For their first Slow Art Day, Kasteel van Gaasbeek (Gasbeek Castle) in Belgium held two activities that combined inclusive slow looking, touching and drawing.
The first activity was a slow-looking and slow-touching session with the “The Peasant Wedding,” a gilded bronze sculpture referencing Bruegel’s paintings that is located in a quiet and intimate corner of the castle. Visitors were invited to slowly experience the sculpture on their own terms. And to make the experience more inclusive, they could choose to also experience it blindfolded or by touch, which also ensured accessibility for people with visual impairments. A guide was also there to ask questions and encourage dialogue about their impressions.
Visitors engage with The Peasant Wedding by Studio Job. Photo courtesy of Kasteel van Gaasbeek.
The second activity took place outside the castle, where a guide-lecturer hosted a small slow drawing workshop. Passers-by were invited to pause, sit, and sketch the castle, focusing on its details and slowing down to notice the intricacies of its architecture. This exercise provided participants with an opportunity to not only look carefully but also to translate their observations into creative expression.
We at Slow Art Day HQ love how Kasteel van Gaasbeek’s first Slow Art Day demonstrated how accessible, inclusive, and participatory approaches can enrich the slow looking experience. We look forward to seeing what they do for Slow Art Day 2026!
– Ashley, Johanna, Jessica Jane, and Phyl
P.S. Stay connected with Kasteel van Gaasbeek on Facebook and Instagram.
For their second year participating in Slow Art Day, Moderna Museet Malmö once again hosted a deeply reflective and engaging event that beautifully combined meditation with slow looking.
In the vibrant exhibition Vivian Suter – I Am Godzilla, participants gathered for a guided meditation session led by Ana María Bermeo, an artist, museologist, and certified meditation teacher. Through simple breathing and mindfulness exercises, Bermeo encouraged participants to slow their pace, immerse themselves in Suter’s rich visual world, and reconnect with their own inner experiences.
Slow looking and meditation surrounded by expressive, immersive works in the Vivian Suter exhibition. (Photo: Susanne Lindblad/Moderna Museet Malmö)
No prior experience with meditation was required — only a willingness to pause, breathe, and look slowly.
Attendees reported embracing the moment of silence and reflection, letting go of performance and expectation, and allowing themselves to experience both the art and their sensory impressions in a deeper, more contemplative way.
Participants meditating amidst the colorful canvases of the Vivian Suter exhibition at Moderna Museet Malmö.(Photo: Susanne Lindblad/Moderna Museet Malmö)
The bold, colorful canvases of Vivian Suter’s exhibition created a powerful backdrop for the session. For us at Slow Art Day HQ, it is particularly striking to witness participants seated quietly in a circle around these vibrant works, each deeply absorbed in silent meditation and reflection.
We are so grateful to Moderna Museet Malmö and to host Susanne Lindblad for continuing to be a valued part of the Slow Art Day movement. We can’t wait to see what they create for Slow Art Day 2026!
For their 5th Slow Art Day, the Gothenburg Museum of Art in Gothenburg, Sweden, hosted two events:
A guided meditation with artist and yoga instructor Pernilla Ljungqvist in front of the artwork “Höstafton, Nordingrå” by Helmer Osslund (1866 – 1938) – adults and teens were invited to join this one.
Slow looking and drawing workshop consisting of two parts: one in the Museum collection where they practiced slow looking exercises, and another in the Museum studio where they created their own artwork – this was a children’s workshop.
Slow Art Day participants in front of “Höstafton, Nordingrå” by Helmer Osslund (1866 – 1938). Photographer: Linda Noreen. Photo courtsey of Gothenburg Museum of Art.“Höstafton, Nordingrå” by Helmer Osslund (1866 – 1938). Photographer: Hossein Sehat Lou. Photo courtsey of Gothenburg Museum of Art.
For the first activity, Pernilla, the meditation instructor, invited participants to look slowly at the artwork “Höstafton, Nordingrå.” Next, they relaxed into a comfortable position on a mat in front of the work as Pernilla guided them through simple motions and exercises while looking slowly at the painting.
