Albert create for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with the Art Gallery of St. Albert on Facebook and Instagram.

Deep Dives into Diverse Masterpieces at the Denver Art Museum

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For its second Slow Art Day, the Denver Art Museum in Denver, Colorado, offered both self-guided viewing and structured, docent-led discussions, inviting guests to explore three artworks.

Featured Works:

Elaine de Kooning, Bullfight, 1959. Oil paint on canvas; 77 5/8 x 130 1/4 in.
El Anatsui, Ghanaian, Rain Has No Father?, 2008. Installation. Found bottle tops and copper wire.
Artist Unknown, Garden Party on the Terrace of a Country Home, about 1720-1730, Mexico. Folding screen, painted oil paint on canvas with gold.

Visitors were encouraged to spend 5–10 minutes individually observing each featured artwork, immersing themselves in a thoughtful, quiet exploration. Throughout the day, docents led engaging discussions every half hour, helping participants articulate their observations and uncover deeper meanings within the art.

The expressionism of Elaine de Kooning’s “Bullfight,” the textures of El Anatsui’s “Rain Has No Father,” and the narrative depicted in the 18th-century piece “Garden Party” sparked conversations and personal reflections among attendees. We recommend you check out the additional videos on the museum’s website showcasing El Anatsui’s installation and process.

You may view or download the handout for the event below:

Denver Slow Art Day Handout (PDF)Download

We thank Holly Harmon, Andy Brashear, and the entire Denver Art Museum team and look forward to what they come up with for Slow Art Day 2026.

– Ashley, Johanna, Jessica Jane, and Phyl

P.S. Stay connected with Denver Art Museum on Facebook and Instagram.

Glen Foerd Hosts 4th Slow Art Day

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For Slow Art Day 2024, Glen Foerd in Philadelphia, Pennsylvania invited participants to look slowly at four selected works of art, led by Executive Director Ross Mitchell.

Glen Foerd itself is a beautiful mansion and grounds on the banks of the Delaware River (learn more about the venue and its history on their website).

Their collection is an eclectic mix of works from the Renaissance to the twentieth century, where Italian masterpieces sit next to works by local Philadelphia artists. The beauty of slow-looking is that it brings deep observation and appreciation to all works of art no matter the provenance.

Exterior of Glen Foerd. Photo by Ashley Moran.

For the event, participants were invited to spend at least 10 minutes with each
of the following selected pieces:

  • Luigi Setanni (American, 1908–1984). Village and Calvary, c. mid-1930s. Oil on canvas
  • Thomas Sully (Attributed) (American, 1783 – 1872). Head of a Young woman in a Black Feathered Hat. Oil on Panel
  • Edith Emerson (American, 1888–1981). A Florentine Garden. Oil on canvas
  • Talia Eve Greene (American, 1976). Threadbare and Tarnished: Tales from a Gilded Age, 2017. Mixed Media
Luigi Setanni (American, 1908–1984). Village and Calvary, c. mid-1930s. Oil on canvas
Thomas Sully (Attributed) (American, 1783 – 1872). Head of a Young woman in a Black Feathered Hat. Oil on Panel
Edith Emerson (American, 1888–1981). A Florentine Garden. Oil on canvas
Talia Eve Greene (American, 1976). Threadbare and Tarnished: Tales from a Gilded Age, 2017. Mixed Media

Afterwards, Ross led the group through a discussion about each work.

Executive Director Ross Mitchell leading the discussion in front of three of the works.
Participants looking slowly at the selected works.
Participants looking slowly at the selected works.
Participant taking in the mixed media work in a separate room, by Talia Eve Greene – Threadbare and Tarnished: Tales from a Gilded Age.

Participants were also given a flyer with a series of prompts (download the flier).

Flyer of the eventDownload

Ashley Moran, volunteer at Slow Art Day HQ, visited Glen Foerd for their fourth Slow Art Day in 2024, and very much appreciated their selection of art and the lively discussion facilitated by Executive Director Ross Mitchell.

We are excited to see what they come up with for Slow Art Day 2025.

– Ashley, Jessica Jane, Johanna, and Phyl

P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, hospital, sculpture park or movie theater here: https://www.slowartday.com/be-a-host/

Mason City, IL, Hosts City-Wide Slow Art Day

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For their first city-wide Slow Art Day, the town of Mason City, Illinois lined up three venues to host artwork events for Slow Art Day: the public library, Reimagine Mason City Foundation, and the Arlee Theater. 

