Tag Archives: painting

Slow Art and Mindfulness with the Art Gallery of Ontario

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For their 7th Slow Art Day on April 10th, the Art Gallery of Ontario (AGO) in Toronto, one of Canada’s largest art museums, shared a video and five artworks from their collection to their social media platforms, Facebook, Instagram, and Twitter.

A couple of days before the event, AGO uploaded a slow looking video featuring Clarence Alphonse Gagnon’s ‘Study of a Hare in Winter’ (1922), with a slow looking and mindfulness exercise guided by Melissa Smith, Assistant Curator of Community Programs.

Slow Looking video produced by the Art Gallery of Ontario for Slow Art Day 2021, featuring Clarence Alphonse Gagnon’s ‘Study of a Hare in Winter’ (1922), with a slow looking exercise guided by Melissa Smith, Assistant Curator of Community Programs.

On the actual day of the event, participants were then invited to focus on each of these five artworks for 10 minutes:

  • Kazuo Nakamura, Blue Reflections, 1962
  • Abraham Anghik Ruben, Sedna, c.1990
  • Vilhelm Hammershøi, Interior with Four Etchings, 1904
  • Julie Mehretu, Algorithms, Apparitions and Translations, 2013
  • Christi Belcourt, Wisdom of the Universe. 2014

They were also encouraged to leave comments under each image.

Below are images of the artworks, which we encourage you to experience slowly using the AGO’s prompts that follow.

Kazuo Nakamura, Blue Reflections, 1962
oil on canvas, Overall: 101.7 x 127 cm. Purchase, with funds from the Peter Larkin Foundation, 1962. © Art Gallery of Ontario 62/8

Prompts for Kazuo Nakamura

For this Kazuo Nakamura piece don’t just look slowly, look closely. See how subtly the colours change. Pay attention to how the gradual shifts in brushstrokes give a sense of movement to the landscape. What do you notice about how the brushstrokes are applied? Each and every brushstroke is calculated and purposefully applied. Nakamura is best known for this analytical approach in his paintings, and in his later works, he was influenced by mathematics and scientific theories. He sought to discover a universal pattern in art and nature. What do you think this universal pattern would look like? Do you prefer an analytical approach or a more gestural one?

Abraham Anghik Ruben, Sedna, c.1990
mottled dark green Brazilian soapstone, inset stone eyes, Overall (approx.) 70 × 35.5 × 18 cm. Gift of Samuel and Esther Sarick, Toronto, 2001. © Abraham Anghik Ruben. 2001/400 

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Prompts for Abraham Anghik Ruben

Abraham Anghik Ruben is a storyteller and tells his stories through the medium of sculpture. His sculptures often tell the legends, myths, and spiritual traditions of the Inuit people and the Arctic land. A recurring figure in Ruben’s works is the Inuit Sea Goddess, Sedna. Look at how her hair dramatically but gracefully arches up behind her like it is flowing with the movement of water. Notice how her eyes stand out from the rest of the sculpture, and how she clutches her hands close to her torso. What do her expression and her posture suggest? What is the message Ruben is trying to share?

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Vilhelm Hammershøi, Interior with Four Etchings, 1904
oil on canvas, Framed: 74.7 × 63.6 cm.
Purchased with the assistance of a Moveable Cultural Property grant accorded by the Department of Canadian Heritage under the terms of the Cultural Property Export and Import Act, 2015; © Art Gallery of Ontario. 2014/1054

Prompts for Vilhelm Hammershøi

Looking for a little calm and quiet? Come and join us in Vilhelm Hammershøi’s “Interior with Four Etchings”. A muted scene in both colour and sound, we invite you to hush the world around you as you spend some time with this piece. The female figure is the artist’s wife, Ida. Since she has her back to us, we cannot read her expression. But because she is turned away, we can enter and explore this private space freely. Take a look around. Notice how the light softly enters from the left, creating reflections on surfaces and depth in the space. Where do your eyes go? To the items on the table? To the etchings on the wall? What are the etchings of? Look closely because there are details here that could have easily escaped you before.

xxxxx

Julie Mehretu, Algorithms, Apparitions and Translations, 2013
One of a suite of five etchings. Etching with aquatint, spitbite, soft ground, hardground, drypoint and engraving in black ink on paper. Sheet: 79.4 × 94.8 cm. Purchase, with funds from the Trier-Fodor Fund, 2019. © Julie Mehretu, courtesy Marian Goodman Gallery. 2019/2322.1

Prompts for Julie Mehretu

There’s no piece quite like this Julie Mehretu that demonstrates the importance of an unhurried and patient approach to art. Mehretu is inspired by landscapes, cities, and human activity within nature. Particularly interested in layered imagery, Mehretu’s printmaking technique requires her to slow down as she layers line upon line to create this surreal landscape. Take a look, what do you see? Now, look closer. Even closer. The closer you look the more details you’ll see. The larger narrative will begin to fall apart, revealing various smaller narratives beneath. Just as the piece evolves with each of Mehretu’s lines, your experience of this work will also evolve over time. So, go on. Look again.

