Slow Art Day 2025 is coming up April 5 – with hundreds of museums, galleries, churches, sculpture parks and other venues (be sure to register your museum, gallery, church, hospital, sculpture garden or other venue).
One of these locations this year will be The House of European History in Brussels, which is focusing on “Our Family Garden” by Smirna Kulenović, a citizen-led photographic project designed to heal collective trauma from the Bosnian War.
And we are happy to report that their Slow Art Day event will launch Slow Looking Saturday, a monthly guided experience that will focus on a different image from the exhibition, examining topics such as commemorations, historical re-enactments, and personal legacies.
These sessions will continue monthly through the end of the exhibit in November 2026.
We at Slow Art Day love seeing this.
Our goal since day one has been to inspire museums and other venues not only to participate in the annual event, but to create year-round programming that helps visitors slow down.
We’ll note that The House of European History worked with Claire Bown to develop this program. Claire is author of The Art Engager: Reimagining Guided Experiences in Museums.
We are glad to see the House of European History’s year-round commitment to Slow Art Day and look forward to getting updates on their progress.
Have a great Slow Art Day 2025.
Best,
– Phyl
P.S. Slow Art Day 2025 is coming up – be sure to register your museum, gallery, church, hospital, sculpture garden or other venue.
For their second Slow Art Day, Piero Consolati’s Slow Art Club, an independent group of slow looking art lovers in Italy, decided to focus on the Peggy Guggenheim Collection in Venice, Italy.
The Peggy Guggenheim Collection is packed with amazing 20th-century European and North American art, all thanks to Peggy Guggenheim‘s passion for collecting art and running galleries. The museum itself, once Peggy’s home, is in the stunning Palazzo Venier dei Leoni on the Grand Canal.
Slow Art Club members engaging with art
For the event, the Slow Art Club decided to focus on five works that they had selected from the museum’s website (below you can see the images of three of them).
Willem de Kooning, Nude-Woman on the Beach, 1963, Oil on paper mounted on canvas
René Magritte, The Empire of Light, 1953-54, Oil on canvas
Yves Tanguy, The Sun in His Jewellery Box, 1937, Oil on canvas
After slow looking at the selected artworks, participants shared their thoughts and rated the pieces using a subjective scoring system. Participants were thrilled to see the wide range of emotions and aesthetic opinions that slow looking brings out in everyone engaging with art. They really enjoyed discussing what they had observed, but what they appreciated the most was museum visitors joining their discussions and wanting to share their thoughts too.
Over the past 18 months, Piero Consolati’s Slow Art Club has visited nine different museums practicing the art of slow looking, and he reports that their membership is steadily growing.
At Slow Art Day HQ, we celebrate Piero and his Slow Art Club. We love what they are doing not just on Slow Art Day but throughout the year. Amazing!
– Jessica Jane, Johanna, Ashley and Phyl
P.S. Slow Art Day 2025 is coming up on April 5. If you have not done so, please register your museum, gallery, church, sculpture park or movie theater here: https://www.slowartday.com/be-a-host/
On April 13th, Andrea Gumpert, Gallery Educator, and Marie-Pierre Adam, Interpreter-Guide, hosted the National Gallery of Canada’s second Slow Art Day, and reported that it was a resounding success.
The Gallery provided three options for participation this year: – an in-person guided group experience – slow-looking “on your own” with provided handout (shown below) – slow-looking from home using a guided video
And participants were given the option to participate in either French-language or English-language sessions.
For the in-person guided event, hosts Andrea Gumpert and Marie-Pierre Adam greeted participants next to the below Slow Art Day signage in their Great Hall.
The in-person event was divided in two parts (that each of the French and English speaking groups followed).
For Part 1, Andrea led the 13 participants in the English-speaking group to the Indigenous and Canadian later galleries, and Marie-Pierre led the 11 French-speaking participants to the European baroque galleries. They each then invited their participants to select one artwork and spend 10 minutes looking slowly at it. After the 10 minutes, they regrouped and discussed the experience.
Across the two groups, participants commented on how much more they noticed about the art when they gave themselves permission to really spend time with it – a seemingly obvious but nonetheless revelatory experience. Participants also said the group setting was helpful, particularly for the younger attendees (11 and 14 years old.) People also told stories about the works, and contemplated the technical skills behind the art.
For Part II, the English-speaking group moved to the Contemporary galleries while the French-speaking group moved to the later modern galleries. This time Andrea and Marie-Pierre suggested three optional challenges: 1. Spend 15 minutes with one artwork 2. Select a work that you didn’t have an immediate affinity for 3. Draw or write while spending time with the work
They then had a second discussion with each group.