All three are local nonprofits who are actively involved in youth services and the arts. Even though Mason City is not large enough to need a stop light (with a population of 2500), they still make sure to celebrate local artists. This year’s featured works included pieces from local artists who have passed on, as well as works from four other Central Illinois artists with various ties to Mason City. Most of the entries were paintings, with one sculpture.

This year’s local artworks were: 

  • Unknown titled piece by Andrea Maxson
  • “Colorful Flowers” by the late Helen Kim
  • Two untitled pieces by Anastasia Neumann
  • “Protection” and “Old Warrior” by Rick Kehl
  • Unknown titled piece by the late Mary Price
  • Unknown titled piece by the late Mary K. Mangold
  • “Arcturian Landscape Study in Aluminum” by Paige Price 
Untitled work by Anastasia Neumann
Untitled work by Anastasia Neumann
Untitled work by Andrea Maxson
“Colorful Flowers” by Helen Kim
Untitled work by Mary K. Mangold
Untitled work by Mary Price
“Arcturian Landscape Study in Aluminum” by Paige Price
“Old Warrior” by Rick Kehl
“Protection” by Rick Kehl

On Slow Art Day, the artworks were divided across the three selected locations, and tips for looking at art slowly were provided at each venue.

  • The public library showed their pieces in a special exhibit.
  • The Reimagine Mason City Foundation hosted a pop-up coffee shop where their works were displayed. 
  • And lastly, the Arlee Theater projected digital versions of all of the works onto the big screen prior to the evening’s show (we have seen several theaters participate over the years, and love this type of venue for slow looking!).

At Slow Art Day HQ, we love to see citywide events – and especially appreciate smaller towns who come together to celebrate the day. We also hope to see more movie theaters join the Slow Art Day movement.

We look forward to seeing what Mason City comes up with for Slow Art Day in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl


P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park or movie theater here: https://www.slowartday.com/be-a-host/

The Red Awl Hosts First Slow Art Day

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For their first Slow Art Day, The Red Awl in Clarkdale, Arizona, featured four tiny ink-on-paper drawings by Karen McClanahan. The drawings were chosen because they align with the mission of The Red Awl to create, exhibit, and promote handcrafted, quirky, and often humorous artists’ books and fine art multiples.

The Red Awl is an artist-run project space located in a 100+ year old building in the small town of Clarkdale, Arizona. The building contains studios, a workshop, a copy room with a vintage Xerox machine, and a 242 square foot office lobby that serves as a project and exhibition space.

On Slow Art Day 2024, visitors were welcomed and asked to sign an antique ledger guestbook, then they were invited to read a short statement describing Slow Art Day along with an introduction to the drawings on view. Since this was the first time The Red Awl hosted Slow Art Day, they opted for a casual event instead of a formal program. The artist, Karen McClanahan, was on site to engage in discussions and answer questions throughout the day. An extra detail is that all visitors were asked to put away their cell phones and not take any photos or videos during their visit. This allowed them to stay present with the drawings and the artist.

Antique ledger.

 Visitor viewing closely.

Slow Art Day participants were encouraged to look at the tiny drawings – first with an unaided eye and then with a magnifying glass. This allowed them to see the details up close at a similar magnification as the artist had drawn them. The drawings by McClanahan are small – measuring at 1 in. by 1-5/8 in., or slightly larger than a postage stamp. The size of the works offer a unique way to look slowly, as the intimate scale of the artwork requires a close view, making slowing down imperative.

McClanahan meticulously drew the tiny abstract compositions using a Bic ballpoint pen, a Micron pen, a straight edge ruler, a steady hand, and high-powered reading glasses.

Magnifying glasses for literal close looking.

Ink vs. Ink (Original drawing)

Eddy (Original drawing)

After viewing the works, visitors moved on to view a portfolio with the additional original book “plates” and the finished book titled “Ink vs. Ink.” Seeing the larger context of the four works showed visitors how the artist achieved a conceptual book narrative using pure abstraction.

Informal discussions focused on the various allusions to landscape, the human body, architecture, nature, and fabric. There were many questions regarding the drawing technique itself and how the miniature drawings were created using a humble Bic ballpoint pen.

At Slow Art Day HQ, we love this alignment of the small drawings with the mission of the exhibition space (and the magnifying glasses are cool).