Christi Belcourt, Wisdom of the Universe. 2014
Acrylic on canvas, unframed: 171 × 282 cm. Purchased with funds donated by Greg Latremoille, 2014. © Christi Belcourt 2014/6

Prompts for Christi Belcourt

Ten minutes is hardly enough time to contemplate the wisdom of the universe, both the concept and this piece by Metis artist Christi Belcourt. Take your time to really explore this piece. What type of birds do you see? What type of flowers and vegetation can you recognize? Imagine yourself in this space. Move through the branches and notice the balance and harmony. Can you hear the sounds of the animals? Can you smell the flowers around you? See how everything is connected. This great network of life. Belcourt’s piece asks us to reflect upon the well-being of all living species on this earth, as the current climate crisis affects us all. Take a deep breath, and surround yourself with the wisdom of the universe.

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The event was well received, with 10,000+ likes and views on the AGO’s social media platforms.

Below are some great quotes form participants:

This is my favourite painting at the AGO! I always spend a long time in front of it and always pick up something new each visit.

Participant’s comment under Nakamura’s painting – Instagram

Love this idea!!

Participant’s comment on Instagram

We appreciate the Art Gallery of Ontario’s thoughtful design for this multi-day virtual event, and look forward to what they come up with for Slow Art Day in 2022.

Johanna, Ashley, Jessica, and Phyl

Stop and Smell the Roses: Slow Art Drive-By at Eaton Gallery

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For their second Slow Art Day, The Eaton Gallery in Bloomington, Illinois, organized a “drive-by” exhibit in the Gallery’s window display, inviting the local community to slow down and enjoy floral still-life paintings by local artist Herb Eaton. 

Herb Eaton, Still Life with Grace. 3ft x 4 ft, oil on canvas.
Herb Eaton, Single Petal of a Rose. 24×18 oil on canvas board.

Pamela Eaton, Gallery owner, aims to make art more accessible in a relaxed setting, and provide a space to support local artists.

From the 10th to the 30th of April, the Gallery created a drive-by window exhibit for viewers to pause and look slowly at a selection of artworks. They were then invited to share their thoughts and reflections in a variety of ways: write a note and drop it in the Gallery’s mail slot, send an email, or leave a post on the Gallery’s Facebook page.

The exhibit got great press coverage from local news outlets, both last year and this year. An article by week.com includes a video interview with Pamela Eaton, where she explains that Slow Art Day is an opportunity for people to simultaneously develop an appreciation for art and local artists.

“We are so busy hurrying around. When you slow down and pay attention to your space and place you start to see more value in them. That’s probably one of the values of COVID, it’s slowed us all down.”

Pamela Eaton

Eaton Gallery’s press release

The Eaton Gallery received a lot of great feedback from participants:

Kind of makes you think of the beauty of life and the changes through the years. The petals are beautiful but life happens and the years change us, but the beauty still remains in our memories.

Viewer’s quote

I drove by today, slowly passing by in my car to admire A Single Petal of a Rose which I love more and more each time I see it.

Viewer’s quote

Walked by Saturday to enjoy the paintings in your window… peaceful and full of color.

Viewer’s quote



Looking forward to coming inside and seeing more of the art and the space.

Viewer’s quote



Beautiful work.

Viewer’s quote



Brightened up my walk downtown.

Viewer’s quote



The Eaton Gallery’s creative drive-by solution to sharing art with the local community during Covid19 has helped viewers and participants slow down and feel connected. At Slow Art Day HQ, we agree with Pamala Eaton: “When you slow down and pay attention to your space and place you start to see more value in them.”

We look forward to Eaton Gallery’s Slow Art Day in 2022.



Johanna, Jessica, Ashley, and Phyl



Slow Art Infusion at the Three Sisters Tearoom

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The Three Sisters Tearoom, in ​Campbellsville, Tennessee, hosted their first official Slow Art Day – and due to popular demand, they decided to hold slow looking sessions throughout the whole month of April.