Slow Art Day participants meditating in front of “Höstafton, Nordingrå” by Helmer Osslund (1866 – 1938). Photographer: Linda Noreen. Photo courtsey of Gothenburg Museum of Art.
During the children’s workshop, the kids looked at three artworks using different slow looking techniques focused on noticing new details in each. During the second half of the session, they were invited to paint with frozen colors on watercolor paper (again, this was done in the museum studio). The goal was to use a tactile material, which could activate several senses and emotions *and* in which the concept of time was present in the material itself. Frozen paint to illustrate time and slowness – how cool!
Slow Art Day workshop participant in the act of painting. Photographer: Jonna Kihlsten.Slow Art Day workshop supplies: frozen paint. Photographer: Jonna Kihlsten.Slow Art Day workshop participant in front of their artwork. Photographer: Jonna Kihlsten.
At Slow Art Day HQ we love the idea of using frozen paint in a workshop studio for kids (and hey – us adults would enjoy that too) while running a guided meditation for adults.
For readers not familiar with Gothenburg, it is the second largest city in Sweden situated on the west coast near the Kattegat. The city was built on marshy land and the layout of the city was inspired by Dutch cities like Amsterdam.
The Gothenburg Museum itself is the third largest in Sweden and hosts a collection of 19th century Nordic art as well as a range of modern, contemporary, and older works.
We appreciate the museum’s decision both to offer different events for kids and adults and the way they designed each of those sessions. We eagerly look forward to whatever they come up with for Slow Art Day 2025.
-Johanna, Ashley, Jessica Jane, and Phyl
P.S. Stay up to date with events at Gothenburg Museum of Art via their Facebook or Instagram.
For their third Slow Art Day, the Frederiksbergmuseerne in Frederiksberg – a neighborhood of Copenhagen, hosted a slow looking event at Bakkehuset (The Hill House). The Bakkehuset was a gathering place for prominent figures in the Danish Golden Age of art, literature, and philosophy including writers like Hans Christian Andersen. Today, it is one of the four Frederiksbergmuseerne and open to the public.
Bakkehuset interior. Photo: Stuart McIntyre.Bakkehuset interior. Photo: Stuart McIntyre.
For Slow Art Day, Bakkehuset aimed to use the calming atmosphere of the historical interior of the house as a starting point for slow looking. They began their event by taking visitors on a tour and inviting them to immerse themselves in the atmosphere, and imagine what it might have been like to live, talk, and hang out in the house 200 years ago.
During the tour, they also introduced mindfulness techniques to help participants slow down and sharpen their attention.
Consistent with their theme of immersion, the tour ended with asking participants to listen to Chopin’s raindrop prelude in the garden room of the house. Amazing. We love the idea of weaving music, mindfulness, and slow looking. And, as we write this, we imagine ourselves sitting in Bakkehuset, listening to Chopin and looking slowly at art.
We are already excited for whatever the Frederiksbergsmuseerne come up with for Slow Art Day in 2025.
– Johanna, Ashley, Jessica Jane, and Phyl
P.S. To find out more about Frederiksbergsmuseerne you can visit their Facebook or Instagram.
For their third Slow Art Day, the Art Gallery at Evergreen in Coquitlam, Canada, invited visitors to look slowly at two artworks from their touring exhibition “Paths” for 5-10 minutes each:
Both artworks were part of the 2024 Capture Photography Festival Selected Exhibition Program.
Silas Ng, “Music in My Eyes,” 2020, site-specific installation at the Art Gallery at Evergreen, Evergreen Cultural Centre, 2024. Photo: Rachel Topham Photography. @racheltophamphotography
Still from a video featuring an interior pan of Sarah Anne Johnson’s “Woodland” across several window panels at the Lafarge Lake-Douglas SkyTrain Station. Woodland was presented at Evergreen in partnership with TransLink.
On the day, all visitors were invited to look slowly at one or both artworks using the below provided prompts. We encourage museum educators to take a look.
The activity was self-directed, but after doing individual slow looking, participants could discuss their experience with gallery assistant Kim Grewal, or were encouraged to share their reflections on Instagram. Before leaving, they were also invited to continue the slow looking experience by spending time with some of Evergreen’s public artworks, located only steps away from the gallery.