We look forward to whatever The Red Awl comes up with for their second Slow Art Day in 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/

Slow Art Day with Soup at Caloundra Regional Gallery

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For their third Slow Art Day, the Caloundra Regional Gallery in Caloundra, Australia, featured the following five works from “The Local Contemporary Art Prize” exhibition, selected by Gallery Collections Curator Nina Shadforth:

  • Itamar Freed, “Tears and Time I Lost” (2023-2024). Kinetic sculpture, water from Maroochy River, artist tears, glass, wood, and metal. 35 x 50 x 47cm.
  • Erin Van Der Wyk, “Biodiverse” (2024). Relief print and embossing. Ed. 1/30. 50.8x61cm.
  • Michael Civarella, “Cross?” (2023). Acrylic paint, board, hardwood timber frame. 80x70cm.
  • Nicole Voevodin-Cash, “Dying Bed” (2023). LANDscan-digital footage, digital print. Ed 1/5. 120x90cm.
  • Andrew Bryant, “Fractal Form” (2023). Wheel-thrown sculptural clay, satin matte Crystal Glaze over colored porcelain slips, stoneware fired. 45x50x8cm.

“The Local Contemporary Art Prize” competition started in 2014 and celebrated its 10th anniversary in 2024. It is open to artists living within the Sunshine Coast and Noosa regions, who are invited each year to submit 2D and 3D works across all mediums.

Slow looking at one of the selected artworks.

For this year’s Slow Art Day, participants were first welcomed and given an overview of the 2 hour-long event. They were then invited to look slowly at the five artworks for 5-10 minutes each, and then write down their observations.

Below is the multi-page handout they designed for the session. We encourage educators and curators to look at what they’ve done here. It’s worth considering copying.

Caloundra Regional Gallery Slow Art Day BookletDownload

During the event, music was played on the harp and guitar by local musicians, Graham and Rowena.

Graham and Rowena, local musicians.

Participants getting refreshments ahead of the group discussion.

Following the individual experience with the artworks, the group gathered in a circle with refreshments to share their observations (pictured below). Slow cooked soups and focaccia were provided, courtesy of the Friends of the Gallery. They also provided a bar with bubbles and wine for purchase. The free event was well-attended, with 38 booked attendees.

Slow looking participants in a discussion circle with refreshments during the second part of the event.

At Slow Art Day HQ we appreciate the caring they put into every aspect of this event and love the idea of having soup and bread during the discussion (how cozy!).

We look forward to whatever the Caloundra Regional Gallery team comes up with for Slow Art Day in 2025

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at the Gallery through their Instagram.

P.S.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/

Slow Art Day at Wellcome Collection in London

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For their second Slow Art Day, Wellcome Collection in London, England, hosted four different slow looking sessions which included unlocking food memories, writing object labels, and slow looking at works in the Reading Room. Wellcome Collection is a free museum that explores human health through the lens of art, medicine, and science.

Signs inviting to the Wellcome Room.

Slow looking participants in the Wellcome Room.

The first session focused on two photographs of women amidst global crises, which illustrated how pandemics and infectious diseases affect the human experience. The exchange that followed with the participants was filled with deep, personal, and emotional testimonies.

The second session, led by Rosie Wassi, one of the Wellcome Collection team, explored the effects of environmental breakdown.

Discussion in front of Kia LaBeija’s self-portrait in the Infection (in this case HIV) Section of the Being Human gallery at the Wellcome Collection.

On a lighter note, the third session invited attendees to label objects from the Handling Collection, which helped to bring gallery employees and visitors closer together. Sana Siddiqui, one of the Wellcome Collection team, also reignited memories and senses through a selection of old food advertisements.

The day concluded with Wellcome Collection’s Slow Art enthusiast, Dickon Moore, leading a slow looking session of the eight-minute film “White” by Daniella Dean, which explored the impact of colonization on New Zealand’s fauna and flora.

A series of prompts were used for the slow looking sessions:

  • What do you see? Colors? Textures? Patterns? Shapes?
  • What do they symbolize? Why were these particular choices made?
  • What do you think the artist wanted to convey through their choices?
  • How does this resonate with you and your experiences? Does it trigger any emotions?
  • Can you tell a story about this object?
  • Based on all that has been discussed, what would you name or title this work?

Throughout the day a Slow Art slideshow, art materials, and books were also available to all visitors in the Wellcome Kitchen.

Dickon Moore leading slow looking at the film “White” from Danielle Dean.

Slow drawing.