The Stowe family, who run the tearoom, designed their Slow Art Month around selected paintings that featured tea as a centerpiece.

Artworks included:

  • One of the Family. Fredrick George Cotman
  • Beauty and the Beast. Jessi Wilcox Smith.
One of the Family. Fredrick George Cotman
Beauty and the Beast. Jessi Wilcox Smith.

During the sessions, visitors looked slowly at the selected works while sipping tea and listening to live music. This was followed by an engaging discussion where participants shared their observations.

The paintings selected, along with many others, are included in two slow-art-inspired books: Infused: Tea Time in Fine Art, and The Hide and Seek Gallery: A Child’s I Spy in Fine Art. Both books are written by Jennifer Stowe, slow art author, tearoom owner, and mother to the three sisters that the tearoom is named after.

Participants engaging with art.
Participants engaging with fine art while sipping tea.

The events were well received by participants of all ages. Julia Stowe said that she and her sisters are excited to continue hosting multi-generational slow art sessions throughout the year.

“Guests of all ages enjoyed this set-apart time to consider art, and the unique and intriguing observations from art-observers of various generations were especially delightful.”

Julia Stowe

At Slow Art Day HQ, we love that the Stowe family have adopted multi-generational slow looking sessions throughout the year.

We have been thinking about creating an annual tour to visit Slow Art Day museums and galleries all over the world. Assuming we make that happen, we hope to visit Campbell, TN and try their tea and slow art infusions.

In the meantime, we look forward to what the Three Sisters Tearoom comes up with for Slow Art Month in 2022.

Johanna, Ashley, Jessica, and Phyl

P.S. If you are interested in learning more about their approach, read the Summer 2021 newsletter below.

Tearoom’s Newsletter: Summer 2021 Download

The Importance of Friends: Slow Art with Sørlandets Kunstmuseum

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For their second Slow Art Day, Sørlandets Kunstmuseum in Kristiansand, Norway, hosted a live slow looking event on Facebook, featuring Else Hagen’s artwork named Veninner (in English: ‘female friends’, alt. ‘girlfriends’).

Else Hagen. Venninner, unknown date.
Oil on canvas, 60 x 49,5 cm.
AKO Kunststiftelse/Tangen-samlingen.
©Else Hagen/BONO 2021

On April 10, participants could tune in to the live 30 minute event on the museum’s Facebook page. The session was facilitated by Hanne Aamodt and Karoline Skomedal, respectively head tourguide and tourguide at the museum.

Participants were given an introduction to Slow Art Day, and then invited to observe the painting for seven minutes, using automatic writing as a slow looking tool (automatic writing means writing down words that come to mind without thinking about it). Afterwards, the facilitators shared some of their own thoughts and gave participants a set of prompts to use while studying the painting for seven *more* minutes.

The prompts included:

  • What shapes, colors and materials do you see?
  • What details do you notice?
  • What is going on in the painting?
  • Does the artwork remind you of something from your own life?
  • If you were at the place depicted in the artwork, what sounds would you hear? What surfaces, smells and temperatures would you feel?

The event was well received, and participants left comments like this after the live session:

“This was a great experience! I recommend it 🧡 Thank you very much!”

Participant’s quote on Facebook

The session was recorded and shared to YouTube. The video is included below for you to watch.

Slow Art Day 2021: Dypdykk i maleriet “Venninner” av Else Hagen. Video produced by Sørlandets Kunstmuseum.

At Slow Art Day HQ, we love the subject of this painting. Friends supporting each other is obviously a relevant theme during the ongoing pandemic, and we appreciate the warmth of this artwork.

If you would like to see more from Sørlandets Kunstmuseum, you can find them on their Facebook and Instagram pages.

We look forward to seeing what the Sørlandets Kunstmuseum has in store for Slow Art Day 2022.

Johanna, Jessica, Ashley, and Phyl

Spring in the Air at Frye Art Museum

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For their fourth Slow Art Day, the Frye Art Museum, in Seattle, Washington, partnered with King County Library System and invited participants to a virtual artwork discussion on the theme of spring.

Visitors at Frye’s museum. Photo credit: Devon Simpson

The session was led by Caroline Byrd, Education Coordinator at the Frye Museum. Visitors joining the event on April 10 were invited to focus on two artworks:

  • An untitled oil painting by Norwegian artist Hans Dahl (1849-1937)
  • Clouds and Windblown Hay by Charles Burchfield (1863-1967).