The exhibition “Paths” featured artwork by twenty-two Canadian artists, two of which were placed in focus for the Slow Art Day event. We’ll note that one of the featured artists, Silas Ng, is deaf, and explores this in his work. In fact, his featured work “Music in My Eyes,” 2020, encourages slow lookers to think creatively as they spend time with the art.
We look forward to seeing what Art Gallery Evergreen comes up with for Slow Art Day 2025.
– Johanna, Ashley, Jessica Jane, and Phyl
P.S. Stay up to date with events at Art Gallery Evergreen through their Instagram or Facebook.
For their 4th Slow Art Day, Uillinn: West Cork Arts Centre in Skibbereen, Ireland, led participants in mindfulness practices and slow looking at works featured in their exhibition “Adrift.”
Petrina Shortt, Public Engagement Assistant, ran a lovely meditation-guided slow looking session.
In case other museums want to copy her design, here’s what she did:
Introductions She opened the session with a brief introduction to Slow Art Day, its origins, and what to expect from the slow looking. She then led the group through a round of introductions, and reinforced that the event was not a guided tour, but a moment for each participant to spend directly with art in a relaxing and curious manner.
Breathing/mindfulness practice Petrina then led participants through a short mindfulness breathing practice, asking them to breathe in for a count of four, holding their breath for a count of 5, and releasing their breath for a count of 6. They told them they could do this with their eyes closed or while looking at the featured artwork “Memorandum for Humanity.”
Slow Looking Next she asked them to slowly look at the art, observing without trying too hard to interpret, and instead, focusing on elements in the work: forms, shapes, lines, marks, colors and textures. She also suggested they notice how their eyes moved around the work and where they rested, and encouraged them to continue to focus on their breathing – especially if their minds began to drift away from the work.
Shared observations After eight minutes of slow looking, Petrina asked participants to share their experiences. Most remarked that even though they had seen the work before, they noticed a lot more within the piece after looking slowly at it. All participants commented on how relaxed they felt. They were then invited to explore one or two other artworks in the space for 10 minutes, and reconvene to discuss their observations.
Participants looking slowly at “Chrysalis.”
The group then moved to a second gallery where floor mats, cushions, fruit bowls and water had been arranged across the room. All were invited to sit or lie on the mats and cushions, or take a seat on a chair and close their eyes. During this half of the event, Petrina led the group in a mindfulness meditation which included focused slow breathing and releasing tension. They were then asked to open their eyes and practice slow looking at the large ink drawing on the wall entitled “Chrysalis,” and then to move around the room and look at one more artwork of their choosing.
After the session, all participants were eager to share their observations about the artworks. Some spoke of personal connections that they found, and others spoke of links they made between other artworks that they hadn’t noticed at first. All participants commented on how much they enjoyed the session and would like to attend more Slow Looking events.
At Slow Art Day HQ, we love this design for Slow Art Day. While participants were offered information sheets about the art after the event, the focus was on building a personal relationship with the works and discovering how each other sees. This is exactly what we hope Slow Art Day will continue to cultivate – personal relationships with art and with art lovers across the world.
We can’t wait to see what the West Cork Arts Centre comes up with for their 5th Slow Art Day in 2025.
-Johanna, Ashley, Jessica Jane, and Phyl
P.S. Stay up to date with events at the West Cork Arts Centre via their Facebook, Twitter (X) and Instagram pages.
For their second Slow Art Day, El Nido Art Space, presented by VC Projects, in Los Angeles celebrated the 100th birthday anniversary of artist and poet Sam Francis.
Sam Francis (1923 – 1994) — American painter and printmaker. Photographed in 1968. Photo: Eric Koch. CC BY-SA 3.0 nl
Ahead of Slow Art Day, one of Francis’ poems was sent to participating artists. They were invited to create a new artwork, dance, or song in a medium of their choice, inspired by the poem. The artists included:
Shane Guffogg – California
AKAT – Japan
Bjarni Sigurbjörnsson – Iceland
Mark van Drunick – Netherlands
Victoria Chapman – California
Here is the file containing the instructions and poem. Take a look for yourself, and read through it slowly (or listen to the poem through one of the artists’ interpretations, such as one of A.K.A.T’s recordings on SoundCloud).