The French-speaking group in the modern gallery appreciated the chance to express themselves on paper; either by drawing or writing their ideas. Some participants expressed that the second round of slow looking was easier – that slow looking felt like a muscle that needs to be warmed up first. One participant who chose a work they would not have normally looked at shared that their slow looking revealed parts of the painting they thought were wonderful after all – and raised many questions around the choices made by the artist at that time in their career.
At the end of the day, participants provided feedback.
Here are two quotes, one from the English-speaking group and one from the French-speaking group (i.e., these are not translations from one to the other – but separate quotes):
The slow art English session was a welcome new approach for me to viewing art. Our guide was informed and fun, and she explained the process well. I am sure I will use this approach on my own sometimes at art galleries, and elsewhere. Thank you for offering it — it is a good middle place between a tour with a guide and a hands-on activity.
Bonjour à toute l’équipe, je profite de ce courriel pour vous remercier pour l’organisation de l’activité Slow Art de samedi dernier. J’ai une la chance de participer à cet événement en présence de Marie-Pierre et du groupe pour les personnes francophones. J’ai fait plusieurs apprentissages dans un environnement paisible et vraiment intéressant ! Merci pour votre dévouement à rendre l’art accessible et respectueux ! Je vous en suis très reconnaissante ! Je souhaite une longue vie au Musée des Beaux-Arts du Canada !
We are glad to say that The Gallery is now planning regular slow looking sessions throughout the year (we love that!) as well as participating in Slow Art Day 2025.
Art at St Vincent’s – St Vincent’s Hospital, in Melbourne, Australia, is leading the way in coming up with innovative approaches to slow looking in a hospital environment. This year, they designed six “slow art cards” with photos of works from their St Vincent’s Art Collection – and on the back of each card they printed brief instructions guiding participants in looking slowly at the art featured on the front.
What a great way to bring art, and the art of slow looking, into all the corners of a hospital. We hope that many more hospitals around the world copy St. Vincent’s. Too often, the art in a hospital is not accessible to many patients. To that point, St. Vincent’s distributed the cards broadly to both staff and patients in Pain Management, Pastoral Care, Correctional Services and Palliative Care.
Below is the view of the back side of the card with the instructions:
Below are the front sides of the six cards. Note that the event organizers made sure that the art reflected the diversity of St. Vincent’s hospital community, which is why they included artists from a variety of backgrounds.
Rod McNicol, Maryan, 2010, digital print, St Vincent’s Art Collection.
Chris Delamont, Walu-win Girri (Healthy Future), 2020, oil on canvas. On loan to St Vincent’s Art Collection
Boman Ali Wakilzada, Songs of Wisdom, 2016, oil on canvas, St Vincent’s Art Collection
Kevin Todd, Tetouan #4, 2019, acrylic on mdf panels, St Vincent’s Art Collection.
Artist Unknown, Tarantella Dancers, marquetry inlay, St Vincent’s Art Collection.
Conrad Clark, Asylum, 2016, acrylic on canvas, St Vincent’s Art Collection
At Slow Art Day HQ we are really impressed with the creativity of the staff at St. Vincent’s Hospital. This is a great way to enhance the healing environment and support both patients and staff.
We look forward to many more hospitals around the world copying the ingenuity of the team at St. Vincent’s and can’t wait to see what they come up with for Slow Art Day 2025!
Denise Bernabè, the Membership Coordinator at MART, selected five pieces from the Galleria Civica di Trento, the museum’s venue for temporary exhibitions and a hub for local Trentino artists. These works are part of the exhibit titled “Allegoria della Felicità Pubblica” (“Allegory of Public Happiness”), featuring pieces by Maurizio Nannucci, Diango Hernandez and Nan Goldin. The selected artworks were sent to participants via email a few days ahead of Slow Art Day, so that they could take their time and contemplate them slowly on their own in advance.
Participants engaging with Maurizio Nannucci’s “Moving Between Different Opportunities and Open Singularities,” 2017-2018
Participants engaging with Anna Esposito’s “Prima e dopo il concerto,” 1982
Participants engaging with “Tired Stop” by Diango Hernàndez, 2008
On Slow Art Day, participants were divided into two groups, each guided by a coordinator who engaged them in conversation about the artworks. They re-titled the works based on what each group felt they should be named and assigned scores from 0 to 5 based on the level of emotion evoked and aesthetic pleasure. They also discussed if they would put the artwork in their own home.