You can view videos featuring discussion of both artworks on the Museum’s Frye From Home blog:

Hans Dahl. Untitled. 1883-1915. Oil on canvas. 65.41 x 49.53 cm. Photo Credit: Mark Woods. Courtesy of Frye Art Museum
Charles Burchfield. Clouds and Windblown Hay. 1954-64. Watercolor on paper.101.6 x 76.2 cm.
Photo Credit: Jueqian Fang. Courtesy of Frye Art Museum

The theme of spring was highlighted in two senses: through the season itself, portrayed in the paintings, and the concept of fresh beginnings.

Combining prompts for close looking and conversation, the discussion was designed to create a personal connection with the artworks while building a community among participants. Using the prompts, participants uncovered visual clues and provided their own ideas and insights to the discussion. Those that did not feel comfortable joining the group discussion were encouraged to write down or sketch their responses.

Participants were invited to continue exploring the artworks by visiting the Frye’s online collection database or by diving into a reading list provided by the King County Library System.

The event was attended by 25 participants, ranging in age from teens to older adults. Their feedback was positive.

“The class was interesting and enriching. It challenged me to look at the art in different ways. Appreciated the opportunity for people to share their thoughts and observations. What a great mental and visual break!! Thank you!” –

Program Participant

Caroline Byrd also found the event rewarding. We include her reflection on the event below.

Even I, as the facilitator, found new perspectives I had never thought about before! Thank you, as always, for allowing the Frye to be part of global Slow Art Day! Especially in these uncertain times, we look forward to the opportunity to slow down, look closely, and spend some time with a work of art.

Caroline Byrd, Education Coordinator, Frye Art Museum

At Slow Art Day HQ, we love the enthusiasm for slow looking that shows in every aspect of the event organized by Caroline Byrd. We want to thank Caroline and the Frye for being once again part of our global event and we are already excited about seeing what they come up with for 2022.

-Johanna, Jessica, Ashley, and Phyl

National Gallery Singapore Fuses Mindfulness and Slow Looking

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For their first Slow Art Day, the National Gallery Singapore, in Singapore, invited participants to join one of two events hosted by the Gallery:

Slow Art Online: a virtual 60-minute slow-looking program

Slow Art Plus: an in-person 90-minute slow-looking and mindfulness program

The Slow Art Online virtual program featured slow-looking exercises followed by discussions, facilitated by the Gallery’s docents. Started during the pandemic, this program has become so popular that it is now a regular part of the Gallery’s calendar throughout the year. For details about future sessions, reach out to community@nationalgallery.sg.

For the Slow Art Plus in-person event, visitors participated in mindfulness exercises and were invited to look slowly at a selection of artworks, including Georgette Chen’s Lotus In A Breeze (1970).

Participants engaged with artworks at Slow Art Plus.

Dr. Mabel Yap, a trained mindfulness practitioner, guided participants through mindfulness exercises that she designed to engage the senses. This was followed by a group discussion about the intersection between visual art and emotional wellness in modern Southeast Asian art. The way the mindfulness exercises slowed down the participants and helped them connect to the art explains why this approach has deservedly become a big part of Slow Art Day events around the world.

Participants taking part in mindful exercises during Slow Art Plus.
Participants involved in group dialogue at Slow Art Plus.

Interested participants snapped up free tickets to both programs rapidly, and people both new and familiar with the Gallery had positive feedback.

 “I didn’t realise how much we can observe and gain from art by being mindful. I liked that the various exercises helped to guide us and provided variety.”

Participant’s quote

“(I really enjoyed) viewing the art piece at length and noticing more details… and hearing others’ perspectives how the paintings were relevant to their experience.”

Participant’s quote

 “Fusing the concepts of mindfulness and art! Wonderful exercises with the facilitator. Very interactive.”

Participant’s quote

 “(I really enjoyed) how I’m stretched to think and look at the art piece in ways I wouldn’t have otherwise.”

Participant’s quote

At Slow Art Day HQ, we love that the National Gallery Singapore has decided to produce ongoing virtual sessions. Our mission from day one has been to use the annual event as a way to inspire regular slow looking activities throughout the year.

We were also glad to see yet another museum integrate mindfulness into their Slow Art Day.

We look forward to what the National Gallery Singapore come up with next year.

Johanna, Jessica, Ashley, and Phyl.

