Drinks & Art for ArtemisSF’s 2nd Slow Art Day

ArtemisSF in San Francisco, California hosted its second Slow Art Day as a virtual event with a focus on the sense of taste (with some drinks to add a little zest).

Their event Ekphrastic Edibles, designed by Ammala Lacroix, re-interpreted two artworks by Maritza Ruiz-Kim as drinks that participants could make at home:

1 – Progress #15 interpreted as Matcha Lemonade: ‘Misterios con Matcha’

2 – Warmer interpreted as Hibiscus Ginger Mocktail: ‘Jamaica Haven’

Participants were provided with written explanations to illustrate the connection between the art and drinks, and were guided through each recipe to make the drinks themselves.

In her description of Progress #15, Ammala Lacroix writes that Ruiz-Kim’s juxtapositioning of coloured triangles highlights “the irony of differentiation”.

Maritza Ruiz-Kim, Progress #15, 6” x 6”, acrylic on panel, 2017, courtesy of the artist.

This theme was reflected in the different states of the lemon in the ‘Misterios con Matcha’ drink (liquid, solid and frozen). “Despite being presented in differing states,” Lacroix writes, “at the end of the day, a lemon remains a lemon”.

‘Misterios con Matcha’ (Matcha Lemonade), Response to Maritza Ruiz-Kim’s Progress #15, ArtemisSF, Photo: Ammala Lacroix

On the other hand, Ruiz-Kim’s Warmer explores the theme of reconciling the divide between past and present through an edited collage of digitally layered pictures taken by the artist’s paternal grandfather in New Mexico. Lacroix writes, “Maritza Ruiz-Kim tells the story of her family by creating soft pink landscapes informed by the past but seen through new eyes.”

Maritza Ruiz-Kim, Warmer, 14” x 16”, Digital C-print, 2019, courtesy the artist.

The ‘Jamaica Haven’ drink connects to the artwork Warmer through its colors and inclusion of traditional Mexican ingredients like hibiscus.

‘Jamaica Haven’ (Hibiscus Ginger Mocktail), Response to Maritza Ruiz-Kim’s Warmer, ArtemisSF, Photo: Ammala Lacroix

The event had 25 participants on Slow Art Day itself and received strongly positive feedback. It has since been viewed by over 60 participants asynchronously.

Participant Torange Yeghiazarian, Founding Artistic Director at Golden Thread Productions, said that she “loved the drink recipes” and appreciated learning about their inspiration from Ruiz-Kim’s art. Patty Tsai, Senior Associate Director at Columbia Alumni Association Arts Access also loved it and hoped to promote it to her group.

On April 26th, ArtemisSF also hosted additional virtual ‘see’ and ‘hear’ events involving activities such as a Zoom poetry reading in connection with the ‘taste’ event for Slow Art Day. Invitations for all events were designed by Ruiz-Kim.

At Slow Art Day HQ we love seeing such a beautiful focus on the senses in connection with virtual art, and very much look forward to ArtemisSF’s continued creativity and participation next year.

-Johanna

The Power Plant Hosts Fourth Slow Art Day, Virtually

The Power Plant Contemporary Art Gallery in Toronto, Canada hosted its fourth Slow Art Day this year – and its first virtual slow looking event given Covid-19.

The virtual event highlighted four artworks from the Winter 2020 exhibitions:

God’s Reptilian Finger by Naufus Ramírez-Figueroa
Cacaxte no. 2 (Sarvelia) by Naufus Ramírez-Figueroa
Spectre (La Teleferica) by Dawit L. Petros
Anxious Audience by Rashid Johnson

Naufus Ramírez-Figueroa, ​God’s Reptilian Finger​, 2015-20. Installation view: The Power Plant, Toronto, 2020. Photo: Toni Hafkenscheid.
Naufus Ramírez-Figueroa, Cacaxte no. 2 (Sarvelia), 2020. Installation view: The Power Plant, Toronto, 2020. Photo: Toni Hafkenscheid.
Dawit L. Petros, Spectre (La Teleferica), 2020. Installation view: The Power Plant, Toronto, 2020. Photo: Toni Hafkenscheid.
Rashid Johnson, Untitled (Anxious Audience), 2016. Courtesy of artist, Hauser & Wirth and David Kordansky Gallery. Photo: Martin Parsekian.