Further to make the inter-generational conversation work, an old “Amico del Museo” (literally ‘friend of the museum’), who is a professor at the University of Enology in San Michele all’Adige, brought a group of students to join Slow Art Day. These students were then invited them to engage with their “Amici del Museo” (lit. ‘friends of the museum’), mainly made up of older participants.
Discussions between and across generations were inspiring, and many said that they enjoyed the experience.
“Slow Art allows me to truly see the artworks, to see them through my own eyes. I visit so many museums that I often walk through the galleries without really looking. But Slow Art reminded me that artworks have meanings, even if there are multiple interpretations. It’s my task as an art advocate to capture at least a couple of those meanings.”
MARIAGRAZIA, Slow Art Day participant
“What I appreciate about Slow Art is the opportunity it gives me to listen to different opinions, often enriching my own understanding of the artwork. It sparks discussions and inspires me. I’ve also noticed that I’m now influenced by slow looking even when I visit other museums on my own.”
GIUSEPPE, Slow Art Day participant
Slow Art has become a well-established practice at the Museum of Modern and Contemporary Art of Rovereto and Trento (MART). Every month since 2020, a selection of artworks is presented to the Friends of the Museum (“Amici del Museo”), MART’s Members. They view the artworks together and share their perspectives both online and in person.
At Slow Art Day HQ we are always excited to hear about events at MART and how they continue to engage the wider community of museum members, including across generations, in slow looking activities throughout the year as well as for Slow Art Day itself.
We can’t wait to see what they come up with for Slow Art Day 2025.
This year Galleri Pictor and Munka folkhogskola (a Swedish folk high school and adult education center) hosted Slow Art events several times during the year: once in April for Slow Art Day, and three times during the summer for art students taking summer courses at the center. The slow looking sessions all took place at Galleri Pictor and each session focused on a single artwork – Clara Lundgren’s “Det var här” (“It was here”).
Clara Lundgren (undated). “Det var här” (It was here). Acrylic on canvas. 69×82 cm. This artwork was used for the slow looking sessions at Galleri Pictor.
Arriving participants were welcomed and given a worksheet (in Swedish) containing instructions for eye palming along with slow looking prompts.
These instructions have been translated into English below:
— Materials: Artwork, Worksheets and Timer —
1) Eye Palming is a technique to relax the muscles around the eyes. Warm your hands by rubbing them together for a few seconds. Close your eyes and press your palms lightly against your cheeks, then cup your fingers over your eyes and eyebrows. Breathe slowly and deeply for three minutes.
2) Open your eyes slowly and look at the artwork with the same focus you had on your breathing. – What do you notice? – What colors, compositions, shapes and materials do you see? – Does the artwork remind you of an event in your life? – Do you think others notice the same thing as you? If your mind wanders, try to focus again on the image. Look at the artwork for 10 minutes.
3) Relax again. Take a few deep breaths and notice any further thoughts you have about the artwork.
4) Write down reflections on the worksheet. Do this for 10 minutes.
5) Finally, we reflect together on our experiences of the image and how it felt to do the activity.
During the slow looking session Charlotte Fällman Gleissner, art expert and teacher at Munka Folkhögskola, kept track of the time transitions using a timer.
For the closing group reflection, Galleri Pictor repeated their successful concept from last year of sharing tea and biscuits together while participants discussed their slow looking session. Some of the reflections from this section of the event are included on the Pictor Gallery blog (in Swedish).
We love the focus on a single art work (the original idea for Slow Art Day was to spend one hour with a single artwork).
We can’t wait to see what Galleri Pictor and Munka folkhögskola come up with for Slow Art Day 2024 – and throughout the year. We also hope that future events include tea and biscuits, especially if they save some for us!
Led by Director of Education, Philipp Malzl along with student educators Joseph Rowley, Susannah Kearon, Sophie Houghton, Kate Daily, and Alexa Ginn, the social media-based event encouraged viewers to slow down the fast pace of internet/social meldia viewing and contemplate a work of art for 60 seconds or more.
YouTube videos were created highlighting works on display at the museum, and prizes were offered for commenting on each video. Each of the five videos is below:
Some of the comments received include: “I definitely am the type to often rush through art museums and only stop to look at paintings that I have seen before. Once I stopped to look at this for longer I realized just how liminal the composition is, and how much darker it felt when I just spent time with it for a moment. Super cool!”