P.S. You can check out the Facebook and Instagram page of National Gallery Singapore for more information about upcoming events.

Albrecht-Kemper Museum of Art Hosts First Slow Art Day

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For their first Slow Art Day, the Albrecht-Kemper Museum of Art (AKMA), in St Joseph, Missouri, invited visitors to slowly look at three works of art:

  • Frederick Judd Waugh, “Ladies Having Tea,” 1890. Oil on canvas.
  • Emily Dubowski, “Sunday Visit,” 1972. Acrylic on panel.
  • Luis Jimenez, “Eagle and Snake II,” 2008. Lintograph.

The museum had planned for participants to look at these three works of art for 10 minutes each, then meet to discuss the experience for 45 minutes together with a docent. However, circumstances caused them to quickly change their strategy.

First, many of the volunteer docents decided to self-isolate due to the pandemic, so at the last minute Jill Carlson, Marketing & Communications Manager, and her partner decided to lead the event. Fortunately, Carlson had previously participated in a Slow Art Day at BOZAR in Brussels a few years ago. That experience had inspired her to design the event at AKMA and made it easier for her to jump in and host the day.

It also likely made it easier for her to contend with the second change: a group of prom-going teenagers and their families showed up. For this tuxedo- and ballgown-clad audience, Carlson redesigned Slow Art Day on the fly and ended up giving brief information and suggestions for slow looking in front of each artwork. And the teenagers loved it (and we know how hard it can be to engage teenagers).

We’ll also note that Carlson and her team did a good job marketing Slow Art Day. In addition to the museum’s calendar of events, they advertised on their Facebook and Instagram pages and generated coverage in two local news outlets – The Savannah Reporter and Flatland (perhaps this is how the prom goers ended up coming).

They also created a simple brochure directing participants to the three artworks (see below).

AKMA’s advertisment of the Slow Art Day event


At Slow Art Day HQ we are really impressed with Carlson and her team’s commitment to Slow Art Day and to pivoting quickly at the last moment.

We look forward to what they come up with for Slow Art Day in 2022.

– Johanna, Jessica, Ashley and Phyl

Northern Lights Gallery Hosts First Slow Art Day

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For their first Slow Art Day, the Northern Lights Gallery (located in Melfort, Canada, which is north-east Saskatchewan), invited visitors to try slow looking with artworks by five local artists: Linsey Levendal, Monica Daschuk, Al Jardine, Beth Bentz and Jim Mason.

Below are several photos of the artworks, plus information on their slow looking prompts and brochure.

Linsey Levendal, Carla. 2021.
11.5 x 15.5 cm. Pencil on Paper.
Jim Mason, Jade. 2021. Mixed Media-Wood, metal, Acrylic.

Visitors were given a brochure with some information about the five artworks, and prompts to use for observation and discussion:

  • Which artist captured your attention first and why?
  • How does _____ (your choice) piece compare with your preferred style of art?
  • If you could bring one piece from today home with you, which one would it be and why?
  • What medium do you prefer – acrylic, watercolor, ink, pencil…Something else?
  • Do you like 2-dimensional or 3-dimensional pieces better?
  • When you stop and look at a piece for 5-10 minutes do you think you see things in it you otherwise might not have?
  • How much art do you have in your home? What pieces have special meaning?

Families who attended were especially encouraged to discuss how art is an important part of everyday life with their children.

Below is the brochure that the Gallery created:

Northern Lights Gallery’s Slow Art Day brochure

The event was well received, and there was a steady stream of people during the day. Two of the artists, Al Jardine and Jim Mason, also attended and engaged in discussions with participants.

To view all the art on display at the Gallery, visit their website or Facebook Page.

Sandra Dancey, owner of the Northern Lights Gallery, said that Slow Art Day was really well received, especially now during the pandemic.

“Given the current state of the world I think most people need to know they aren’t alone, and they appreciate the opportunity to look at art and talk with each other”.

Sandra Dancey

At Slow Art Day HQ, we couldn’t agree more.

We believe slow looking provides a great opportunity for people to enjoy art and each other on a deeper level — and experience that we are not alone.

We look forward to seeing what Northern Lights Gallery prepare for their second Slow Art Day in 2022.

Johanna, Jessica, Ashley and Phyl


BYU’s First Slow Art Day

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On April 10, the Brigham Young University Museum of Art (BYU) in Provo, Utah, welcomed visitors to their first Slow Art Day event, which was in-person. Visitors were welcomed by a student educator at the front desk, who invited them to try the four slow looking strategies outlined in the below brochure. Participants were given suggestions for art to use for the exercise, but were free to apply the strategies to any work of art on display.