All sessions were facilitated individually or in pairs by the following Wellcome Collection team members: Jake Blackavar, Sana Siddiqui, Rosie Wassi, Isabel Greenslade, Isabelle Gapomo, Griff Davies, and Dickon Moore.

The event was well received, and Wellcome Collection provided several participants’ feedback in the file below:

Slow Art Day FeedbackDownload

At Slow Art Day HQ, we love the variety of sessions at Wellcome Collection, and are excited for whatever they come up with for Slow Art Day 2025.

-Johanna, Ashley, Jessica Jane, and Phyl

P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park here: https://www.slowartday.com/be-a-host/

Seventh Slow Art Day in Belmont, NC

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While Slow Art Day is often held in large or regional museums, we also love to celebrate when smaller towns and studios join together to host slow looking.

As such, we’re happy to report that Belmont, NC, a small city of about 10,000 people, held their 7th Slow Art Day in April 2024.

To make it happen The Downtown Belmont Development Association in Belmont, NC, partnered with longtime host and local art center, Art by J Studios, which designed an event to focus on four local artists:

  • Kathi Graves
  • Bae Hart
  • Carol Stowe
  • James Norman

Below is their innovative and fun flyer (feel free to copy).

Slow Art Day flier with profiles of the four featured artists

Both the morning and afternoon sessions were held at Art by J, a children’s art school, which is housed in an old mill down the hall from renowned artist Juan Logan.

Slow Art Day participants at one of the two sessions at Art by J.
Participants engaging in slow looking.
Writing and reflecting during one of the Slow Art Day sessions.

On Slow Art Day, guests were greeted by Jeaniene Dibble, the owner of Art by J, who gave them a Slow Art Day pin (we don’t have a photo of the pin – though we are sure we’d want it!) to wear that she had designed, and handed them a clipboard with paper and a pencil. Normally a chaotic environment with students and classes running, on Slow Art Day the school was serene and contemplative. 

Guests looked slowly at each artwork for 10 minutes and used their clipboards to write down inspirations and answers to prompts that they were given. Next, they engaged in a discussion with three of the artists, Kathi Graves, Carol Stowe, and James Norman, who answered questions and discussed the participants’ thoughts and impressions. Pastries, donuts, and water were also provided.

Amy Bossard, the Design Committee Chair at the Downtown Belmont Development Association, reported that guests and artists were so engaged with each other they could have gone on talking all day long (we hear this all the time and witness it ourselves when we run slow looking events).

Both sessions were very well received, and the Downtown Belmont Development Association and Art by J already look forward to Slow Art Day 2025.

– Johanna, Ashley, Jessica Jane, and Phyl

Objects Talk Back at The Gardiner Museum

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For their fifth Slow Art Day, The Gardiner Museum in Toronto, Canada, invited the public to a mindful exploration of the exhibition Magdalene Odundo: A Dialogue with Objects between 11am – 1pm.

Magdalene Odundo: A Dialogue with Objects. Photo: Toni Hafkenscheid
Magdalene Odundo: A Dialogue with Objects. Photo: Jack McCombe

On Slow Art Day, participants were provided with guided activity sheets (see below) designed to facilitate slow looking. The handout prompted participants to think of how the objects were “talking” to them.

Participants were also encouraged to discuss their experiences either with each other, or with Sofia Flores-Ledesma, Education and Program Coordinator, who was available throughout the event.

Participants looking slowly at the exhibition for Slow Art Day 2024. Photo: Sofia Flores-Ledesma.

Below you can see the activity sheet (and feel free to copy any of what they have done there). The downloadable file also includes a few examples of how participants used the sheet to draw and comment.

Slow Art Day 2024_Participant ResponsesDownload

The exhibition was the first and largest collection of Dame Magdalene Odundo’s works presented in North America, showcasing decades of her art. Magdalene Odundo (born 1950) first trained as a graphic artist in her home country of Kenya before moving to the United Kingdom to take a foundation course at the Cambridge School of Art. In 1976, Odundo graduated in Ceramics, Photography and Printmaking from the University for the Creative Arts, Farnham, UK. For more information about Odundo’s work and life, we invite you to look at The Gardiner Museum’s exhibition page.

The Gardiner Museum always hosts beautiful Slow Art Day events, and we look forward to whatever they come up with for Slow Art Day 2025.

– Johanna, Ashley, Jessica Jane, and Phyl

P.S. Stay up to date with events at The Gardiner Museum through their Instagram, X (Twitter), or Facebook.