Tag Archives: outdoor

Third Slow Art Day at Grounds for Sculpture in New Jersey

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For their third Slow Art Day, educators and docents at Grounds for Sculpture (GFS) in Hamilton, New Jersey, invited visitors to slow down and look at any four different sculptures.

Torqueri XIII. Grounds for Sculpture.
Staff in front of Arch II. Grounds for Sculpture.
Participants in front of Eolith. Grounds for Sculpture.
Participants engaging with Dorian. Grounds for Sculptures.

While looking slowly, participants were asked to consider the following prompts:

  • Observe:
    Take a deep breath, walk around the sculpture and let your eyes move slowly around the artwork – from where it touches the ground all the way up to the sky. What do you notice? Make three observations based on what you noticed.
  • Share:
    Think of a story or experience this sculpture reminds you of – anything that comes to mind. Think of a friend that you want to share this sculpture with; why does this person come to mind?
  • Reflect:
    What do you notice about the sculpture now that you did not see at first glance? How does this change your impression of the sculpture? If you’re with others, share your responses. Did they have similar or different thoughts on the sculpture?
  • Repeat:
    If you are up for the Slow Art Day challenge, then repeat this excercise with three other sculptures. What new question might you pose for slow looking? Add it to your next slow look.

Here are a few of the visitor observations while slow looking at the sculpture Dorian, which proved to be one of the most popular pieces for Slow Art Day according to GFS docent Adria Sherman:

A child noticed the triangles, diamonds and octagons. Another thought it was a spaceship. A
young woman visiting from California saw a hummingbird sipping water and appreciated the
effect of clouds on the reflections. The most touching and personal interaction I had was with a couple holding hands. They viewed the sculpture as a living person and its reflection on the surrounding water as the memory of the deceased individual that lives on in the mind of loved ones.

Adria Sherman

Sherman also mentioned that Slow Art Day 2023 created one of the best visitor experiences she has witnessed in her long tenure at Grounds For Sculpture.

At Slow Art Day HQ, we always love reading about what the team at GFS designs for their annual event, and we look forward to seeing what they come up with for their fourth Slow Art Day in 2024.

– Jessica Jane, Ashley, Johanna, and Phyl

P.S. Stay up to date with events at GFS via their Facebook and Instagram pages.

Seaside Sculpture Park Slow Art Day

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Founding Slow Art Day host (and regular contributor to the Slow Art Day blog), artist Hedy Buzan organized an in-person slow-looking event at the Public Art Walk in Heisler Park Gazebo, Laguna Beach, California.

Below is the flyer that Hedy distributed in the beachside artist community of Laguna Beach.

Slow Art Day flyer

For this event, Hedy chose five public art sculptures at Heisler Park, and asked participants to look at each for five minutes. Below are photos of three of the sculptures.

Semper Momento (Never Forget), 911 Memorial, by Jorg Dubin

Continuous Rotation by Scott and Naomi Schoenherr

Breaching Whale by Jon Seeman

When we launched Slow Art Day in 2010, Hedy and about 30 other artists and volunteers ran ‘guerilla-style’ Slow Art Day events at museums, galleries, and sculpture parks. These were unofficial events because museums were not at first willing to participate. But after several years of running these clandestine slow-looking events, museums and galleries began to adopt Slow Art Day – which has now been officially sponsored by over 2,000 museums and galleries all over the world.

We thank Hedy for being one of the pioneers that made this whole movement possible and can’t wait to see what she comes up with for 2023.

Jessica Jane, Ashley and Phyl

P.S. – If you happen to be in Laguna Beach anytime this summer between June 24 and August 28, then look for Hedy Buzan’s booth at The Sawdust Art Festival and go thank her for helping to launch Slow Art Day.

Exploring Grief in Art at Philadelphia’s Magic Gardens

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For their fourth Slow Art Day, Philadelphia’s Magic Gardens invited guests to slow down and enjoy the immersive indoor and outdoor mixed media art environment created by artist Isaiah Zagar. The winding spaces are covered in mosaics created with Zagar’s handmade tiles and found objects, such as folk art, bottles, bike wheels, and mirrors.

Second level of the outside sculpture garden, featuring Isaiah Zagar’s Kohler tiles. Photo by Allison Boyle, Events & Marketing Manager.

Zagar’s art can also be seen on public walls throughout the south Philadelphia community, where he has been restoring and beautifying public spaces since the 1960s.

Mosiac building exterior by Isaiah Zagar on South St, Philadelphia. Photo by Ashley Moran, Slow Art Day Editor.

After slowing down to take in the details of the space, Samantha Eusebio, Museum Educator, led a discussion on a particular section of the outdoor sculpture garden that included several large handmade tiles that Zagar made during a residency he held at the Kohler company in Wisconsin from September to November, 2001.

Samantha Eusebio and Slow Art Day participants. Photo by Ashley Moran, Slow Art Day Editor.