The artists were given the following guidelines, also included in the document above:
1. Read the text slowly out loud
2. After reading, go outside or look through a window to see the sky (either day or night.)
3. Contemplate in silence
4. Create a work in any medium in reflection of this text
The responses included dance, song, and new paintings. VC Projects wrote a report following the event, which includes these responses. We also include a selection of them below.
Mark van Drunick, a dancer from the Netherlands, interpreted a poem through dance. If you click directly on the still image below, you will be taken to the page where the video is viewable. Mark also included some of the text from the poem directly in the video, so that the viewer could follow it slowly as part of the experience.
A.K.A.T., a Japan-born artist who today resides in both L.A. and Tokyo, recorded two different versions of the poem being read out loud, with music and sound effects included. The first version is a recitation of the poem by A.K.A.T. (note: the recitation is whispered). In the second version, we hear the sound of A.K.A.T’s mother’s voice reciting the text (done in one take! This one is spoken at normal volume and has a calm and relaxing mood).
We highly recommend that you view the other contributions in the excellent report written by VC projects.
At Slow Art Day HQ, we love that artists were invited into a celebration of another artist as part of this Slow Art Day event. Why not try it yourself: How would you interpret Sam Francis’ poem?
We can’t wait to see what El Nido and VC Projects come up with for 2024 Slow Art Day.
For the first-stage, MART invited the Slow Food producers to a private event in order to experience slow looking with the works of art shown below.
“Spiralando sull’Arena di Verona”, by Renato Di Bosso, 1935 (from the permanent collection)
“L’incantesimo dell’amore e la primavera della vita” by Galileo Chini, 1914 (from the temporary exhibition on Klimt and Italian Art)
“Spiralando sull’Arena di Verona”, by Renato Di Bosso. 1935.
Left panel detail from “L’incantesimo dell’amore e la primavera della vita” by Galileo Chini. 1914.
Right panel detail from “L’incantesimo dell’amore e la primavera della vita” by Galileo Chini. 1914.
Visitors looking at “L’incantesimo dell’amore e la primavera della vita” by Galileo Chini (1914) for Slow Art Day at MART 2023
For the second stage held about a week later, MART invited the public to the same slow looking experience with the same works of art.
This time, however, the Slow Food producers held a food tasting afterwards that featured foods they chose to pair with the art based on things like color and emotion. During the tasting, the Slow Food collective talked about their choices in the pairings.
Wow! What a great design for Slow Art Day.
We encourage museums around the world to do something similar: partner with a local Slow Food organization.
Slow Art collaboration with Slow Food at MART 2023
Slow Food tasting as part of MART’s Slow Art Day 2023
Not surprisingly, the MART hosts (Monica Sperandio, Social Media Representative, and Denise Bernabe, Membership Coordinator), reported that the event was a success on all fronts:
We were very satisfied with the experience and the collaboration as Slow Art and Slow Food have very similar ethics and visions, and we were able to combine two different but similar pleasures of life such as art and quality food.
Monica Sperandio
At Slow Art Day HQ, we love the partnership with Slow Food.
We (one of us is based in Italy) hope to visit MART in the future, and get a chance to see and taste the art and food ourselves.
And, of course, we are eager to see what unique design MART comes up with for Slow Art Day 2024.
-Johanna, Ashley, Jessica Jane and Phyl
P.S. Stay up to date with upcoming events at MART via their Instagram and Facebook pages.
For their second Slow Art Day, the Frederiksberg Museums in Frederiksberg, Denmark, held two guided slow looking events at Cisternerne (The Cisterns), an underground water reservoir that now hosts contemporary art exhibitions.
Slow looking participant. Slow Art Day 2023 at Cisterne. Photo: Jacob Hansen.