Laura Demers, TD Curator of Education and Outreach Fellow, wrote a series of prompts that were posted online, alongside close-up photos highlighting specific details in the four artworks. Viewers across the globe were invited to respond to these prompts, either by sharing their impressions in writing (stories, lists, poems, short paragraphs, or social media comments) or by engaging in small multi-sensory activities at home.

The downloadable PDF from the event is permanently posted on their website for participants to continue to use at their own pace. 

Laura mentioned that the event was so well received that it produced over 350 new Instagram followers, and thousands of likes from the community across all of their social media accounts.

Josh Heuman, Curator of Education & Public Programs at The Power Plant, writes that:

“In little ways, this COVID-19 pandemic is pushing us to re-think how we might use online platforms to think beyond the four walls of The Power Plant.”

We are encouraged by the creative responses to the challenge of hosting virtual events during these difficult times, and look forward to The Power Plant’s continued participation in 2021.

– Johanna and Ashley

Slow Art Day is today – and it’s virtual!

All over the world, Slow Art Day is still being celebrated today, from South Africa to Stockholm, Mexico to Melbourne, Boston to Budapest, and this year we are shifting to unique virtual techniques to help us all mindfully slow down.

In preparation for this year, we hosted a virtual webinar – with participants from several continents – about how to run a virtual Slow Art Day amidst this Covid-19 crisis. A number of organizations are experimenting with different formats, including live online sessions, asynchronous techniques, and social-media-based approaches.

Here at the Slow Art Day HQ we are really excited about all the events and hope to join several this year, virtually.

In the upcoming weeks, we will be posting reports from all the events.

An in-person Slow Art Day event is currently being planned for September. Stay tuned!

Have a great day looking at art slowly and virtually.

-Phil, Maggie, Ashley, Johanna

How to run a virtual Slow Art Day?

We just gathered museums from around the world and had a great roundtable discussion about how to run a virtual Slow Art Day amidst this Covid-19 crisis.

Watch the discussion below:

Or, you can also read a summary of some of the key questions and ideas as compiled by our Slow Art Day intern Johanna Bokedal.

This Sunday, March 29 at 11am NYC time, we plan to run a Zoom training session for educators and curators and others involved in virtual Slow Art Day planning. If you want to join that, then respond to this post in the comments (we’ll also be inviting hosts via email).

– Phil

The Museo de Eduardo Carrillo’s Virtual Slow Art Day event

The Museo de Eduardo Carrillo is a virtual museum with a web-only presence, but they didn’t let that stop them from participating in Slow Art Day 2017! On April 8, they encouraged their audience to engage in a virtual slow looking and discussion session.

Their instructions to their followers were:

Starting at 7AM, use your cell phone to visit Museo Eduardo Carrillo’s online gallery, presenting art by painter Frank Galuszka with an essay by Christina Waters.

Richly textured paintings and narrative complement each other. As does the exploration of the central theme in many of the paintings highlighted here “On View.”

On Slow Art Day choose one of Galuszka’s paintings, spend at least five minutes looking slowly at it and then post a comment on Museo’s ON VIEW page.

Comments from participants included:

I’ll tell you what I see in Frank’s beautiful works of art. I see various demonstrations of how the our quantum universe works shown in a painting. As important to me is what isn’t the focus of the paintings (the background) and its relationship to the focus or central theme. They are great demonstrations of the “particle-wave” theory of quantum physics. Out of a background of uncertainty or potential (waves) is contrasted a central character or theme (particles). But the painting shows the visual and the non visual world it is all “one.” What materializes out of a field of unlimited potential is what the observer (artist) wants to see.

 

I had already viewed Frank’s paintings. The one that I liked the most was “The Threshold.” I interpret that as 2 individuals on different journeys, about to step over the threshold from their journey to the journey the other has taken. Neither journey is better than the other person has endured. Each one trying to leave pain and sorrow behind,
i.e. the broken glass, the dead rabbit, the sharp saw blades, the broken/leaking pipe, the rough road – all obstacles along their way.