Brigham Young University Museum of Art Slow Art Day brochure.

Below we have summarized their four key instructions (to see the full details, look at the picture of the brochure above):

  1. Look BIG: casting a wide net can yield a range of observations and reveal the complexity of things. How? Explore and discover everything, everywhere in any given work of art!
  2. Narrow your focus: organizing your viewing strategy gives structure to the museum experience and helps you focus on something specific. How? Select an artwork and focus on certain types of things, such as colors, shapes, lines, faces, hands, trees, or anything that interests you.
  3. Change your perspective: this technique can lead the discovery of small details and large patterns. How? Alter your physical distance to the artwork, as well as your angle and perspective.
  4. Contrast & Compare: noticing similarities and differences (some of which may be intended by curators) can enrich your insights. How? Compare and contrast two neighboring artworks and describe your observations.

The event was advertised via an in-house digital banner, printed signage, social media coverage on Facebook and Instagram, and a feature in the on-campus digital newsletter. A total of 116 visitors participated in the activity throughout the day.

The Museum already has a Slow Looking Gallery Guide based on Shari Tishman’s 2018 book “Slow Looking”, which features Slow Art Day and inspired BYU’s event brochure (Note: we are planning a webinar with Shari Tischman for the fall of 2021).

Below are several photos from their event.

Participants engaging with art following the four slow looking strategies.

Visitors arriving at the front desk of the Museum

Philipp Malzl, Museum Educator, said that many visitors later shared their experience and insights with Museum staff. As a “thank you” gesture for sharing their feedback, the Museum gave participants a small gift (either a magnifying glass, art print, or museum pin).

Student educator at the front desk of the Museum hands a Slow Art Day participant a gift

They received a lot of great feedback (below are some highlights):

“I had no idea there was so much to see!”

Participant’s quote

“That was awesome! A whole new perspective.”

Participant’s quote

“I have [one of these paintings] hanging in my office, but I’ve never taken the time to really look at the details. I’m an art guy… this was different, and I loved it.”

Participant’s quote

“Usually we try to see everything in a museum, but today we didn’t. We really loved slowing down and paying more attention to the details.”

Participant’s quote

“We’ve been participating in this for years…we love slow art!”

Participant’s quote

At Slow Art HQ, we are excited that more than 100 participants took part in Brigham Young University Museum’s inaugural Slow Art Day. We loved their detailed four-step brochure, and their *thank-you* gifts. They did an amazing job of creating a welcoming environment.

We look forward to seeing their plans for Slow Art Day 2022.

Johanna, Jessica, and Ashley

A “Light Bulb” Moment at McMaster Museum of Art

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For their 8th Slow Art Day, the McMaster Museum of Art in Hamilton (ON), Canada, hosted a slow looking Zoom session led by McMaster BFA students Donna Nadeem, Julianna Biernacki and Jill Letten, and it focused on their own work and on art by John Hartman, a McMaster alumni.

John Hartman, O’Donnel Point, 1993, Oil on linen. Gift of the artist © John Hartman

On April 10, participants were invited to look slowly at the painting by John Hartman, followed by discussion. Donna, Julianna and Jill, graduating BFA students, also showed and discussed their own work, part of the McMaster Museum of Art’s upcoming exhibition for graduating students: QUIXOTIC. Meaning “all that is deemed idealistic, starry-eyed and impractical”, the word ‘quixotic’ inspired all pieces in the exhibition (Curator’s Statement by Alexis Moline).

The event was well received, with the Instagram post being liked 70+ times. Participants also left glowing feedback:

“I’m so thrilled to look at more than just the subjects and colors. I’ve never been good at interpretation but this has been the light bulb moment I was looking for.” 

Participant feedback

We love this quote, and hear this all the time from Slow Art Day attendees — simply slowing down to look creates “light bulb” moments.

You can find out more about the QUIXOTIC exhibition on the Museum’s Instagram. Their Facebook and Twitter pages are also great places to find out more about its collections and events.

At Slow Art Day HQ, we want to thank the McMaster Museum for the long-time leadership they have provided to the Slow Art Day movement, including this year’s creative design, featuring work by former and current students at the University.

We are already excited about seeing what they come up with for 2022.

-Johanna, Jessica, Ashley