For their Slow Art Day event, Cecilie Monrad, Curator and Health Manager, and Thomas Riis Jensen, Coordinator of Exhibitions and Events, invited participants to engage their senses in a new way by experiencing South Korean artist Kimsooja’s Weaving the Light exhibition at the Cisternerne.
The Cisternerne Exhibition Space featuring Kimsooja’s Weaving the Light installation. Photo: Torben Eskerod.
Before we describe what they did for Slow Art Day, we need to first explain the unique environment of the Cisternerne. It is a 4,400 square meter underground space that never sees daylight, where the humidity is close to 100%, and the temperature fluctuates between 40 and 60 degrees Fahrenheit (4 and 16 degrees Celsius). Sounds vibrate and echo throughout, and a slow surface drip of water creates stalactites on the walls and vaults.
For the Weaving the Light exhibition, Kimsooja transformed the darkness of Cisternerne into an installation of light and color by using diffraction grating film mounted on transparent panels. These let light pass through a microscopic surface of horizontal and vertical prisms, creating a spectacular array of light in the darkness.
Artist Kimsooja at her exhibition Weaving the Light at Cisternerne. Photo: Malthe Ivarsson.
The Slow Art Day event started above ground, where participants first got acclimated to the light, temperature and atmosphere outside. Next, they went down into the Cisternerne together, first spending a moment getting used to the darkness, and change in temperature and humidity. They then self-selected areas throughout the exhibition for a 30 minute slow looking session before heading back to the surface, where they shared observations and reflections from the experience.
The Cisternerne, which is actually one of four museums in The Frederiksberg Museum collection, hosts, along with the other museums, slow looking events throughout the year. This year, for example, the museum collective is leading a research program for young psychiatric users who will investigate slow looking as a component in the recovery process for people suffering from dementia, stress, or depression.
At Slow Art Day HQ we are impressed by the many ways the Frederiksberg Museums are creatively using slow looking in a number of different ways. In fact, we all want to go spend some time with them and think you should do the same.
We look forward to whatever they come up with for Slow Art Day 2024.
-Johanna, Ashley, Jessica Jane, Phyl
P.S. Note that the Cisternerne is actually one of several museums in The Frederiksberg Museum collection, which also includes: – STORM – Museum of Humor and Satire – Bakkehuset – Museum of the Danish Golden Age – Møstings – Danish Museum of Contemporary and Modern Art
For their sixth Slow Art Day, the Georgia Museum of Art in Athens, GA, hosted an in-person slow looking and drawing session.
The session was originally planned as an outdoor sculpture viewing, but the rain had other plans and the event was hosted inside the museum. The program was created by Sage Kincaid, Associate Curator of Education, who has a strong passion for all things Slow Art.
On April 10, participants were invited to look slowly at three works of art at the museum:
Steinunn Thorarinsdottir, ‘Tide’, 2012. Cast iron and glass. 70 7/8 × 27 9/16 × 13 3/4 in. (180 × 70 × 35 cm) Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Judith Ellis
Participants doing line-drawings of Nick Cave’s Soundsuit Sculpture for Slow Art Day 2021. Photo courtsey of the Georgia Museum of Art.
Visitors in front of Joan Mitchell’s painting “Close” (1972) during a previous Slow Art Day event. Photo courtesy of the Georgia Museum of Art.
After looking at the art pieces, Katie Landers, an Education Department Intern at the museum, led separate slow looking and drawing activities.
Participants were first encouraged to think about their physical relationship to the sculpture by Steinunn Thorarinsdottir. Next, they investigated color and color palettes by looking at Joan Mitchell’s painting. Finally, they made a blind contour and continuous line drawing of Nick Cave’s sculpture. To end the day, all participants made abstract color collages together. The event was well received by a dedicated group of 10, who spent several hours together for an immersive experience on Slow Art Day.
At Slow Art Day HQ, we love the integrated multi-sensory approach that the Georgia Museum of Art took to designing this year’s event. While looking at something closely lets us see in new ways, slow drawing takes that process even further and allows attendees to connect looking, talking and making. And that creates the possibility to be present — with art, with ourselves, and with others.
We look forwad to what the Georgia Museum of Art comes up with for their 7th Slow Art Day in 2022.