Samantha first asked the group of 15 participants to share themes that they noticed emerging within the tiles. She then shared a video interview of Zagar talking about his experience at Kohler.

After the video, Samantha led a discussion about Zagar’s influences for the large tiles, which happened to be the events of 911 that occurred while he was in his residency at Kohler. Being raised in Brooklyn, NY, Zagar was heavily influenced by the tragedy, and his tiles include images of airplanes and buildings. Samantha continued the discussion with the group on different ways individuals deal with grief and trauma – through art, reading, exercise, or even just slowing down.

Slow Art Day participants looking slowly at Isaiah Zagar’s large Kohler tiles. Photo by Ashley Moran.
Large Tile Mosaics with Airplane Motifs by Isaiah Zagar. Photo by Ashley Moran.

Large Tile Mosaics with Airplane Motifs by Isaiah Zagar. Photo by Ashley Moran.

I had the pleasure of attending this Slow Art Day event, and it was eye opening. Even though I know that slowing down helps you see things that you are otherwise blind to, and even though I’m a longtime Slow Art Day volunteer who teaches many others about the power of slowing down to really see, I was still surprised by how much I saw that I had never seen before on multiple previous visits to The Magic Gardens. This is why Slow Art Day is an experiential program, and not primarily a theoretical one. You can understand the theory behind slow looking, but that doesn’t mean that you can see until you really slow down.

Ashley Moran, Slow Art Day Editor, immersing in the mosaicked space.

It truly is amazing what you can experience if you take the time to slow down.

We at Slow Art Day HQ look forward to visiting Philadelphia’s Magic Gardens while on our tour this summer of NYC and Philadelphia, and we can’t wait to see what they share for Slow Art Day 2023.

Ashley

Philadelphia Slows Down to Reveal the Magic of Mosaic

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For Slow Art Day 2019 Philadelphia’s Magic Gardens’ Garden Guide Rob led a group of 15 people in a slow-looking activity focusing on a portion of the beautiful mosaic that encompasses the entire folk art environment and gallery space on South Street in Philadelphia.

Portion of mosaic wall by Isaiah Zagar, Philadelphia Magic Gardens

After slowly taking in all the details of the portion Rob had chosen, the guests then shared what they saw including certain tiles and shapes that are typically overlooked. That was their first discovery of the day: slow looking can make the invisible visible (and cause participants to wonder at how much we humans do not see unless we slow down). Rob also pointed out and gave background on additional often-unseen elements.

Their second and, perhaps, biggest discovery of the day – the “aha” moment – came when the participants realized that through their slow looking in the mirror pieces they themselves had become part of the mosaic. 

We look forward to the Philadelphia Magic Gardens Slow Art Day 2020.

– Ashley

Inhotim Brazil Slows Down for Art and Nature

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2019 was the first year Slow Art Day came to Brazil’s largest foundation of contemporary art, Inhotim, which is also one of the largest outdoor art centers in Latin America. Located in Brumadinho (Minas Gerais), just 60 km (30 miles) away from Belo Horizonte, the Institute has a total area of 1942.25 acres in the biome of the Atlantic Forest.

Renan Zandomenico, educator and mediator, began the Slow Art Day experience in the central area of the Institute, where he says the memory of the past and the present combine in diverse species groups, and where the main tree, Enterolobium contortisiliquum, names the space.

After leaving the central area, the Slow Art Day visitors walked slowly over to their first artwork, Bisected triangle, Interior curve, 2002, by Dan Graham.

“Walking along the lakes slowly and seeing the integration of art and nature, we entered and stayed in Dan Graham’s Bisected triangle, Interior curve, 2002. Slowing down allowed us to experience how Graham’s distorted glass subverts the colors and shapes of the trees and buses and of the other artworks surrounding the area,” said Zandomenico (see photo below).

Slow Art Day 2019 participants looking out and through Dan Graham’s Bisected triangle, Interior curve, 2002 (photo by Daniela Paoliello)

The program continued by slowly entering nearby pavilions which house the works La intimidad de la luz en St Ives: Inhotim, 1997, by Argentine artist Victor Grippo, and Black ³, 2008, by North American artist Robert Irwin. In the pavilions, Zandomenico asked the participants to slow down and contemplate the nuances of light while also listening to the “breath of nature.”

They then went to their final artwork Im Here, But nothing, 2000, by Japanese artist Yayoi Kusama. Her work allowed them to “pause and search for details and memories through the ultra-violet and domestic atmosphere” created by Kusama’s art.

They finished Slow Art Day in the garden with conversation and a breathing exercise next to the blue palm (Bismarckia nobilis). The participants talked about how slowing down surprised them and allowed them to see and be inspired by art and nature (and art in nature) in new ways.

Inhotim was clearly able to provide Slow Art Day 2019 participants with a powerful meditative and multi-sensory experience. We look forward to their 2020 participation.

– Ashley