“I love this series of 60-second videos! It is meditative to watch. My daughters are watching them with me now. One daughter noticed the vertical lines of the figure and the basketball hoop, and how if you turned the painting upside down, those lines would still be in similar places. The other daughter noticed that the basketball hoop was a tin can with the bottom cut out.”
The Brigham Young University Museum of Art hosts slow looking tours on a quarterly basis, in addition to having a printed slow looking guide available year-round at the information desk.
We look forward to seeing what they come up with for Slow Art Day 2023.
For their third Slow Art Day, Europos Parkas, or the “Open-air Museum of the Center of Europe”, held an in-person event hosted by Lina Karosienė of the European Park, and Karen Vanhercke and Justina Kaminskaite of Easel World, an agency focused on connecting people through art.
Located in the geographical center of Europe, near Vilnius, Lithuania, the European Park is an outdoor museum of modern and contemporary art that has been operating since 1991.
Location of Europos Parkas
Their Slow Art Day featured sculptural works by Marius Zavadskis and Adomas Jacovskis, seen below.
Photography courtesy of Gintare UžtupytėPhotography courtesy of Gintare UžtupytėMarius Zavadskis, Carousal, Photography courtesy of Gytis JuodėnasAdomas Jacovskis, Lying Head, Photography courtesy of Gytis JuodėnasPhotography courtesy of Gintare Užtupytė
We love sculpture parks and would have enjoyed slowly walking around and inside some of these sculptures.
Participants of the Slow Art Day seemed to love it too – and reported that slowing down changed their relationship to the park and to the art. “Earlier I just saw this park as the place full of objects, and now I see the artworks in a whole new light,” said one. Yes!
The team at European Park also produces year-round Slow Art programming and has created a special route through the park that encourages participants to look at art (and nature) slowly.
This beautiful video in Lithuanian (below) on their YouTube channel gives an idea of how they have done this.
It’s great to have this central European art park participating, especially during this difficult time for the region. We look forward to seeing what they come up with for their fourth Slow Art Day.
For their 7th Slow Art day, the Harn Museum of Art, located on the campus of The University of Florida in Gainsville, featured 5 artworks from their collection, including:
– Dogon Couple, by Kehinde Wiley – Northeast Gorge at Appledore, by Childe Hassam – Pli Selon Pli, by Akiyama Yo – Waiting for the Signal, by Robert Fichter – Horizontal Mask (korubla), by a Senufo artist
Host Allysa Peyton, Curator and Student Engagement Manager, and a group of University of Florida student ambassadors greeted participants with a flier that spelled out instructions, featured art works, and space to draw or take notes (see below).
The Harn instructed attendees to spend 10-12 minutes with each of the five featured artworks and encouraged them to not only draw or make notes, but also to reflect on the experience of looking slowly – and how what they see in the art may change over time.
After the slow looking session, everyone then gathered for tea, cookies, and discussion.
Educators and curators in the slow looking movement should take a look at their simple flyer (attached above) and consider copying elements of their approach for future sessions.
Akiyama Yo, Pli Selon Pli, 2002Kehinde Wiley, Dogon Couple, 2008Robert Fichter, Waiting for the Signal, 1981Senufo Artist, Horizontal Mask (korubla), 20th century
The Harn Museum of Art has also launched a year-round program Art & Mindfulness, which incorporates slow looking and guided meditations in 40-minute workshops.
We at Slow Art Day HQ like the incorporation of drawing and notes – and especially appreciate the cookies and tea (yum, yum) at the end – and we look forward to seeing what they come up with for Slow Art Day 2023.
For their second Slow Art Day, Northern Lights Gallery, based in Melfort, Canada and hosted by Sandra Dancy, focused on beauty as a temporary escape. Seven artists from Melfort – a city of about 6,000 in central Saskatchewan – offered one piece of their work for slow looking.
Write Down to my Soul, Jen Kjelshus, Mixed media on paper
Untitled, Linsey Levendall, Acrylic on Cradleboard
Dancy’s vision for the Slow Art Day was simple: slow people down to enjoy beauty and use art as therapy in a difficult world.
She said:
Slow Art Day is the perfect way to focus on the artistic beauty that is everywhere and to briefly escape the many things going wrong in the world. It reinforces how therapeutic art is for the artists and the viewers.
Found and Free, Kylie Severight, Acrylic on Canvas
Northern Lights Gallery also produces slow looking events throughout the year including their mid-summer “Back Alley Tour,” which encourages participants to look slowly at the work-in-progress of local artists (as well as attend workshops and interactive art making experiences).
